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| | #1 |
| Lives for gear Joined: Oct 2005 Location: Weymouth, MA U.S.A.
Posts: 1,234
Thread Starter | what to do with singers that...
what to do with a singer that has a great voice but when he gets in the booth he just can't do a good job. He still sings the parts well but with out the same intensity. do I just give him a handheld? I would rather not but if it helps ge the performance better... maybe i need a Funkenwerk modded sm57 any help?
__________________ www.sonicdisorder.com “One of the 10 best independent albums of 2008” -The Noise www.sonicdisorderrecording.com |
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| | #2 |
| Lives for gear Joined: Aug 2007 Location: Toronto
Posts: 1,043
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Wine, JDs or Beer? I'm serious. |
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| | #3 |
| Lives for gear Joined: Apr 2007 Location: Nashville, TN
Posts: 2,186
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Maybe you should use a mic with a tube inside. I hear that makes things more epic.
__________________ Is Wayne Brady gonna have to choke a bitch?! |
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| | #4 |
| Gear maniac Joined: Apr 2004
Posts: 224
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Change the lighting. ![]() Seriously this has worked well for me in the past. Drugs and alcohol. Women. BJ on the side. |
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| | #5 |
| Gear addict Joined: Mar 2005
Posts: 392
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A 58 or SM7, and try setting up monitors and ditching the headphones.
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| | #6 |
| Lives for gear Joined: Aug 2007 Location: Toronto
Posts: 1,043
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| | #7 |
| Lives for gear Joined: Apr 2007 Location: Nashville, TN
Posts: 2,186
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| | #8 |
| Lives for gear Joined: Aug 2006 Location: St. Louis, MO USA (Hot Louis)
Posts: 1,566
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lowfreq33... you need to work on your manners.
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| | #9 | |
| Lives for gear | Quote:
haha is the singer in view of the control room? maybe put some curtains up so no one is watching? | |
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| | #10 |
| Lives for gear Joined: Apr 2007 Location: Nashville, TN
Posts: 2,186
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| | #11 |
| Lives for Jesus Joined: Oct 2005 Location: orange county ca.
Posts: 2,935
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Being well prepared, Dim lights, Encouragement from the control room, no one in the studio but the producer, singer, engineer And know what there capable of, dont beat them up to hard You can try a "practice" run to get levels... and make sure the red button is down, sometimes these type of singers do better when the pressure is off maybe do a few passes then take a break and then go for it, tell them your testing mics, getting levels... whatever till there comfortable a great headphone mix with some verb or effects will help Some singers are relaxed in the studio and natural preformers,... then there are the ones that have to work at it, Give them 10 years or more, of recording and preforming The pro session singers can turn it on, whenever the red light is on
__________________ Steve Perkins Steve Perkins Fishing.com Creation Recording Studios .com Take a Kid Fishing Outreach John 3:16 |
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| | #12 |
| Lives for gear Joined: Aug 2007 Location: Toronto
Posts: 1,043
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Depends on your DAW/board. I generally feed the stereo outs into the cue-system as well and add a delay or verb. "Mix to Cues" Nothing fancy really.... What I hear, they hear. P.S. i wasn't being sarcastic about the wine and beer. The guys probably nervous, so give him some courage juice I say. I just finished a rock record with a group and JDs should practically have a credit in the production notes. |
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| | #13 |
| Lives for gear Joined: Aug 2006 Location: St. Louis, MO USA (Hot Louis)
Posts: 1,566
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Don';t mind all these stupid people here... You'll need to send at least 8 channels of reverb into your headphones digitally. Thats the easiest way. You probably need to buy a PCM90 or something else with an ADAT OUT. Real professional headphones will have an "ADAT IN" port on the side of them. You need 8 channels so that you can do 4 stereo channels of reverb simultaneously. Thats also why people buy ProTools HD systems. They have ADAT outputs to make your reverb/delay/EQ/Pitch Shifting sends easier. On LE systems, you need to take TRS cables out into the headphones and it's really inconvenient to have that many cables running to a set of MDR-7506's
__________________ I think you'll find that 'generic and flavourless' is generally something that occurs before the microphone -Karloff70 Two f**in' weeks to make up your mind whether you want a beard or you want a job. This is the Buddy Rich Band; young people...with faces!- Buddy Rich |
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| | #14 |
| Lives for gear Joined: Apr 2007 Location: Nashville, TN
Posts: 2,186
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Alright, who are you really? Nobody could be that clueless.
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| | #15 |
| Lives for gear Joined: Apr 2006 Location: Pennsylvania
Posts: 1,221
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Singers are the MOST self counciuos people in the band. Good god I tried to spell that the best I can! It is best if the singer is let to do their own thing with out alot of pressure from band mates. If that means the mates leave so be it. But usually the mates cheering on the singer will boost them to recording quality. Psychology has alot to do with running a good session. And singers are the hardest. Give everyone some room to move. And additional time for for free If they need it. Hey after all us Eng need to make money to live. And making people happy is what it is all about.
__________________ Stagefrightrecords.com |
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| | #16 | |
| Lives for gear Joined: Feb 2006 Location: Los Angeles, CA
Posts: 1,142
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Right on Steve. | |
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| | #17 |
| Lives for gear Joined: Aug 2007 Location: Toronto
Posts: 1,043
| Jeeez just taker easy for a second... If you would like verb in your headphones then an easy way to do this is as follows: - Set up a reverb on an aux send (as you normally would to get reverb in a mix situation). This is the same in DAW land as in analog console land. - Dial in the amount of verb as you see fit. - At this point, in the control room, you are hearing the verb. - Now simply feed your CR monitor mix into the headphone sends. Anything you do on your end will affect their HP mix as well (i.e. your newly added reverb). On some consoles this is called Mix to Cues, or Quad to Cues, etc... Hopefully that clears it up a little. I'm gonna go have a beer. |
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| | #18 |
| Gear nut Joined: Jul 2005
Posts: 112
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Well, though I'm not a great singer, I do know what it's like to be "in there". I had to have the curtains there to keep out the "visual noise". I also tried a few different headphones till I found which pair made me sing better. A good cue mix is key. Don't let the singer adjust the knobs, cus they dont know shit about levels :P help the singer out finding the right mix. Be helpful and forthcoming. I think the "run a few practice tests" is a GREAT idea. a bit of weed or alcohol can work too. but if overdone can make a singer suck. Make sure you have a bottle of clear voice, some cortisone based Ashma inhalators can give a nice numbing effect to the vocal chords, getting out that extra little. it certainly helps if you smoke weed. Or any kind of spray that numbs the vocal chords. Get the singer to warm up, if he doesnt have the habit of warming up, he will get his best performance when his voice really isnt up for it. and do NOT jack up the cue mix volume too much. keep things at a reasonable volume!!!! the right mike is also important. And LIE as much as you can. Tell them that you got a mike flown in from LA or NYC, a mike that his favorite singer used or something LOL it's all about the making the huge ego of a singer feel comfortable. You can say what you want about singers, their ego might be larger than the sun, but then again they are people. just my 1 dime. |
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| | #19 |
| Lives for gear Joined: Aug 2007
Posts: 1,092
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Good stuff. I think with all talent, there are different ways to "coach" them into thier best performance, and if you get to work with them again, you will have a better idea on how they react to certain coachings trying to get the best performance. But some fallbacks as mentioned are a great place to start, and encouragement can go a long way!! Tell him to go over the top next time, you can always pull him back.. the studio can be an intimidating place if someone is not used to being there, and as someone said, over time they will get more relaxed and turn it on right away. |
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| | #20 | |
| Lives for gear Joined: Aug 2007 Location: Toronto
Posts: 1,043
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| | #21 |
| Lives for gear Joined: Feb 2006 Location: Los Angeles, CA
Posts: 1,142
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To Jeff .... This may be the best part about being a producer. The physcological aspect of producing. I've had artists that had to have a group, party type atmosphere to do their best. I've had people that do better with just an engineer. It all depends. They're are people that do well when you encorage them and people that respond better when you are more agressive or pushey. Lucky for you that this guy has a good voice and "sings the parts well". He just needs some inspiration. Look within yourself and do everything that you can do to set him up for succcess. |
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| | #22 |
| Gear nut Joined: Mar 2006 Location: Malibu, CA
Posts: 79
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| | #23 |
| Lives for gear Joined: Feb 2006 Location: Los Angeles, CA
Posts: 1,142
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This is a pretty cool thread lol So what do we have so far ??? Atmosphere Posse or tracking in isolation better headphone mix or tracking with a handheld control their alcohol and drug intake Every artist is a puzzle for us to solve. |
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| | #24 |
| Lives for Jesus Joined: Oct 2005 Location: orange county ca.
Posts: 2,935
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Some great posts here ! Another thing to mention is room sound, a live room with a long decay can make it easier for a singer to get the pitch, feel ect... and not to mention it sounds great in the recording also (semi open cans)I will use the drum room for V/O work or if i want a dry sound, but a dead room can be hard on singers Today i was tracking BGVs with a great female vocalist and i had her back off the Pearlman and was slammin it to tape with the MC77 killer room sound, didn't even really need the plate with the comp bringing up the roompeace, steve . |
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| | #25 | |
| Gear nut Joined: Jul 2005
Posts: 112
| Quote:
Symbicort is designed for people who have coldweather-asthma. And it doesnt work the same way as regular inhalers. it comes as an inhaler and there is some sort of a powder you inhale. I don't have anything but a mild asthma. And I don't get an increased heart-rate. The heart rate is increase is at worst only gonna last a very short while. 30 minutes before the session and you are good to go! ![]() That's what my doctor said. He prescribed me the medication to use in studio situations. the longterm side effects are worse though. if you use it everytime you sing, you can wear out some shit I don't remember the techincal term for. And cortisone also helps preventing inflamations that can occur when singers push too hard. | |
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| | #26 |
| Lives for gear Joined: Oct 2005
Posts: 3,719
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I don't know about the weed suggestion. Sometimes, weed makes a singer think they're doing something incredible, (something epic!) when all they're doing is singing a monotone line. Sometimes a player sings better if they have their instrument in their hand. Put up a really big mic, like a Charter Oaks 538b, on a heavy-duty boom stand. It makes the singer feel more important. Run their vocal cue through a compressor, so they can get all intimate sounding with themselves. Perhaps making the stereo image more whacked-out stereo, leaving them a big hole in the middle to sing into. If you have a cute intern of the opposite sex, (or maybe the same sex, depending...) that could help to inspire the singer. Have a friend drop by, dressed like Phil Specter. Introduce him as a A&R rep from some big record label. As a last resort, have the singer wear one of those dog collars like the trainers use, so you can shock him when he sucks.
__________________ "You're either with a native DAW, or you're with the terrorists." G.W. Busch Lite |
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| | #27 | |
| Lives for gear Joined: Aug 2007 Location: Toronto
Posts: 1,043
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| | #28 | |
| Gear addict Joined: Aug 2002 Location: NYC
Posts: 494
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| | #29 | |
| Gear addict Joined: Aug 2002 Location: NYC
Posts: 494
| Quote:
This is a perfect example of a little bit of so called knowledge in the wrong hands. FYI Symbicort not only has a beta agonist (that agent mentioned earlier with the nasty side effects) it also has a steroid in it. And no it's not the Arnold Schwarzenegger type steroid either. It's the f*cks with your adrenals and elevates your blood sugar type steroid. This is analogous to people popping any ole antibiotic that happens to be in the medicine cabinet, whenever they feel a cold coming on. They have no idea what they are doing and are clueless of the risks involved. Anyway, back to our regularly scheduled programming........ | |
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| | #30 |
| Gear nut Joined: Jul 2005
Posts: 112
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