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| | #1 |
| Gear Head Joined: Feb 2008
Posts: 54
Thread Starter | What's your go-to vocal mic for female singers?
Ok, what's your number one go-to microphone for female singers (any vocal style)?
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| | #2 |
| Moist PRO Joined: Sep 2004 Location: Nashville
Posts: 441
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M269c is my first choice. Then M49. After that, it's the usual suspects. |
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| | #3 |
| Gear nut Joined: Nov 2004 Location: Erfurt/ Germany
Posts: 119
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Neumann UM 57 or Gefell UM 70 |
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| | #4 |
| Gear addict Joined: Jan 2008 Location: Johnston, RI
Posts: 352
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Peluso P-12 into a Vintech 1272 pre. Absolutely killer! Ben Mesiti TheStudioRI.com |
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| | #5 |
| Lives for gear |
Peluso 2247SE or the 22 251 if it's a real nice airy voice
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| | #6 |
| Lives for gear Joined: Jan 2005 Location: Sydney, Australia
Posts: 1,525
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Blue Kiwi!
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| | #7 |
| Lives for gear Joined: Mar 2006
Posts: 6,130
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149 ...but only because I don't have a 67.
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| | #8 |
| Lives for gear Joined: Feb 2004 Location: MO USA
Posts: 2,153
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#1 Sony C48 #2 Peluso 2247LE #3 Neumann M149 Almost always in omni pattern. Been through lots, those are the ones I kept. If I had an open budget, then M49 without a doubt would be my top pick, for almost any singer. Where are all the M49 clones? ![]() Steve |
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| | #9 |
| Gear Head Joined: Feb 2008
Posts: 54
Thread Starter |
Anyone using a blueberry?
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| | #10 |
| Gear nut Joined: Feb 2007 Location: Chicago Area
Posts: 120
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Very good luck with the Gefell UM 92.1S Sounds great !
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| | #11 |
| Lives for gear Joined: Sep 2005
Posts: 811
| For me...
Karma Audio K-6 into SCA N-72 preamp....sounds just gorgeous. Jay |
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| | #12 |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
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john holmes 12XL.. it always gets them worked up
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| | #13 |
| Lives for gear Joined: Aug 2007 Location: Orange County, CA or Oberlin, OH
Posts: 1,752
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I just put my girlfriend through a nady RSM-4 and that is the most beautiful thing ever on her voice, cheap, but nice and soft... comfy... airy... just damn beautiful. I like ribbons on women. I wish I had a bigger mic collection though.
__________________ Just having fun! |
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| | #14 |
| Lives for gear |
Something 47'ish. Most of the time, a Soundelux E47. If that doesn't work, then its usually because I'm looking for something with a little more top and maybe a little more modern sounding, in which case I give the Telefunken AK47 a go. And if that doesn't work, I pick up the phone and call someone else! I'm kidding... sort of. Ed |
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| | #15 |
| Moderator Joined: Jan 2004 Location: New Zealand/Switzerland/guitar case
Posts: 8,273
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I find most mics that are marketed as vocal mics sound good on male singers, but not often on female singers. I have been recording a female recently who sounds great through my josephson e22 (typically a tom mic). Ribbon mics can be good if you want that kind of sound. narco
__________________ Steve Gadd, New York Brass, David Kahne, Abbey Road Mastering, all featuring on Lesley Meguid (my wife)'s album "The Truth About Love Songs", out now! Check out some previews on www.itunes.com/lesleymeguid or Lesley Meguid on Facebook - neve, fairchild, m49 for vox etc.. |
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| | #16 |
| Gear Head Joined: Feb 2008
Posts: 54
Thread Starter |
anyone else?
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| | #17 |
| Gear maniac Joined: Oct 2006 Location: Los Angeles
Posts: 164
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Soundelux e250. Much prefer it to Brauner and Neumann M149.
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| | #18 |
| Lives for gear Joined: Feb 2005 Location: NYC
Posts: 543
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Neumann - M269c
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| | #19 |
| Gear maniac Joined: Sep 2006
Posts: 174
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Korby Kat Blue or Neumann CMV 563/M7
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| | #20 |
| Lives for gear Joined: Feb 2007 Location: Nashville, TN
Posts: 1,192
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AT3035! I'm waiting for my first chance to use my new Avant CV 12 for female vox, but the 3035 has never let me down here. It's won out over U87, U47, AKG "The Tube", 414 for one of my favorite female vocal clients.
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| | #21 |
| Lives for gear Joined: Dec 2002 Location: CARMEL
Posts: 1,547
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AT 4030 or U 89 to a Manley DVC
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| | #22 |
| Lives for gear |
I don't have a huge selection, but - BLUE R6 on either AKG C451, or sometimes on a CL TS-1 is rarely beaten. I have used ribbons - most often to help 'thicken' otherwise anemic/nasally/sibilant voices. I'll put it beside another mic, and blend the 2... I haven't had the chance to put my recently re-ribboned M260NC in front of a gal, but am looking forward to trying it out as well. |
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| | #23 |
| Lives for gear Joined: Jan 2005 Location: Sydney, Australia
Posts: 1,525
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| | #24 |
| Lives for gear Joined: Mar 2006
Posts: 6,130
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149 ...but only because I don't have an 87.
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| | #25 |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,394
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. nah!, you don't want an 87 - skerew that... what you NEED is a good pzm.... ![]() .
__________________ Sqye (Sky) ::::::::::::::::::::::::::::::::Music 4 Film+TV+Web:::::: Wired Planet::::::Buddha Studio Cat i7 + RME UFX + Linkwitz Orions + Tyler Acoustics Linbrooks + Buzz Audio Arc + GT-67 + Sonar + Komplete + Omnisphere-Trilian-Stylus + Symphobia |
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| | #26 |
| Gear addict Joined: Apr 2003
Posts: 496
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ADK Vienna AU
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| | #27 |
| Gear maniac Joined: Mar 2008
Posts: 214
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I started with a Blue-Blueberry and switched to the SM7B. The Blue is a great mic for acoustic guits but for my particular singer, the highs were coming in just a tad too bright. Signal chain at the time- BLue->2BA-221->TLA-50->DAW. I'll try again with a different signal path. BLue->X73i-> Purple Action->RME ADI-2-> DAW..we'll see how it works out. The SM7B has a very flat response. You can play with your sound afterwards. |
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