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| | #1 |
| Gear addict Joined: Dec 2005 Location: Va / NJ
Posts: 406
Thread Starter | Using a Grand Piano as a reverb
This is something I have tried a few times and was talking today to another engineer who had also played around with it. I thought maybe someone here would have some cool tips and tricks for doing this. My process is to use a small speaker, like an Auratone for example, and place this under the soundboard as close as I can get without touching. This is fed from an aux send. Then I put a weight on the damper pedal and mike the piano with a stereo pair of SD condensors. If you get the levels right you can get some awesomely organic sounds, but you still have some bleed from the speaker. Anybody ever try some kind of driver mounted on the soundboard? Other ideas?
__________________ "After silence that which comes nearest to expressing the inexpressible is music." - Aldous Huxley |
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| | #2 |
| Lives for gear Joined: Jun 2002 Location: Santa Monica, CA
Posts: 6,601
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Instead of holding down the damper, try taping down all the keys of a certain chord or tonal center. -R |
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| | #3 |
| Gear nut Joined: Feb 2008 Location: Siberia, Vermont
Posts: 134
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PSP make a little free plugin called Pianoverb that simulate exactly what you're discussing. Check it out, if it's compatible with your platform.
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| | #4 | |
| Lives for gear Joined: Jun 2002 Location: I left my heart, in...
Posts: 1,881
| Quote:
Go for the real deal. Put a brick on the sustain pedal, tie some silverware to the strings to make it rattle...go crazy. Have fun, experiment, this is what it is all about.
__________________ -David R. "An intellectual says a simple thing in a hard way. An artist says a hard thing in a simple way." - C. Bukowski | |
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| | #5 |
| Lives for gear |
I've done this to create bloom for a sampled piano part. Makes sampled piano parts sound way more real. Doesn't even have to be a good piano. It's kind of akin to reamping a piano. I use a speaker a bit bigger than an auratone, though. I've met couple engineers who will always mic the grand piano in the room regardless of what's being recorded in the room. Sometimes they'd use it in the mix, sometime not.
__________________ I'm not a producer, but I play one on Gearslutz.com |
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| | #6 |
| Lives for gear Joined: Jan 2005 Location: New Jersey
Posts: 672
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| | #7 |
| Gear addict Joined: Mar 2006 Location: Asheville, NC
Posts: 310
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We have a raw piano soundboard in a utilty closet here and I have always thought about using it as an interesting 'verb device. Mabey treating it like a plate? Any other takers?
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| | #8 |
| Gear maniac Joined: Dec 2007
Posts: 163
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| | #9 |
| Gear nut Joined: Feb 2008 Location: Siberia, Vermont
Posts: 134
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| | #10 |
| Lives for gear Joined: Apr 2006 Location: Inside the Outside
Posts: 1,193
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| | #11 |
| Gear nut Joined: Jul 2007 Location: Leicestershire, England
Posts: 112
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| | #12 |
| Gear addict Joined: Jan 2008 Location: Winterthur, Switzerland
Posts: 398
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I often run mixes (or part of it) through my recording room and re-record it to get some nice ambi, and sometimes I combine this with the "pianoverb", I just put the microphones close to the piano, and I have to crank them speakers up like hell to activate the strings... I tape down a suitable chord if I wanna use it as a special effect. If I want a "real" reverb I hold down the damper pedal. But hey, Les Paul, Eddie Cochran and others did the same thing way back in the fifties... So it's one of the oldest "artificial reverb units". |
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| | #13 | |
| Gear nut Joined: Dec 2007 Location: New Orleans, LA
Posts: 121
| Quote:
Sort of along the same line, I was thinking, how about using some small speakers, and duct taping them to the strings? (In particular the bass strings.) You could maybe also re-purpose some spring reverb transducers, and use the piano strings as temporary reverb springs. Also, to expand on what Jayro mentioned about using a raw piano soundboard. A number of years back, I saw a really great free jazz show where they used a couple piano soundboards as percussion instruments. (Sam Rivers, Kidd Jordan, & co., doing a tribute to Coltrane.) | |
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