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| | #1 | |
| Lives for gear Joined: Dec 2002 Location: Prague, Czech Republic
Posts: 2,953
Thread Starter | ADAM S6-A Mark II Woofer 315mm (15.5"), 186mm (7.3") HexaCone Freq.response (± 3 dB) 24 Hz - 35 kHz Power 2 x 500W sin (600W music) Digi amps, 3 x 150W sin (200W music) analogue amps Quote:
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| | #2 |
| Lives for gear Joined: Jan 2004 Location: Portland Oregon
Posts: 1,270
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Wow, that black and aluminum color scheme is unusual! Who would have thunk!???? |
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| | #3 |
| Lives for gear Joined: Dec 2002 Location: Prague, Czech Republic
Posts: 2,953
Thread Starter |
where did I see it? Don't worry, your design is aestheticaly much more pleasing than adams... you'll sell more ;-)
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| | #4 |
| Lives for gear Joined: Sep 2003
Posts: 1,500
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Wow!!!!!!!!!!!! How much are those bad boys gonna cost? bee |
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| | #5 | |
| There is only one Joined: Jun 2002 Location: asheville NC
Posts: 5,260
| Quote:
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| | #6 |
| Lives for gear Joined: Jan 2004 Location: Portland Oregon
Posts: 1,270
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No sense of humor? Anyhow, imitation is the highest form of flattery. |
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| | #7 |
| Lives for gear Joined: Dec 2002 Location: Prague, Czech Republic
Posts: 2,953
Thread Starter | I think they should hire another photographer, because most of their photos looks flat, overlighted and without any "vibe". For ex. S3-A doesn't look nice on their photos, but I like how they physicaly. MiniMains surely look nice on the photo. |
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| | #8 | |
| Lives for gear Joined: Jan 2004 Location: Portland Oregon
Posts: 1,270
| Quote:
Thomas | |
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| | #9 | ||
| Lives for gear | Quote:
![]() Hartke's been using that combination for many years as well - they made a nice two-way studio monitor back in the '80s that was black and aluminum...model HS-18, if memory serves. I think that was the first studio monitor I ever saw/heard with an aluminum woofer. I'm definitely looking forward to hearing a pair of your monitors at AES this fall, Thomas! I hope they're doing well for you... Quote:
dB ADAM Audio USA | ||
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| | #10 |
| Lives for gear Joined: Dec 2002 Location: Prague, Czech Republic
Posts: 2,953
Thread Starter |
looking again at the picture, I must admit it is impressive array of transducers, seeing an S3-A component in there gets me an idea of how big is it... oh my ;-))))) This thing should play powerfull, but I'm curious about one thing... there is still only 1 tweeter. It has to get seriously worn out in a quite short time. Or it is so over-spec for for ex S3A? |
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| | #11 | |
| Lives for gear | Quote:
On something like the S3-A, the crossover point from the ART tweeter to the first woofer is around 1.8 kHz. On the units with the folded ribbon midrange units, the ART tweeter crosses into the ART midrange unit at a higher point - around 2.8 kHz, if memory serves. I believe the folded ribbon mid-range unit goes from 2.8 kHz down to around 600 Hz. dB ADAM Audio USA | |
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| | #12 | |
| Lives for gear Joined: Jan 2004 Location: Portland Oregon
Posts: 1,270
| Quote:
Thomas | |
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| | #13 |
| Lives for gear Joined: Jul 2002 Location: MIAMI FLA
Posts: 1,685
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cool stuff dave...but enuff power?? never enuff
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| | #14 | |
| Lives for gear | Quote:
dB ADAM Audio USA | |
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| | #15 |
| Lives for gear |
dB, as you will undoubtedly remember from our visit with Mr. Harris, ... He likes him some power! If these Raidah-colored boxes can drive to bone-marrow-liquification-resonance-levels, Mike might just be pleased. (sorry.. inside joke) -dave |
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| | #16 | |
| Lives for gear Joined: Jan 2004 Location: Portland Oregon
Posts: 1,270
| Quote:
I always try to give very objective opinions regarding the technical pros and cons of any speaker - including my own. This is something I've been doing on several forums, long before I started selling my own monitors. And as long as I can remain objective, I don't see any reason to stop. However, I must admit that when I saw the aluminum on the Adams, I was a little irritated. And I can see now that this is just silly and my first comments in this thread were simply childish. So, I hope you all will accept my sincerest apologies for these particular comments. I put myself before the mercy of the court. As far as my technical statements here, or in any thread, I completely stand by them. And from now on I will try harder to keep things on a purely technical level. And if anyone can show me where I'm wrong, I'll be grateful to admit it. Once again, my apologies. Thomas | |
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| | #17 |
| There is only one Joined: Jun 2002 Location: asheville NC
Posts: 5,260
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i got some Energy home theater speakers that are black and silver too.
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| | #18 |
| Lives for gear Joined: Oct 2003 Location: South East England
Posts: 1,463
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Thomas I didn't think that was to over the top and your posts are always valuable and informed so please keep on keeping on. But don't get to technical it's cool once awhile to see the Slutz behind the Gear. Especially the ones that have the good grace to laugh at themselves sometimes. And if you weren't as passionate I doubt your speakers would be the objects of desire I find them. Jam |
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| | #19 | |
| Lives for gear | Quote:
dB | |
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| | #20 |
| Lives for gear Joined: Feb 2003 Location: London
Posts: 901
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Hats off to you Thomas. Not a lot people would have the guts to do what you did in your last post.
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| | #21 |
| Lives for gear Joined: Jan 2004 Location: Portland Oregon
Posts: 1,270
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Ok, enough of the sap. As for bone liquifaction, I do like that fact that they're restricting the switching amps to the subs. This is the right place, and they can deliver outstanding performance. I see some manufactures using "digi" amps in the high frequencies, and I have to say Wrong... Wrong... Wrong! Probably someday soon switching amps will be as good or better than analog across the entire audio spectrum. But that day is not today. Thomas |
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| | #22 |
| Lives for gear |
Thomas how many tries did it take you before you had a speaker built that sounded better than the typical mid priced set $1k-2k?
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