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| | #1 |
| Gear interested Join Date: Jan 2006 Location: Sherman Oaks, California
Posts: 18
| Detuning Room Mics Hey all, I read about this online, detuning room mics for a 'fatter' drum tone. Curious if anyone has had any luck with this? Sound interesting. Any tips on the application of it in 'tools. thanks slutz J |
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| | #2 |
| Lives for gear Join Date: Jun 2004 Location: Los Angeles
Posts: 774
| I know some guys who track at 48k at a faster tempo, then drop down to 44.1khz for a fat drum sound....but I've never seen anyone tune down just room mics...I'll give it a whirl though.
__________________ No different then a new girlfriend. At first you are excited, then the warts begin to show. Jim Williams Audio Upgrades |
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| | #3 |
| Lives for gear Join Date: Feb 2007 Location: Georgia
Posts: 586
| never tried it, but if i want fatter tone, i'll start with different mic/preamp selection.... ![]() |
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| | #4 |
| Lives for gear Join Date: Mar 2005 Location: NYC
Posts: 1,615
| I've never done it in digital, but back when all I ever did was analog tape (god, it's been years... :::sob:::) I used to do a lot of varispeed tricks with ambient tracks and/or reverb returns to get a thicker, sludgier sense of "air" |
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| | #5 |
| Gear addict Join Date: Mar 2007 Location: Wakefield, UK
Posts: 448
| Interesting idea. My gut reaction would be to use Ableton Live.. I'm going to try this now in fact! |
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| | #6 | |
| Lives for gear Join Date: Oct 2006 Location: west wales
Posts: 874
| Quote:
I also do it on hats sometimes. | |
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| | #7 |
| Gear interested Join Date: Jan 2006 Location: Sherman Oaks, California
Posts: 18
| ok so i tried to give this a shot, applying it to a stereo room track via audio suite, shifting down an octave. now obviously it puts the shifted track and the regular one out of time cus its streching it. i know this isnt the right theory, anyone care to correct me? maybe via an aux? but im thinking the same thing would happen |
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| | #8 |
| Lives for gear Join Date: Jul 2005 Location: Phoenix, AZ
Posts: 1,260
| I don't know that you'd want to go a full octave, probably just a few cents. Don't know about Pro Tools, but in Cubase, you can select whether the pitch change changes the length of the sample. Just set it to not change length. You could do something similar by putting the room mics through a very slow flanger or chorus effect, too.
__________________ --------------------------------- Suitcase Recordings Indie, Punk, Garage - On Location Recording |
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| | #9 |
| Gear interested Join Date: Jan 2006 Location: Sherman Oaks, California
Posts: 18
| cmon guys, i know someone is ninjaing this up somewhere! ![]() |
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| | #10 |
| Lives for gear Join Date: Oct 2004 Location: right coast
Posts: 3,810
| f you like the sound of them, but want more thud/girth, the rack mounted bass pod is awesome. You need two of them for stereo room mics, but it is worth it. I have made a few presets. I mult the room mics to the bass pod, find the thud I like and blend it in with the clean signal. Really adds a nice low end punch. ![]() |
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| | #11 |
| Lives for gear | for perfect examples, listen to "Back In Black" and I believe "Some Like It Hot" (Tony Thompson!!). Although now come to think of it, on BIB they pitched the snare... Anyway, good fun - give it a try
__________________ www.scottgreiner.com |
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| | #12 | |
| Gear nut Join Date: Oct 2006 Location: Chicago, IL USA
Posts: 147
| Quote:
its a cool seldom used trick. but you have to have a good drummer who can play the same feel faster while listening to squirelly sounding high pitched playback.............. | |
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| | #13 |
| Gear Head Join Date: Sep 2006 Location: Nashville, TN
Posts: 69
| I've had long disscutions w/ Brian Ahern about this. Vari speeding the room mic's +/- tricks the listener into beliving the space the drums was recorded in is larger or smaller. Of course this is easy on a Studer 2" and just a few cents worth ... gosh I miss Vari-Speed, some of the best technique's are accomplished w/ vari-speed .... are you listening Digi ??? Russ Nashville "In Order To Predict The Future ... Create It" |
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| | #14 |
| Gear maniac Join Date: Aug 2007 Location: USA
Posts: 266
| Interesting concept. If you're using traditional varispeed, how do you prevent the affected tracks from gradually drifting out of time with the others? If everything is on the same tape, there's no way to only varispeed certain tracks, so I assumed that you mean the room mics were recorded on a seperate machine from the rest of the drum mics. I'm imagining these getting progressively out of sync with the close mics as the song goes on, no? -Ben B |
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| | #15 | |||
| Lives for gear Join Date: Jun 2002 Location: Bloomington Il
Posts: 3,597
| Quote:
Quote:
Quote:
I posted a mix but I can't find it with the search. I tried again and found the thread Here. It's a ruff mix but gives you the idea.
__________________ Tony Oxide Lounge Recording See the Oxide Lounge! WWJMD? Come see me on the Tape Op boards! "If I have to flip flop more than three times in an A/B test to figure out what the difference is, I lose interest in that difference.'--Tchad Blake | |||
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| | #16 |
| Lives for gear Join Date: Jun 2005 Location: Burbank, CA
Posts: 890
| I believe on the Power Station record they used a Publison to take the room mics down an octave. www.bluethumbproductions.com |
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| | #17 |
| Gear Head Join Date: Sep 2006 Location: Nashville, TN
Posts: 69
| Drumsound (Tony) IMO that oughta be your everyday setup. You really know what your doing ... great deepth. Russ Nashville "In Order To Predict The Future ... Create It" |
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| | #18 |
| Gear Head Join Date: Nov 2006
Posts: 44
| You can try to copy the room mikes track,detune it for an octave,align it to original track and blend to taste. |
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