Gearslutz.com
All Advertisers

Go Back   Gearslutz.com > The Forums > So much gear, so little time!

Similar Threads
Thread Thread Starter Forum Replies Last Post
Stephen Marley "Mind Control" Antagonist Rap + Hip Hop engineering & production 6 7th October 2007 08:13 PM
What happened to Pharrell's "In my mind" Album ? Zacchino Rap + Hip Hop engineering & production 7 9th August 2006 10:31 PM
Drums on Joss Stone - "mind, body & soul" tomdarude So much gear, so little time! 9 18th June 2005 02:41 PM
Who recorded/mixed "Fight for your Mind"? Steve Smith So much gear, so little time! 3 22nd December 2002 03:08 AM

Reply
 
Thread Tools Search this Thread Rate Thread Display Modes
Old 9th January 2008, 07:01 PM   #1
Mr. Liszt
Gear maniac
 
Join Date: Dec 2007
Posts: 270
Anyone mind explaining, "phase cancellation?"

I noticed an interesting article in the new "Tips & Techniques" wiki titled, "Noise Guitar Amp:"

http://www.gearslutz.com/board/tips-...uitar-amp.html

Discussed is the removal of unwanted signals through the process of "phase cancellation." I am familiar with the practice of avoiding PC when tracking through the 3 to 1 method and I think I understand a tiny, tiny, tiny bit why PC happens and its effect (removal/cancellation of a signal through a mirrored [symmetrical?] image copy of the wave form?) but I don't understand how to use it after tracking is done in the mix. I'd like to experiment with this technique but I don't understand how to even just simply reverse the phase of a track either in my DAW, Logic 8.
__________________
"Yeah, I worked in a barbershop. But I never considered myself a barber..."

http://www.jeromeperry.com
Mr. Liszt is offline   Reply With Quote
Old 9th January 2008, 07:11 PM   #2
3rd world order
Lives for gear
 
3rd world order's Avatar
 
Join Date: Sep 2005
Location: ann arbor, michigan
Posts: 1,903
Send a message via ICQ to 3rd world order Send a message via AIM to 3rd world order Send a message via MSN to 3rd world order Send a message via Yahoo to 3rd world order
pretty simple really... record a full track of amp noise thru the same signal path, flip the phase with INVERT in protools (or whatever) and add it to the guitar track.

i'm kind of surprised it works...

i'll have to try this


you have to track this in the beginning or it wont work.. the idea is to isolate the "noise" with the same signal path.. same mic, position, gain, etc...
__________________
3WO - Mixing Without Tears

"Tape is a mangler.." -- Slipperman // "The idea of the perfect album is this amorphous thing we're always aiming at. For us, it can mean something full of imperfection. Part of our aim has always been to destroy the sound in a beautiful way. It doesn't mean we expect everyone would like it. I'm not sure we will ever get there... but the whole point of making music is at least to aim at your own idea of perfection." -- Boards of Canada
3rd world order is online now   Reply With Quote
Old 9th January 2008, 08:41 PM   #3
MarkRB
Lives for gear
 
MarkRB's Avatar
 
Join Date: Aug 2005
Location: London, UK
Posts: 854
Phase cancellation happens where one waveform is going up and the other going down, therefore negating each others effects.

If the waveforms are exactly opposite you will have absolute cancellation or a 'null'.

Knowledge of phase is really very usefull, for instance if you have a full mix and an acapella (of the same track obviously) by inverting the phase of the acapella and playing them side by side you can completely remove the vocals from the full mix.

Or even guitar amp noise from a guitar track, although that won't eliminate it completely as the noise will have a certain amount of random variance that you won't be able to recreate perfectly.

Hope that all makes sense.
MarkRB is offline   Reply With Quote
Old 9th January 2008, 08:45 PM   #4
donsolo
Lives for gear
 
donsolo's Avatar
 
Join Date: Dec 2005
Location: Austin
Posts: 1,243
Send a message via AIM to donsolo
it's trickier than that though

most guitar noise is 60hz...

That oscillates so if you don't time-align it to cancel properly, you'll wind up with MORE noise
__________________
"its like talking to a door to door salesman, but with a filthy mouth and a f*cked up view of male and female relations" - Tuna Butter on Pimps

Quote:
Originally Posted by Stitch333 View Post
I dont have a playstation so I have to book a big room to get my Metal Gear fix.
donsolo is offline   Reply With Quote
Old 9th January 2008, 08:57 PM   #5
Flymax
Lives for gear
 
Flymax's Avatar
 
Join Date: Dec 2004
Posts: 751
Quote:
Originally Posted by MarkRB View Post
Ph for instance if you have a full mix and an acapella (of the same track obviously) by inverting the phase of the acapella and playing them side by side you can completely remove the vocals from the full mix.
U Ever Try That?
Flymax is offline   Reply With Quote
Old 9th January 2008, 09:13 PM   #6
MarkRB
Lives for gear
 
MarkRB's Avatar
 
Join Date: Aug 2005
Location: London, UK
Posts: 854
Yes I've done it a few times. I've even done vocals down mixes for ppl that way.
MarkRB is offline   Reply With Quote
Old 9th January 2008, 10:06 PM   #7
Flymax
Lives for gear
 
Flymax's Avatar
 
Join Date: Dec 2004
Posts: 751
I'd think it wouldnt work because of FX and such..
I'll try it..
Flymax is offline   Reply With Quote
Old 10th January 2008, 01:31 AM   #8
seedee701
Gear nut
 
Join Date: Dec 2003
Posts: 80
Quote:
Originally Posted by Mr. Liszt View Post
I don't understand how to even just simply reverse the phase of a track either in my DAW, Logic 8.
on the better desks there is a phase-flip button, for each channel. usually right next to the gain button.

in logic (7) in the 'helper' plugin-folder you find a 'gain' plugin. this has a phase switch

also there are many 3rd-party plugins (EQ COMP...) that include a phase-button (waves mcdsp urs...)

in sample edit -> functions you can render an audio-file with the 'invert'-command

i remember the first time i tested theory years ago:

duplicate a track and invert the phase on one with one of the above methods.
set faders to 0
hit play, the meters move but ... silence ...hmm i don't quit believe...

i set the volume higher ... hmm still nothing happens... realy nothing?? more volume....

i mute one track BANG!!

physics in action
seedee701 is offline   Reply With Quote
Old 10th January 2008, 02:33 AM   #9
Mr. Liszt
Gear maniac
 
Join Date: Dec 2007
Posts: 270
Quote:
Originally Posted by seedee701 View Post
on the better desks there is a phase-flip button, for each channel. usually right next to the gain button.

in logic (7) in the 'helper' plugin-folder you find a 'gain' plugin. this has a phase switch

also there are many 3rd-party plugins (EQ COMP...) that include a phase-button (waves mcdsp urs...)

in sample edit -> functions you can render an audio-file with the 'invert'-command

i remember the first time i tested theory years ago:

duplicate a track and invert the phase on one with one of the above methods.
set faders to 0
hit play, the meters move but ... silence ...hmm i don't quit believe...

i set the volume higher ... hmm still nothing happens... realy nothing?? more volume....

i mute one track BANG!!

physics in action
Thanks seedee,

I tried this but ran into a snag that I am trying to figure out. I recorded a simple track of speech. I then created a new track and cloned track 1 data to track 2. I opened track 2 in the Sample Editor and selected "invert" as you said. Track 2 did indeed invert but the only problem is that track 1 also inverted. Must be something simple that I am missing. I don't know why a command for one track would effect another. Some kind of preference setting somewhere?
__________________
"Yeah, I worked in a barbershop. But I never considered myself a barber..."

http://www.jeromeperry.com
Mr. Liszt is offline   Reply With Quote
Old 10th January 2008, 03:04 AM   #10
seedee701
Gear nut
 
Join Date: Dec 2003
Posts: 80
you need to duplicate the AUDIOFILE before rendering

check out the difference between audio region and audio files in logic.

regions lay around on your tracks in logic and refer to an audio file (on your hard-disk). many regions can refer to one single audio file. in sample edit you make changes to the actual FILE. in arrange you make changes to regions.

you actually inverted the FILE that both tracks where referring to.
seedee701 is offline   Reply With Quote
Old 10th January 2008, 03:54 AM   #11
AllAboutTone
Lives for gear
 
AllAboutTone's Avatar
 
Join Date: Aug 2007
Location: USA
Posts: 2,006
I use Phase cancellation all the time to get a more controlled track if needed, works great on kick as well, to me mixing one tarck in a little puts a nice bounce airy mix to a track, also can give the track a more open sound at times.
I do not copy though, i use 2 mics on the source at the same place.
__________________
No Signature Required.
AllAboutTone is offline   Reply With Quote
Old 10th January 2008, 08:00 AM   #12
slaves666
Lives for gear
 
slaves666's Avatar
 
Join Date: Sep 2005
Location: Montreal
Posts: 1,294
Send a message via AIM to slaves666
I have a Les Paul Junior that makes a lot of noise but sounds killer, but maybe I can get around it with this tip....thx.
slaves666 is online now   Reply With Quote
Old 10th January 2008, 08:10 AM   #13
Mr. Liszt
Gear maniac
 
Join Date: Dec 2007
Posts: 270
Quote:
Originally Posted by slaves666 View Post
I have a Les Paul Junior that makes a lot of noise but sounds killer, but maybe I can get around it with this tip....thx.
I have the same amp! I love it!! I searched amp after amp and tried this one on a whim. No contest once I heard this thing. Pricey one knob and 5 watts but worth every penny. I don't have too much trouble with the noise though. What guitar(s) are you using?
__________________
"Yeah, I worked in a barbershop. But I never considered myself a barber..."

http://www.jeromeperry.com
Mr. Liszt is offline   Reply With Quote
Old 10th January 2008, 09:30 AM   #14
Sigma
Lives for gear
 
Sigma's Avatar
 
Join Date: May 2006
Location: phallicdelphia
Posts: 2,459
it is how we did strings..we played speakers in the studio so the string players didn't have to wear headphones ..when we doubled we inverted the phase of the speakers..when yaa played it back together at the same level..they were gone
__________________
I believe that we have to content ourselves with our imperfect knowledge and understanding and treat values and moral obligations as a purely human problem - the most important of all human problems"....alberta weintsein

" Most people go through life dreading they'll have a traumatic experience. Freaks were born with their trauma. They've already passed their test in life. They're aristocrats."

http://www.myspace.com/miketarsia
http://miketarsia.com
Sigma is online now   Reply With Quote
Old 10th January 2008, 09:41 AM   #15
Mr. Liszt
Gear maniac
 
Join Date: Dec 2007
Posts: 270
Figured it out by using the mentioned gain plug in with the phase inverter. Amazing! This could be useful.

Sigma, I've never recorded a large of ensemble of strings but if I ever do, in the absence of a headphoned conductor I can see this really working out as a viable alternative to having 50 pairs of headphones and a snake bed of wires.
__________________
"Yeah, I worked in a barbershop. But I never considered myself a barber..."

http://www.jeromeperry.com
Mr. Liszt is offline   Reply With Quote
Old 10th January 2008, 12:42 PM   #16
Jules
Gearslutz.com admin
 
Jules's Avatar
 
Join Date: Apr 2002
Location: London, UK
Posts: 11,200
Quote:
Originally Posted by FLYMAX View Post
I'd think it wouldn't work because of FX and such..
I'll try it..
Any random action stuff like reverbs and tape recorder wow & flutter - will compromise the efficiency of it working..

So if you had a lot of compression on the guitar amp signal, that will monkey with the level and tone of the background noise on that track , rendering it slightly 'different' (read not 100% phase flipped) from the 'noise only' recorded track..

So to repeat, if there are ANY variables - the trick works to a variable degree (sometimes well, sometimes not at all, sometimes only half working) etc

But its definitely work experimenting with..

Its a fun "pure science" issue that every engineer should have some experience with

__________________
Jules

" Are you serious? Do I have to read this entire thread?" - Han
Jules is offline   Reply With Quote
Old 10th January 2008, 12:46 PM   #17
MarkRB
Lives for gear
 
MarkRB's Avatar
 
Join Date: Aug 2005
Location: London, UK
Posts: 854
Yeah I should point out that the stems I use are generally printed at the same time as the mix so are identical.

Although I will experiment with a 2 pass reverb and see how far out they are, just for the hell of it.

EDIT****

I just tried a quick in the box version of this test.

1 vocal file, 1 Digi Medium delay 120ms 40% Feedback and 1 Digi Reverb 50% mix, 4 second decay.
2 passes BTD, no master fader. Import files, invert one.

Result: Absolute Cancellation all the way through!!!

It seems plugins are less random than you would imagine.

I will try some more exotic plugins when I get a few minutes, might also try some hardware at some point. I find this stuff quite interesting (which is kind of sad).
MarkRB is offline   Reply With Quote
Old 10th January 2008, 05:23 PM   #18
Blast9
Lives for gear
 
Blast9's Avatar
 
Join Date: Dec 2003
Location: London
Posts: 2,675
Quote:
Originally Posted by Mr. Liszt View Post
Thanks seedee,

I tried this but ran into a snag that I am trying to figure out. I recorded a simple track of speech. I then created a new track and cloned track 1 data to track 2. I opened track 2 in the Sample Editor and selected "invert" as you said. Track 2 did indeed invert but the only problem is that track 1 also inverted. Must be something simple that I am missing. I don't know why a command for one track would effect another. Some kind of preference setting somewhere?
As seedee mentioned, you need to click on the file in the audio window and select file >>> copy or "save as" (can't remeber)

You can then double-click the copy and "invert " from one of the menus up top (sorry to be vague... am not sitting in front of my DAW at the mo)
__________________
::
my band is called protoangel
[size="1"].
My guitars: Atkin OM (sitka spruce top walnut back: sweet mids):: Atkin Small Jumbo (cedar top, rosewood back: big bottom, sparkly top):: Jap Tele with fat frets (rude and fat)::
.
My amps: 1973 Hiwatt DR504::Framus Dragon
...
Latest purchases Kel Audio HM-2d TC Electronic Nova System, Chameleon Labs 7602 Digi 002 + PTLE, Addictive Drums
Blast9 is offline   Reply With Quote
Old 10th January 2008, 05:53 PM   #19
sleeps
Gear nut
 
Join Date: May 2007
Posts: 126
Quote:
Originally Posted by MarkRB View Post
Knowledge of phase is really very usefull, for instance if you have a full mix and an acapella (of the same track obviously) by inverting the phase of the acapella and playing them side by side you can completely remove the vocals from the full mix.
Indeed this method works very well. I do quite a bit of mixing for commercials, informational videos, etc. This allows me to isolate the vocals of a song so I can mute/unmute them in sections where their may be an interview, but only the music should be layered.
__________________
Take care!
sleeps is offline   Reply With Quote
Reply

Bookmarks

Thread Tools Search this Thread
Search this Thread:

Advanced Search
Display Modes Rate This Thread
Rate This Thread:

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off


All times are GMT +1. The time now is 05:21 PM.


Powered by vBulletin®
Copyright ©2000 - 2008, Jelsoft Enterprises Ltd.
Search Engine Optimization by vBSEO 3.0.0