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| | #1 |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | Full range monitors without crossover?
I'm kind a fed up with monitors. My main issue is the phase distortion induced by cross over required for multi way monitors. Except auratone, avantone or electrostatic, I have never found a monitor that didn't present this kind of problems… Unfortunately auratone/avantone aren't really full range (lows and highs are rolled off). I know that multi way loudspeakers are more efficient and can handle a higher power. However: 1. Am I alone to have the same issue? 2. Do you know a full range monitor without cross over? 3. Nowadays, is it still impossible to make one speaker with a frequency response from 30 to 20,000 hz? 4. If it's possible to make it, the power issue can easily be solved with several full range in each monitor (without cross)? Thx |
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| | #2 |
| Lives for gear Joined: Nov 2005 Location: Kansas City
Posts: 2,673
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Full range single driver ! would be ideal but the problem has always been that the frequency extremes each require a different things of a driver ! close as you can come are some elecrostatics !
__________________ I have had worse days, but hey I've been on fire! I feel like I should make the pissed smiley my Avitar ![]() Eric Nelson |
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| | #3 |
| Gear Guru Joined: Jun 2004 Location: NYC
Posts: 14,161
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It's a problem of physics. One driver can't do full range, multi driver requires a crossover. To me, that's why it's necessary to have full range speakers AND auratones.
__________________ To doubt everything or to believe everything are two equally convenient solutions; both dispense with the necessity of reflection. -Henri Poincare |
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| | #4 | |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | Quote:
In 2007 it's still impossible to have consistency AND full range at the same time...![]() Headphones are full range tho... | |
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| | #5 |
| Voiding warranties Joined: Feb 2004 Location: beautiful Carlsbad, CA
Posts: 10,081
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These are made and are commonly available. They are called headphones. Jim Williams Audio Upgrades |
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| | #6 |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | |
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| | #7 | |
| Lives for gear | Quote:
2. No. 3. No. 4. No. You have been listening to too many cheap nearfields that have bass reflex openings that boost the bass, but suffer from poor response times and cross-over distortion. Try listening to a set of active M&Ks.
__________________ http://www.the-byre.com | |
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| | #8 | |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | Quote:
...yes but how M&K solved the problem? | |
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| | #9 |
| Voiding warranties Joined: Feb 2004 Location: beautiful Carlsbad, CA
Posts: 10,081
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| | #10 |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | |
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| | #12 |
| Lives for gear Joined: Mar 2005 Location: NYC
Posts: 2,639
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| | #13 | |
| Lives for gear Joined: Feb 2004 Location: MO USA
Posts: 2,153
| Quote:
You are singing my song. That is exactly what motivated me to check out the Zu Druid speakers. I ended up selling my PMCs and buying two pairs of Druids. The FRD run ~40 Hz to 12 kHz. No crossover, has a supertweeter with HPF RC network that comes in at 12K. I'm using them for mixing and mastering, as well as in the hi-fi listening room, they are really unique.There will be plenty of 'cannot be possible' statements coming now, from folks who have not actually used them. My advice is to listen and mix/master for yourself and see what comes out. 60 day money back trial period. Do a search here, I've posted about them a few times recently. And there are several reviews on the net as well. Steve edit I see Bob already pointed to one! | |
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| | #14 |
| Lives for gear Joined: Oct 2002 Location: Los Angeles
Posts: 1,167
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I made my own. They're essentially Auratones but made with better drivers (Fostex FE103 4") and Thiele-Small math. Approx. 12"h X 5" w X 9" d, with the drivers at ear height. Flat down to 105hz or so. I love them. Coincidentally, there's a guy selling a pair of something very similar on eBay, but with the slightly larger FE126's. Search eBay for "full range driver." Can't really tell about the science that went into the cabinets, but they look pretty right. Classic examples of that home-made "Proud-to-be-Plywood" school, too. Once I get past the current work crunch (and once I clear the crap off the table saw) I'm gonna make a bigger pair with 6" Fostex FF165's, which will play louder without complaining and -- theoretically -- be flat down to the high 60's or so. Can't wait. |
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| | #15 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
| Quote:
--Ethan
__________________ Ethan's audio book is now available! | |
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| | #16 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| Higher order cross-overs with delay compensation can help too. But it's hard to tell. The NHT Xd system was very clean and impressive..... A lot of people think that their audio problems can be solved by buying new gear - like magical full-range single driver speakers. But, I have listened and mixed in very few rooms where the acoustics were good enough to hear anything but gross phase problems in cross-over designs.... But at least we are talking speakers and not DACs........ -tINY |
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| | #17 | |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | Quote:
but I do ear incoherence around the crossover point and the intersection isn't small…<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p> | |
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| | #18 | |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | Quote:
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| | #19 |
| Voiding warranties Joined: Feb 2004 Location: beautiful Carlsbad, CA
Posts: 10,081
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| | #20 |
| Gear interested Joined: Jun 2007 Location: Worcester
Posts: 8
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| | #21 | |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | Quote:
<v:stroke joinstyle="miter"></v:stroke><v:formulas><v:f eqn="if lineDrawn pixelLineWidth 0"></v:f><v:f eqn="sum @0 1 0"></v:f><v:f eqn="sum 0 0 @1"></v:f><v:f eqn="prod @2 1 2"></v:f><v:f eqn="prod @3 21600 pixelWidth"></v:f><v:f eqn="prod @3 21600 pixelHeight"></v:f><v:f eqn="sum @0 0 1"></v:f><v:f eqn="prod @6 1 2"></v:f><v:f eqn="prod @7 21600 pixelWidth"></v:f><v:f eqn="sum @8 21600 0"></v:f><v:f eqn="prod @7 21600 pixelHeight"></v:f><v:f eqn="sum @10 21600 0"></v:f></v:formulas><v:path o:connecttype="rect" gradientshapeok="t" o:extrusionok="f"></v:path><?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:lock aspectratio="t" v:ext="edit"></o:lock></v:shapetype>. What I really appreciate with electrostatic is the realism of transient...something you can't get thru electrodynamics...<o:p></o:p>However, I don't get the physical relation (with the headphones) and I don't see mixing all way down with it...<o:p></o:p> | |
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| | #22 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
| Quote:
--Ethan | |
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| | #23 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
| Actually, the room is usually the weakest link in the chain unless you have truly lame speakers. Even modest price speakers are reasonably flat throughout most of their range. Contrast that to a typical domestic size room that has numerous peaks and valleys spanning 30 dB and often even more. Any company selling a speaker that bad would be laughed out of business. Unless they're selling to audiophiles. ![]() --Ethan |
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| | #24 |
| Lives for gear Joined: Feb 2007 Location: Honolulu HI
Posts: 1,852
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I feel your pain. I think that phase performance is often times glossed over - for frankly many people are not sensitive to it or do not listen to material that makes phase performance a big issue. One speaker manufacturer that I like a lot is Thiel. The main phase shift anomalies happen when mid or steep crossover circuits are used to get a highly controlled performance characteristic from a frequency response standpoint. What Thiel does that is not totally unique to Thiel, but unusual, is they rely on mechanical roll off of the driver itself and use low order crossover circuits. I find that this helps a lot. No such thing as a perfect speaker. We all can find fault in even the most expensive speaker - it just comes down to where you want to sacrifice your standards. For most of us that sacrifice comes down to available funds before we even hit the performance ceiling. |
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| | #25 | |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | Quote:
Anyway back to the main track, is it not possible to have one simple and consistent way to get our music (and mixes) from top to bottom??? | |
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| | #26 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
| Quote:
![]() Seriously, a single driver could probably be designed to do this. I envision a huge automobile piston, at least a foot in diameter, and able to move several inches back and forth 20,000 times per second with high linearity. --Ethan | |
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| | #27 | |
| Voiding warranties Joined: Feb 2004 Location: beautiful Carlsbad, CA
Posts: 10,081
| Quote:
Jim Williams Audio Upgrades | |
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| | #28 | |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | Quote:
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| | #29 | |
| Gear addict Joined: Jul 2006
Posts: 390
Thread Starter | Quote:
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| | #30 | |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| Quote:
You have to get out of the smaller rooms. Think big! (like 40x60 feet with sloped ceilings at 12+ feet). -tINY | |
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