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| | #1 |
| Lives for gear Joined: Nov 2006
Posts: 666
Thread Starter | Limiting/converter soft limiting during mixdown
I know an engineer who likes to cut a few dBs on the mix with the Apogee Rosetta 800 soft limiter. He had very good results on his mixes... How many of you use a limiter/converter like this during mixdown? What limiter/converter soft limiter would you recommend? |
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| | #2 | |
| Lives for gear Joined: May 2007 Location: UK
Posts: 9,574
| Quote:
I work to AES-18 so never ever hit a peak. I DO you a lot of mix-buss compression on the garage rock records I mix (my other life is with orchestra) but never ever kill peaks. I leave it for mastering. I consider it pretty bad practise to starp any kind of limiting on a MIX and I would reject a mix that was peaking up at 0 (i farm out a lot of mix work for sync stuff). So, for me - never! | |
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| | #3 |
| Lives for gear Joined: Nov 2006
Posts: 666
Thread Starter | Does anybody do this?
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| | #4 |
| Lives for gear Joined: Nov 2006
Posts: 666
Thread Starter |
Does anyone like this technique?
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| | #5 |
| Lives for gear Joined: Jan 2003 Location: Los Angeles, CA
Posts: 1,102
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I think the Apogee Soft-Limiting sounds like crap 99% of the time, so no.
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| | #6 |
| Lives for gear Joined: May 2005
Posts: 2,377
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I mix down to a Rosetta but don't use the soft limiter on it. But sometimes I do use the soft limiter on the SPL Dynamaxx (with a 160 Hz-ish HPF on the sidechain) on the 2-mix. But that's a good sounding limiter that I use for the character, not to kill peaks to raise the overall level. |
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