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| | #1 |
| Gear interested Joined: Nov 2002
Posts: 25
Thread Starter | Urei LA4 COmpressor
Hey there, This is my first post on this forum. I have been using a UA1176 compressor along with a Avalon pre and a Blueberry mic. I just like putting some 4.1 compression on the way in to the digital realm especially for vocals, acoustic guitar and Bass. I am updating my home studio and I am trying to find something close to the opto compression sound of the 1176. An engineer friend of mine suggested this unit. Does anyone know what a good price for a used one would be? Thanks in advance Jotown ![]() |
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| | #2 | |
| Gear addict | Re: Urei LA4 COmpressor Quote:
Mark
__________________ SharktankPro.com | |
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| | #3 |
| Lives for gear |
Mark made an excellent point, and on top of that IMO the old program dependent opto compressors sound too sloppy on percussion for my tastes. A lot of people seem to like them on voxs & bass guitar, but I never have especially with the bass. I'll take an 1176 over an La-2/3/4 anyday of the week for a any of these applications (or a trakker or distressor instead of the whole lot). |
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| | #4 |
| Lives for gear Joined: Jun 2002
Posts: 1,455
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The LA4 is one of the least used compressors we have. The 1176 is used every session. As a matter of fact . . . . I can't even remember the last time I used the LA4. I think I used it on a mono string patch and it worked well, but that was 9 months ago . . . too slow for me for bass. I wish I had more 1176s and no LA4s. If this helps you.
__________________ Knox |
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| | #5 |
| Lives for gear Joined: Sep 2002 Location: Montreal
Posts: 504
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I'll second what all the others said. That said, Knox you can send me your unused LA-4, I'll mod it and find some use for it! |
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| | #6 |
| Lives for gear Joined: Jun 2002
Posts: 1,455
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I have heard the mods really make them work. Who the hell wants to spend over $400 on the mod? I guess you can do it yourself . . . . me, personally . . . . I am the worst solderer in the world. I would need a fire proof suit to make a 1/4 inch cable.
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| | #7 |
| Lives for gear Joined: Jul 2002 Location: MIAMI FLA
Posts: 1,685
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universal audio is making a mono pre/1176 combo soon..check it out
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| | #8 |
| Gear maniac Joined: Jun 2002 Location: Apple Valley, MN USA
Posts: 173
| Did somebody say LA4?
As an owner of 8 LA4's I suppose I should speak up here. Yes, they don't sound anything like an 1176. I have 4 blackface and 4 silver face. I did not pay a premium for the black face units. If blackface units cost more now, I say they are not worth the extra dough. In fact, to me, blackface units are less desirable. Six of my units have been hot-rodded by Eddie Ciletti. All six for faster op-amps, and two of them have what amounts to a Trident 80 preamp built-in. Blackface units are not suitable for the Trident pre mod, which is why I now prefer silver face units. I use the hell out of my hot-rod units. The op-amp upgrade is about $200-$250. If you can get your stock unit for $500 or less, and then get the I.C. upgrade you have an ass-kicking unit for $700 or less. FYI: I also have an original blackface 1176 LN, repro LA2A, DBX 165, and Crane Song STC8 in the arsenal, among others. wurly heated by pond water |
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| | #9 |
| Gear addict Joined: Sep 2002
Posts: 308
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Any of you folks used the 1178. How doess it compare with the 1176? Thanks, Woods |
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| | #10 | |
| One with big hooves |
It's similar but a bit different sounding. Closer to a silver face 1176 if that helps. A Distressor can come close to the 1176 vibe. It's not identical but I'd say they're interchangeable on a lot of things.
__________________ J. 'Moose' Kahrs producer|mixer|recordist MooseAudio.com mooseaudio.bandcamp.com Quote:
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| | #11 |
| Gear interested Joined: Nov 2002
Posts: 25
Thread Starter |
Thanks for all of your replies. I can't afford an 1176 for home. Has anyone out there heard the 1176 emulation on the UAD-1 card? I was going to get one of those anyway, I thought I might just pick up an FMR RNC for a little compression of the vox on the way in, and use the emulation of the 1176 in the mix. Any thoughts? Thanks in advance. |
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| | #12 |
| Lives for gear Joined: Sep 2002 Location: Montreal
Posts: 504
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I look forward to trying them in TDM land and compare them to BF's version when they become available. |
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| | #13 |
| Lives for gear Joined: Nov 2002 Location: Pittsburgh Pa
Posts: 562
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I agree with wurly, the LA 4 ain't better or worse just different. I wouldn't use it for the pumping "Suck and blow" type application that i would use a 1176 on, but its a fine unit in its own right. The 1178 is underrated. Such a bonus having two channels and the stereo strap in 3 rack spaces. I love having a few of all three, cause they all sound different. Chris lord-alge mixed a song i recorded and I found it humorous that he rarly changes the settings on these units if he does't like the timbre he just patches in another unit |
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| | #14 | |
| Gear interested Joined: Mar 2011
Posts: 1
| Quote:
Peace Fat Synthwarrior | |
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| | #15 |
| Lives for gear Joined: Oct 2008 Location: Now in Wellington
Posts: 830
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Woah! Old thread! Anyway, I recently DIY ed a pair. Dual mono with different optos and output transformers. Relatively cheap build. Of course using modern op amps and components so these babies aren't exactly stock or faithful. I love em though! Bass and Vox are great, especially when you follow it with an 1176 type compressor (plugin for me). Let the LA 4 even out the body a little, while the 1176 catches the peaks.
__________________ The Big Rybowski |
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| | #16 |
| Lives for gear |
I have a pair modded by Bruce Seifried. Very useful tool, particularly for vocals.
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| | #17 | |
| Lives for gear Joined: Dec 2007 Location: Vegas, Norcal
Posts: 3,608
| Quote:
__________________ Congratulations 2010 World Champion SF Giants!!! "There is no crying in baseball, there are no rules in recording!!!" www.myspace.com/beyeraudio Michael Beyer | |
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