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| | #1 |
| Gear addict Join Date: Oct 2006 Location: Kent, England
Posts: 338
| How are you using mix buss compression with PTLE? Quick question really...How are you guys using an analogue compressor on the mix buss with Pro Tools LE? And just to make the thread slightly interesting, tell us what boxes you favour. |
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| | #2 |
| Gear interested Join Date: Aug 2007
Posts: 28
| FOLCROM summing buss, and a bunch of outboard gear ![]() |
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| | #3 |
| Gear addict Join Date: Oct 2006 Location: Kent, England
Posts: 338
| So you're going out of PTLE and back in again or what? How do you monitor this way? |
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| | #4 |
| Gear addict Join Date: Mar 2004 Location: Hollywood, CA
Posts: 333
| I go out via an Apogee Rosetta 200, to a Drawmer 1968ME and back in to the Apogee to a stereo track in PTLE. |
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| | #5 |
| Gear addict Join Date: Oct 2006 Location: Kent, England
Posts: 338
| So is that stereo track constantly record enabled so that you can hear what's going on as PTLE doesn't have the input monitor switch on the mixer like HD does. |
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| | #6 |
| Gear addict Join Date: Mar 2004 Location: Hollywood, CA
Posts: 333
| For most of the mix, I monitor through an aux track in PT. When I'm ready to print, I switch to a stereo track and monitor off that (while in record). |
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| | #7 |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 9,353
| With a 002R and a Lavry Blue A/D & D/A connected via spdif. I hit whatever outboard EQ or compressor that strikes me for that song and record back in on a stereo track (although I do it in Logic) |
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| | #8 |
| Gear addict Join Date: Oct 2006 Location: Kent, England
Posts: 338
| Cheers. I suppose this is the most logical way to do it. Last edited by china jam; 26th August 2007 at 12:53 AM. Reason: sheryl crow |
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| | #9 |
| Lives for gear Join Date: Feb 2007 Location: Georgia
Posts: 540
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