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| | #31 |
| Lives for gear |
I thought I'd prefer the ADL to the API but the API was my fav then ADL (chosen before I read the results btw) I certainly thought the xmax was my least preferred, but I'd use any of them.
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| | #32 |
| Lives for gear Joined: Aug 2003
Posts: 555
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[QUOTE=FossilTooth;1441284] For all intensive purposes they sounded essentailly the same on little imac QUOTE] I like the idea of "intensive purposes", but I think you mean "for all intents and purposes". No slam on you, just something I noticed. |
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| | #33 |
| Lives for gear Joined: May 2007 Location: Baton Rouge, La
Posts: 513
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| | #34 |
| Gear addict Joined: Aug 2005 Location: Abilene, TX
Posts: 499
Thread Starter |
Thanks for the reply's. I will try to post some Acoustic and/or vocal tracks next week. In the mean time, here is a couple of samples of the complete drum kit. One is all XMAX pres, and the other is ADL on kick and snare, API on Toms and Hat, and OH's in the Eureka's. I think the difference is way more apparent in these tracks as to which is which.
__________________ www.theglassjarstudio.com |
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| | #35 |
| Gear addict Joined: Jul 2007 Location: Edinburgh
Posts: 495
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I prefer the Toms, Kick and Snare in 2 - they seem fuller and have more body to my mind. I couldn't hear much difference in the OH to be honest. I own an API A2D, but haven't recorded any drums with it yet. I'd guess that sample 1 was the XMAX, sample 2 API/ADL |
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| | #36 |
| Gear maniac Joined: Dec 2006 Location: So.Cal
Posts: 217
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I'm gonna say that 2 was the XMAX pres.
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| | #37 |
| Lives for gear | |
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| | #38 |
| Lives for gear Joined: Oct 2005
Posts: 507
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| | #39 |
| Gear maniac Joined: Feb 2006 Location: Washington DC
Posts: 249
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reveal?
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| | #40 |
| Gear addict Joined: Aug 2005 Location: Abilene, TX
Posts: 499
Thread Starter |
Here is the outcome of the kit test. 1. kit 1 XMAX 2. kit 2 ADL600, API's, and Eureka's |
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| | #41 |
| Gear maniac Joined: Feb 2006 Location: Washington DC
Posts: 249
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yea...figured. Now I'm curious...did you mic and mix both tests the exact same way? As someone mentioned earlier....it sounds like the amount of room sound is drastically different. Is that a result of just the different preamps and nothing else?? nice test! |
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| | #42 |
| Lives for gear | Yes, I mentioned it and basically they sounds radically different...
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| | #43 |
| Gear addict Joined: Aug 2005 Location: Abilene, TX
Posts: 499
Thread Starter | I recorded it using a patch bay that split the sginal into doth sets of pres. I matched the levels as close as possible going in and then after they where recorded. I normalized the audio files to the exact same db level, the matched the mixer for both kit recordings the the exact same db level per fader. The extra room is what your hearing from the different pres.
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| | #44 | |
| Gear nut Joined: Apr 2006 Location: berlin
Posts: 130
| Quote:
the difference between the xmax and the api is quite apparent to me, and now i know what people talk about when they say that api have just the right punch for drums. | |
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| | #45 |
| Gear nut Joined: Apr 2006 Location: berlin
Posts: 130
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btw, really cool test. thumbsup
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| | #46 |
| Gear addict Joined: Jul 2007 Location: Edinburgh
Posts: 495
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I actually got it right. Maybe my ears aren't as bad as I thought! Nice test! Though i'd be interested in bass and synth DI's as well as thats what I'm finding the API A2D to be really sweet on, especially with the tranny-tap. |
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| | #47 | |
| Gear addict Joined: Mar 2006
Posts: 350
| Old School -- New School -- Obama Baskin Robbins School? ![]() Quote:
1 fullest 3 in between 2 tinny-thin ADL? XMAX? API? AM I right? I would have preferred to see like $ preamps compared, like XMAX & lower end FOCUSRITE & ONYX & MP GOLD etc ... On page 2 I think you did a test between a kit with all XMAX and the other with Mixed preamps? I thought each sounded ok in its own right. The all XMAX is akin to using a desk's pre's and processing later with eq, dynamics, tape emulation, sfx, etc. for whatever you want to turn it into. The latter, of course, using three diff pres gives some type of different character, not necessarily better. The latter seems to be the slut "new school" of tracking using the baskin robbins 53 flavor approach, and tweaking forever until you are never ever satisfied with the mix or even the master later? ... darn, I should have used X on Y and A on D instead 6 months later. Hey take a valium and get over it already. That's the joy of using simplistic approaches that are time tested and work -- use a desk with good pres, use the best mics possible at the source, capture the source as accurately, and go from there. You have accomplished 98 percent of the task of mixing and mastering if you do it right there and this way. The other method using all that other stuff and even eq during tracking tracks a different creature altogether than the actual performance most of the time, and you 'start off' with a godzilla and spend the rest of your energy fixing that mess ... it's a form of audio engineering masochism that I cannot describe any other way, but folks think its cool, but are probably the same ones who also think Barak Hussein Obama and his dear poor disenfranchised Harvard Professor who has been given every opportunity at US taxpayer funded expense (who BTW she hates) with a silver spoon in her mouth -- both living on millionaire acres -- who are "not proud of their country" until now that he’s running? Awww, poor poor disenfranchised Black female -- both Moslem pretense Christians who are both anti-Christian anti-American anti-Military anti-US National Anthem and anti everything American are cool, and he's a fvvking clown, and a traitor, and yet the US media crucified everybody else to date in US public history running for any public office and he's treated from A-Z by the national media like a goddamned beauty pageant queen? I'm gonna puke .... hey, but that's all another discussion anyway. What the fvvk were we talking about again? Oh yeah, the Baskin Robbins School of audio engineering …. Ok then. So page 2 #2 sounded rounder, and #1 sounded right? I think so. You see there is so much more I can do with #1, even though XMAX preamps are skinny, and have acne, and greasy teenage hair, and poor teenage body hygiene, and are thin and tinny, than the “well rounded” multi preamp approach. You’re pretty much stuck with what you have on #2, that can only go one place from there – on a tangent away from the performance. #1 IS THE PEREFORMANCE and can only go anywhere you want to take it from there to make it fatter, fuller, more fluid … and it will still be THE PERFORMANCE and not a flavored one from the source. That is why so many old school engineers like me will say, you don’t need all that crap. If you have 16 CH of API why do you need Daking, or Neve, or Helios or Super 88 etc? Stick with a group and get really good at it and learn to cut records with one preamp group. I have a collection of diff stuff because I do post and film and need that stuff because the client wants it most of the time. But when I start with one I usually stick to the end with most of one. Exception maybe the occasional 1073 or 1272 Neve thrown in with API or something else, but really and truly, I’d rather use a good desk, with good preamps, good routing, and good eq. Hmmm .. why does Midas XL3 /XL4 always come to mind as my first choice? And did I mention how much my new GL4800 rocks? I luv that sumbich to death now LOL … Well diff strokes for diff folks … your money and time and fetish and ability to withstand hours of mental anguish fixing what should have never been broken to start with … and not mine LOL ~skygod~
__________________ http://skygodproductions.com/BLOG4.html | |
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