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| View Poll Results: how do you join the analogue and the digital domain? | |||
| record on daw/hd-recorder and mix on an analogue desk with tons of outboard | | 5 | 14.29% |
| just having a stack of pre's and do the rest itb | | 16 | 45.71% |
| like nr. 2 but with analogue summing | | 1 | 2.86% |
| like nr. 2 but with hardware-inserts/fx | | 10 | 28.57% |
| all/most of them, depending on the project currently working on | | 3 | 8.57% |
| Voters: 35. You may not vote on this poll | |||
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| | #1 |
| Gear nut Join Date: Feb 2005
Posts: 84
Thread Starter | best of both worlds how do you join the analogue and the digital domain? 1. record on daw/hd-recorder and mix on an analogue desk with tons of outboard 2. just having a stack of pre's and do the rest itb 3. like nr. 2 but with analogue summing 4. like nr. 2 but with hardware-inserts/fx 5. all/most of them, depending on the project currently working on please tell us about pros and cons this poll is not about analogue or digital is better, it's about best of both worlds |
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| | #2 |
| Lives for gear Join Date: Feb 2008 Location: Oxfordshire, UK
Posts: 4,902
| What analogue domain? Digital microphone directly into a hard disk recorder. The only analogue is the sound in the air before it hits the microphone. ![]() There is no analogue anywhere in the chain - it's all digits.
__________________ John Willett Circle Sound Services President - Fédération Internationale des Chasseurs de Sons (and lots more - please look at my Profile) |
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| | #3 |
| Gear nut Join Date: Feb 2005
Posts: 84
Thread Starter | for all those voted nr. 4: what kind of h/w-Inserts and fx do you use? Reverb/Eq/Comp.... And Why? (eg. working on a native system, / no similar plug available....) |
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| | #4 |
| Gear nut Join Date: Feb 2005
Posts: 84
Thread Starter | |
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| | #5 |
| Lives for gear Join Date: Apr 2006 Location: Inside the Outside
Posts: 1,195
| Or entirely compromise, depending on your opinion of the inherent wonderfulness of zeros and 1s. ![]()
__________________ . |
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| | #7 |
| Lives for gear Join Date: Feb 2006 Location: Munich, Germany
Posts: 1,480
| Best of both worlds indeed. In my music recordings, it's Mic-Pre-AD-DAW with ITB processing (if it's jazz aiming at vintage sound, I send the 2-mix out to a Revox 2-track and back into the box again, but that's the exception to the rule). In film sound, however, I still use the old Nagra 4.2 depicted on the left. Reliable, sturdy, great-sounding - and camera guys think it's difficult to operate, so they look at me like at a magician (although I think cameras are way more difficult - nothing's as esy as the Nagra actually). As most cutters don't seem to know how to handle analog tape anymore, I usually digitize the material myself and give the takes to them as conveniently named individual files on a DVD.
__________________ Microphones always make me sound louder and better! -- Guitar Girl |
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| | #8 |
| Gear nut Join Date: Feb 2005
Posts: 84
Thread Starter | |
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