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| | #1 |
| Lives for gear Join Date: Jul 2002 Location: Nashville
Posts: 1,816
Thread Starter | Name the CDs you use for sonic reference Name the CDs you use for sonic reference, if you would. Please keep it to one, single CD per genre. I mean THE CD you would put up to check a CR, new speakers or your own mix against for a given genre. I think it will illuminate much here. New reference material to scope out, as well as a snapshot of what other posters consider "it ". That would help frame out people who hear the same and who do not when referencing gear as well, perhaps. I'll start with one ref CD. Pop: No Doubt "Rock Steady" CD Regards, Brian T |
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| | #2 |
| Lives for gear Join Date: Jun 2002 Location: Los Angeles
Posts: 683
| Only one... NirvanaNevermindACDCBackInBlack ![]() |
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| | #3 |
| Lives for gear Join Date: Jun 2002 Location: Lost Angeles
Posts: 4,061
| I swear we did this topic here before, but my search came up empty. Blackstreet : Another Level Peter Gabriel : Up Tribe Called Quest : Lo End Theory System of a Down : Toxicity Jessica : You Can't Resist (one of the greatest unknowns) Atari Teenage Riot : 60 Second Wipe Out Dixie Chicks : Home In Search of NERD : The original, and the commercial version with live drums |
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| | #4 |
| Lives for gear Join Date: Oct 2002 Location: Control Room
Posts: 1,949
| Hey Brian... I recently used Pink's "Get The Party Started," mixed by Dave Pensado, to A/B for one particular track on a CD I'm producing, where I needed to get that tight dance sound happening. As Knox pointed out, Dave knows how to get the midrange happening. That's a trick and 1/2 if you're a newbie like I am. It took me 2+ days of tweaking that mix before I got it close enough for R&R. Well worth it, though. The track rocks now. OK, now a question: We're currently producing a REALLY SOFT & SLOW urban ballad. Any suggestions on what to A/B it with? Thanks in advance! |
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| | #5 |
| Gear interested | Recently, I have been making heavy use of Radiohead's "Amnesiac". And, if can tolerate sugary pop, Spike Stent's work the newest No Doubt is tight as balls! ![]() bye-bye paul |
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| | #6 | |
| Gear maniac Join Date: Oct 2002
Posts: 277
| Quote:
Joe | |
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| | #7 |
| Lives for gear Join Date: Jun 2002 Location: London UK
Posts: 1,777
| Charles Dye will be doing a analysis of No doubt's 'Hella Good' in a few days on my 'Guided tour of a hit mix' thread, over on his guest forum, if anyone is interested and wants to join in a discussion. It'd be great to have the people referencing No Doubt involved. |
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| | #8 |
| Gearslutz.com admin | Alt rock reference - Foo Fighters - track 'Monkey Wrench' Monitor check - own production + Extacty album by Lou Reed (was recorded in NYC Seer sound and sounds AMAZING - full range)
__________________ Jules Add your reviews to the new reviews area! Gearslutz on Facebook Follow my GS picks on Twitter |
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| | #9 |
| Lives for gear Join Date: Jun 2002 Location: London, UK
Posts: 2,194
| Beck Mutations Miles Davis Kind of Blue Massive Attack Mezzanine Pavement Wowee Zowee Elastica Elastica Metallica Black Ides of Space First translated in 1965 (Aussie) Personal mixes that i know inside out... Or any albums that come out of the studio cos i generally know who they sound in there so i can relate to other situations/ environments But it also depends on what im listening to at the time...like at the moment im really digging the new album by Sigur Ros and a band from NY called 'Interpol' which is very cool and dark sounding...kinda like they dug up Ian Curtis from Joy Division..eek: :eek: PEACE Wiggy
__________________ If i see another 'Which neve clone is better thread... im seriously gona go postal!!!!!!!" |
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| | #10 |
| There is only one Join Date: Jun 2002 Location: asheville NC
Posts: 5,260
| there is no IT, no THE... it is IMPOSSIBLE to A/B another to something you are working on unless you are working on the same in a remix situation. CD's i think that are sonically blissful however: becks mutations material's hallucination engine clutch's jam room sparklehorse's its a wonderful life aphex twin's richard d james flaming lip's clouds taste metallic |
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| | #11 |
| member no 666 Join Date: Jun 2002 Location: Durham, NC
Posts: 9,465
| Temple of the Dog - Temple of the Dog Tasty- Good Rats Waiting For Columbus- Little Feat Blender- Collective Soul Fear Not The Obvious- The Yayhoos Among others....
__________________ CN Fletcher Professional Affiliations: R/E/P Professional Recording Engineer and Producer forums - serious hobbyists welcome TELEFUNKEN Elektroakustik SoundPure.com mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light |
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| | #12 |
| Gear nut Join Date: Nov 2002
Posts: 85
| Wildflowers - Tom Petty (very natural sounding) Joshua Judges Ruth -Lyle Lovett (for the low end) Swervedriver-Mezcal Head (for the loud guitars) Any 70's era Stones record for vibe and mix levels. Beatles for clarity and seperation. I hold Rudy Van Gelder's records in the highest esteem. |
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| | #13 | |
| Lives for gear Join Date: Jul 2002 Location: Nashville
Posts: 1,816
Thread Starter | Quote:
Dave is great. He's the only other person I've ever willingly let mix an album I was producing and he nailed it. I had to mix one thing on it just to check us out, racing so to speak. Big fun. I don't have the Pink record, but I'll get it. Thanks for the info. As far as Urban, slow and ballad. Hmmm. I don't know exactly what to call the genre, but India Arie's new thing is disturbingly clean and clear. It's got to be some kind of reference point, but I'm really not sure what co compare it to. Maybe have a listen to that? Regards, Brian T | |
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| | #14 |
| Gear maniac Join Date: Sep 2002 Location: salt lake city
Posts: 211
| I'm going to bend the rules a little and list two for each purpose. For open and clean reference: Talk Talk: Colour of Spring Bill Frisell: Nashville For compressed but still clear: Tool: Aenima Steve Earle: Copperhead Road For smashed but still listenable: Prong: Rude Awakening SoundGarden: Badmotorfinger For raw but still controlled: Flaming Lips:Clouds Taste Metallic Radiohead: The Bends For the unattainable: Peter Gabriel: Last Temptation of Christ Where are the new emoticons we were promised dammit!!!!
__________________ Duuuuude. |
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| | #15 |
| Gear maniac Join Date: Jul 2002 Location: Atlanta, GA USA
Posts: 262
| I always come back to Warren Bernhardt - Trio '83 for the unattainable piano sound ( I realize that the particular Steinway and the player make up the sound, but audio-wise it is perfect (everything on DMP sounds awesome)) |
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| | #16 | |||
| Lives for gear Join Date: Oct 2002 Location: Control Room
Posts: 1,949
| Quote:
Quote:
Quote:
I also found ballads by Jill Scott and Floetry, both mixed at Touch Of Jazz studios here in Philly; and a pretty number by Tweet called "My Place." Between those four I should be somewheres in the ballpark. | |||
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| | #17 |
| Gearslutz.com admin | "and a pretty number by Tweet called "My Place."" FYI - e-cue who hangs here has done recent work with Tweet. |
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| | #18 | |
| Lives for gear Join Date: Oct 2002 Location: Control Room
Posts: 1,949
| Quote:
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| | #19 |
| Lives for gear Join Date: Jul 2002 Location: pacific northwest
Posts: 790
| in no particular order for any reason other than it doesnt matter.......... john anderson country til i die little feat waiting for columbus sheryl crow sheryl crow donald fagan the nightfly the tractors the tractors and for listening to the monitors reproducing cool old tube equipment recordings.... elo eldorado peace........
__________________ the clubhouse studio....home of drool'n dogg rekords |
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| | #20 | |
| One with big hooves | Just one? Hmmm... Black Crowes "Amorica" has always sounded damn good to me. I also like Soundgardens Superunkown a lot, Radioheads OK Computer, Tom Petty Wildflowers and the Brand New Heavies Brother Sister are at the top of my heap.
__________________ J. 'Moose' Kahrs producer|mixer|recordist MooseAudio.com mooseaudio.bandcamp.com Quote:
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| | #21 |
| Lives for gear Join Date: Sep 2002 Location: Montreal
Posts: 504
| Jay, funny you mention the BNH' Brother Sister that could almost be my #1. Also, Amorica and Mutations (not very original I know), most Bjork' and Radiohead' stuff I love but don't find it that good sounding... What else, MA' Protection (sounds better to me than Mezzanine and catchier songwriting too!), Propellerheads Decksanddrums... (good ref. for club stuff), oh yeah NIN' Downward Spiral!, canadian band Crash Test Dummies' Give yourself a hand... There's so much stuff really... ![]() |
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| | #22 | |
| Lives for gear Join Date: Jun 2002 Location: London
Posts: 1,992
| Quote:
Funny to see that album listed. What a great choice. I wasn't engineering when that album came out but, how can I say this, the 'scope' of that soundtrack really influenced my attitude towards what can be achieved within music. Can't remember ever using it as a 'sonic reference' but maybe I should try. I just saw a new film from Australia called Rabbit Proof Fence and all through the film I was wondering who did the soundtrack and voila: Peter Gabriel. Quite a sad story (and now, thankfully relegated to history) but the music had that same sympathetic attitude between the sound, production and emotional effect. Maybe this OT? Oh well... R.
__________________ The Speaker Snuggy is specifically designed to compensate for the additive effect of using plugins which literally remove the blanket from your speakers. These plugins can sound good when solo'd, but when used across dozens of tracks they can leave your speakers sounding cold and insecure. (Casey / Bricasti) When I haven't any blue I use red. (Pablo Picasso) Ol' Betsey Satan - The Original Flower Shop 8 track - "She fought long and she fought hard..." | |
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| | #23 | |
| Lives for gear Join Date: Jun 2002 Location: Lost Angeles
Posts: 4,061
| Quote:
I forgot to list a couple cd's, but I'm going to list songs instead because not every song is mixed well of some of these: Toni Braxton : Unbreak My Heart Blaque : 808 Toni Braxton :He Wasn't Man Enough For Me (Dexter Simmons KILTED IT!) Dru Hill : These Are The Times Jessica : Get Up L.V. : Women's Gotta Have It (Great cover, another of the Pensado's most underateds) Bilal : For You Slum Village : Blaze it up (certains elements of this track are great to a/b to) Mary J Blidge : I Can Love You (Darkchild in his infancy) Weezer : Buddy Holly (If my mix sounds like this, I'm overcompressing) Dr Dre : Still D.R.E. | |
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| | #24 |
| Gear maniac Join Date: Jun 2002 Location: NYC area
Posts: 193
| Sade : No ordinary love, or Cherish the day. NYC Drew |
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| | #25 |
| Capitol Studios Paris Join Date: May 2002 Location: Paris, France
Posts: 1,307
| My ref stuff is in my Masterlink and changes a bit depending on the project I'm working on. Right now, there are tracks from the following in the machine: Rock/metal playlist: Deftones, System of a Down, Tool, Nirvana, POD, Puddle of Mudd, Sum 741, Ash, Linkin Park, Korn, Limp Bizkit, Pantera, Soulfly, The Used, Godsmack, Creed, Slipknot and Coal Chamber. Rap/R&B/Pop/Jazz playlist: Dre, Xzibit, Avril, Nelly, Missy Elliot, Mary J. Blige, Ashanti, Norah Jones, Jill Scott, Diana Krall, Beck, Serge Gainsbourg, Zazie, Florent Pagny, India Arie.
__________________ Jon Atack Capitol Studios - Paris, France |
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| | #26 |
| One with big hooves | The other disc I use a lot to see if my top is outta whack is Dave Matthews Crash. If what I'm doing is brighter or harsher then that I gotta get back to work. That disc is as bright as I could ever stand anything, maybe a bit too bright and open but I like it. |
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| | #27 |
| Gear Head Join Date: Oct 2002 Location: UK
Posts: 52
| I use a fair few CD's - depends on what I'm mixing, however I have a few favourites Who is Jill scott? - Very heavy on the bottom end, but so warm and sperated, it also has an awsome vocal sound Cassandra Wilson, Travelling Miles - The first track is simply unabelievable, speration is so good for jazz stuff Brandy, Full Moon - Just to remind me how much compression you can get away with! regards nathan |
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| | #28 | |
| Lives for gear Join Date: Oct 2002 Location: Control Room
Posts: 1,949
| Quote:
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| | #29 |
| Guest
Posts: n/a
| Hey e-cue, Do you know Colin England?? I believe he produced a track on the LV Joint. Anyway it was he who introduced me to Dave, and Dave who intoduced me to protools. (During the pre HD/192 days) Speaking of which Didn't you mix the Tweet on the now defunct useless mix system???? Or was it the holy grail of recording the HD/192 Of course ya'll know I"m jokinggrudge |
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| | #30 | |
| Lives for gear Join Date: Jul 2002 Location: San Francisco
Posts: 4,763
| e-cue, What happened to Lauryn Hill? The Miseducation of Lauryn Hill has some amazing mixes/production happening. Also without a doubt the heaviest thump I've experienced to date. Some tracks have downright shitty sounding BG vox though. For ways to mix acoustic guitar in with hip hop, there are a couple tracks (don't rmember their names) that are startlingly good. Who did that? I don't know where my copy is. Quote:
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