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| | #1 |
| Lives for gear Joined: Oct 2005
Posts: 520
Thread Starter | Mic/ Pre for acoustic guitar
I'm looking for a good combo mic pre and mic for recording steel string acoustic guitar. There will be no flat picks or crunky percussive playing. Mostly alternate tuning finger style. I'm thinking of buying a Peluso 2247 SE that could double as a main vocal mic but also do a good job with the acoustic guitar. Thanks
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| | #2 |
| Lives for gear Joined: Jun 2007 Location: Maui, Hawaii
Posts: 989
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I sometimes use a peluso 22 251 and a-designs pacifica on acoustic, but mostly use neumann km184 stereo pair. I think you would have to try a 22 247 and 22 251 to see what works for you as far as vocals go but I dont know how the 247 sounds on acoustic. aloha
__________________ Tom Lelli www.aalarecording.com ___________________________________ "But , If the singer is a marine , and the drums are made of walnut and the guitar being played is an SG with p-90's through a Marshal Major , then give me my U47 back !!" Gretschman We make noise for a living. Better than pushing paper! Mudrock |
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| | #3 |
| Lives for gear Joined: Sep 2005 Location: Texas
Posts: 1,955
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for that type of acoustic guitaring, I typically like sdc mics. KM84 plus flamingo is the best combo I have ever found.
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| | #4 |
| Lives for gear |
Neumann KM 84 + Chandler LTD-1 is my main choice for steel-string acoustic guitars, both strummed and picked.
__________________ 'Ever since the Supreme Court overturned the Snare Act, it has been legal to use any mic you like on snare.' - joeq http://www.doorknocker.ch/ |
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| | #5 |
| Lives for gear Joined: Nov 2005 Location: The Netherlands
Posts: 523
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Check this topic if you want to hear peluso mics on an acoustic guitar: PELUSO sound clips from shootout My personal favorite should be a combo of the peluso P12 through a clean preamp and a royer 121 trough a LA-610. blend in to taste and enjoy!
__________________ "A cold heart is a dead heart" |
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| | #6 |
| Lives for gear Joined: May 2005
Posts: 3,685
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My favorite fingerpicking recording so far was: D28--->beyer mc930's----> Helios
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| | #7 |
| Lives for gear Joined: Aug 2005
Posts: 1,358
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How 'bout a Pacifica and stereo AT 4051's or SM81's. That Peluso would be great too, and you'd be able to do the vocal thing. I thought Peluso is coming out with a U67 emulation microphone. That might be good to wait for and in the interim pick up a decent pair of SDC's. The SDC's will pick up the transients better and make things a little sharper. |
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| | #8 |
| Lives for gear Joined: Jun 2006 Location: around the corner
Posts: 1,990
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To further Cloud any decision making, Hardy M-1 and Oktava MK-012, or Shure KSM-141. Stereo or mono. |
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| | #9 |
| Lives for gear Joined: Oct 2006 Location: istanbul TR
Posts: 766
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cad vx2 w/os110 capsule->sytek mpx4ii
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| | #10 |
| Lives for gear |
Do you want a preamp made for acoustic, or a preamp that will just sound good for generic use? If you want a dedicated acoustic preamp... I have a Pendulum SPS-1 stereo acoustic preamp that sounds excellent for both live and studio. I use if for pretty much all my acoustic stringed-instrument recording. I use an assortment of mics depending on which instrument, what sound I want, and the style of playing.
One of my favourite mics. All my acoustic instruments have a rare earth magnet hot-glued under the soundboard, and I have the Countryman on a little gooseneck with an opposite-polarity magnet on it. It just pops onto the face of all my instruments. This is what I use live, and the Countryman is the mic I get the most (positive) comments on from players and sound engineers. Often get asked how I get such a full, natural, open sound on my guitar. I have a Sunrise magnetic pickup in one of my dreadnoughts that I will sometimes blend in for some extra bite. Good for flatpicking and rock strumming.
__________________ I'm not a producer, but I play one on Gearslutz.com |
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| | #11 |
| 70% coffee & 30% beer Joined: Dec 2006 Location: Quincy, MA
Posts: 7,730
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2 fav's I have been using for stereo ac GTR, MT Gefell 295 ---------AMS Neve 8801 Telefunken R-F-T M16 (figure-8) for Mid-Side -------- Little Labs LMNO pre. Chandler Germanium ------ Brauner VMX NPNG QMP4-NW ---------- Mercenary Audio KM69 peace mixwell
__________________ Adam Brass adam@dspdoctor.com DSPdoctor "Pro Audio Gear And Advice for the Modern Recording Studio" ________________ "Any opinions above are worth exactly what you paid for them." Anonymous "If I find 10,000 ways something won't work, I haven't failed. I am not discouraged, because every wrong attempt discarded is another step forward. Thomas Edison RTFM |
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| | #12 | |
| 3 + infractions, forum membership suspended. Joined: Oct 2004 Location: Rosedale Cemetery Singing Beach, MA
Posts: 4,873
| Quote:
to even hook up a mic. I dunno that's just me. | |
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| | #13 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,257
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Pacifica or Hardy pres on acoustic sources = uh huh. I swear those Oktava MK-012 mics deliver the right mix of woody thwackiness and pick scrape attack and full midrange on acoustic guitars that is just...beautiful. Just made for each other. The MK-012 can also be a very decent vocal mic. Don't knock it because it's an SDC... War |
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| | #14 |
| 70% coffee & 30% beer Joined: Dec 2006 Location: Quincy, MA
Posts: 7,730
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| | #15 |
| Lives for gear Joined: Jun 2006 Location: around the corner
Posts: 1,990
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Most people should be able to take maybe half of the mic locker out of the equation, just by listening to the guitar/player/vocalist before even putting anything up.
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| | #16 |
| Lives for gear Joined: Oct 2005 Location: Pennsylvania
Posts: 2,520
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| | #17 |
| Gear maniac Joined: Jan 2006 Location: Livorno, Italy
Posts: 190
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Classic guitars: schoeps cmc 5 in a millennia HV 3C Acoustic schoeps cmc 5 in a neve 1073 or in a neve portico 5012. my way to go Alessio www.spazisonori.com |
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| | #18 |
| Gear addict Joined: Jun 2007 Location: So.Cal
Posts: 311
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Ive been experimenting with recording my Martin lately. Ive used a Pearlman TM-2 in front and a Neumann KM140 over the shoulder, which was really nice. Km140's in XY,ORTF. AKG 414b ULS and KM140 in M/S with a Grace Design Lunatec V3>Rosetta 200. 414's 12th fret and the other more on the body. 414's in XY. Its come to a matter of taste. Im really digging the 414's in XY. I run them into a Pacifica>Rosetta 200. I did like the clean sound of the Grace as well but the Pacifca beat it out.
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| | #19 |
| Gear addict Joined: Sep 2006
Posts: 486
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A particularly good finger-pick sound I once got was a Neuman m149 into what was probably an Avalon 737 (Possibly a Vintech X81). We were all delighted with the sound. Once the song got going it turned out the player's part was strumming :P A c451 is a pretty safe bet on acoustics. If I had access to them the first two preamps I would try would be a John Hard M-1 and API.
__________________ "The 160VU is like ordering a nice drink but instead of serving you a drink, the waiter punches you in the face........." -nlc201 |
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