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| | #1 |
| Gear addict Join Date: Jun 2006 Location: Hobart, Australia.
Posts: 314
| Studio in a shed - wood or tin? As one is often resigned to, I've decided that I cannot wait 5+ years until we build our 'dream' house, which of course would include a purpose built studio, and simply make do with what I have now... and, um, build a little project studio out in the backyard. Part of the studio (probably the control room) I would join onto the back of the garage (which would of course be linked up as a 'live room', if needed) and fill in the 4 metre gap between it and the back fence, then have another 3x4 metre room (the 'dead room') coming off the bottom in an L shape. Question: convert a big tin/zincalume garden shed (or in my case, two sheds), or build using timber frames? The garage is painted weatherboard, and while it would be good to match apparently the same size board isn't available anymore. Tin sheds are reasonably cheap though I have friends who can build stuff and own timber mills so cost either way isn't really a factor, nor is council approval which both would still need... so what matters is sound proofing and insulation. We're in suburbia and while my next door neighbours have no right to ever argue about noise given their dog barks constantly, it would be good to be able to track drums during the day/early evening without pissing off people. Seems to me that timber would be better, as you're gonna have to build false walls in a tin shed anyway and insulate, etc., losing internal space as you go. Right?
__________________ "The big hump at the left in each graph is called a "low-end head bump" and is typical of analog machines. Often +2 dB or more, it can exaggerate the low end coming back from the tape, especially with kick drums, and is probably the reason why the adjective "punchy" came into existence. Enjoy." I make websites, btw... B+W Design |
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| | #2 | |
| Lives for gear | Quote:
__________________ www.danielantix.com | |
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| | #3 | |
| Gear addict Join Date: Jun 2006 Location: Hobart, Australia.
Posts: 314
| Quote:
more seriously though, I'd get a small reverse/cycle air con system installed, so for comfort tin vs timber wouldn't be an issue, I'd have thought.
__________________ "The big hump at the left in each graph is called a "low-end head bump" and is typical of analog machines. Often +2 dB or more, it can exaggerate the low end coming back from the tape, especially with kick drums, and is probably the reason why the adjective "punchy" came into existence. Enjoy." I make websites, btw... B+W Design | |
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| | #4 | |
| Lives for gear | Quote:
e.
__________________ www.danielantix.com | |
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| | #5 |
| Lives for gear Join Date: Feb 2006
Posts: 3,821
| Soundproofing is hard. Tin sheds are not soundproof at all. You basically need lots of mass, and/or double walls of differing resonant frequency. The floor and ceiling is just as important for letting sound in or out. Concrete is cheap. I also love the concept of adobe or straw bale houses. Then again, if you basically just need a midi suit and a vocal booth, you could get away with a tin shed. I think they look cool - just have to consider your actual soundproofing needs. Don't shy away from windows. If you use double glazing, different thicknesses, with a good airgap in between (say 6") then windows don't leak sound.
__________________ Once you let the magic smoke escape, you can't expect it to work again unless you take it to a wizzard and have him put more smoke inside ... tINY |
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| | #6 | |
| Gear addict Join Date: Jun 2006 Location: Hobart, Australia.
Posts: 314
| Quote:
i realise full soundproofing is going to be impossible. it would be more than a MIDI studio, being able to record acoustic instruments would be important, though not necessarily a full band at once (not enough room). i like the idea of using self made mud or clay brick. lately i've read some stuff on Steve Albini's studio (Electric Audio) which uses Adobe brick in one of the live rooms, apparently it is a great sound absorber. my recording rooms are never going to be big enough to get a decent 'live' room sound anyway. Adobe or puddled mud could prove a bit cheaper too as it would save a lot of timber framing. Would it be wise using it throughout the studio though? Would it work ok exposed inside a control room with just bass traps and acoustic tiles? anybody ever made a mudbrick studio before?
__________________ "The big hump at the left in each graph is called a "low-end head bump" and is typical of analog machines. Often +2 dB or more, it can exaggerate the low end coming back from the tape, especially with kick drums, and is probably the reason why the adjective "punchy" came into existence. Enjoy." I make websites, btw... B+W Design | |
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| | #7 | |
| Lives for gear Join Date: May 2006 Location: phallicdelphia
Posts: 2,586
| Quote:
__________________ I believe that we have to content ourselves with our imperfect knowledge and understanding and treat values and moral obligations as a purely human problem - the most important of all human problems"....alberta weintsein "The notes I handle no better than many pianists. But the pauses between the notes, ah, that is where the art resides." Artur Schnabel http://www.myspace.com/miketarsia http://miketarsia.com | |
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| | #8 |
| Lives for gear Join Date: Feb 2006
Posts: 3,821
| I love the asthetics of adobe or strawbale. Straw would be a great insulator, acoustic and thermal. Randomness is an excellent quality in an acoustic space. For mixing and mastering you ideally want a symmetrical space, on the large dimensions, but some randomness in the walls will still be desirable. Here's a cheap idea - not sure about building permits and stuff, but I was talking to somebody recently who used waste 200L drums to erect pole houses. The drums are used as moulds for concrete, which holds up the poles. I imagine if you could build a sturdy structure that could support a solid (soundproof) roof, then filling in the walls with bales of straw and plastering inside and out sounds like a fun DIY project.
__________________ Once you let the magic smoke escape, you can't expect it to work again unless you take it to a wizzard and have him put more smoke inside ... tINY |
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| | #9 |
| Gear addict Join Date: Jun 2006 Location: Hobart, Australia.
Posts: 314
| actually adobe bricks usually have a bit of straw mixed in, presumably for extra structural strength. i'm wondering whether it is better to use a single thick row of brick or two thinner rows with an air gap/insulation in between? i won't pretend to be well versed in studio design concepts (something i need to change) but i've read that standard good practice is to decouple your interior and exterior walls... but one would imagine a 300-450mm thick wall of unfired clay and soil would be pretty effective. decoupling the floor from the concrete slab and insulating the roof would a greater concern.
__________________ "The big hump at the left in each graph is called a "low-end head bump" and is typical of analog machines. Often +2 dB or more, it can exaggerate the low end coming back from the tape, especially with kick drums, and is probably the reason why the adjective "punchy" came into existence. Enjoy." I make websites, btw... B+W Design |
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| | #10 | |
| Lives for gear Join Date: May 2006 Location: phallicdelphia
Posts: 2,586
| Quote:
cheapie way is to put asphalt over concrete then flooring and layer the flooring so no seams match ...footers and headers can be decoupled by poly washers and pads check out my friend nicks site at acoustics first on the web
__________________ I believe that we have to content ourselves with our imperfect knowledge and understanding and treat values and moral obligations as a purely human problem - the most important of all human problems"....alberta weintsein "The notes I handle no better than many pianists. But the pauses between the notes, ah, that is where the art resides." Artur Schnabel http://www.myspace.com/miketarsia http://miketarsia.com | |
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| | #11 |
| Lives for gear | i just remembered i have something you might be interested in it's a demountable room, 2ue (john laws... you've prob heard of him beingfrom tassie) used to use it for outside broadcasts. they were throwing it out last year but i grabbed it before they did, put it in the back of a truck and now it's sitting under tarps out the back of my dads work. a mate was going to buy it but never did... now it's just sitting there. there were only 2 of its kind built and it was worth over 5k... I'd be happy with $1000 or so. it's demountable so you wouldn't need council approval, it's big enough to set a drumkit up in, or a studio control room with enough room to record some gtrs. it's a bit of a pain in the arse to assemble but you only need to do that once. worst came to worse you could always use the big thick fiberglass windows (4 or 5 of them) on a shed you build insted. seriously i'll be glad to be rid of it because i have no where for it and would love to see it go to good use. if you're interested pm me. we could work something out.
__________________ www.danielantix.com |
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| | #12 |
| Gear nut Join Date: Dec 2004 Location: St. Louis
Posts: 149
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| | #13 |
| Gear addict Join Date: Jun 2006 Location: Hobart, Australia.
Posts: 314
| thanks for the offer mate, my first idea actually was to fit out a shipping container, as obviously it would transportable....but putting that sort of thing in our backyard would require a big helicopter... it isn't accessible, our driveway is difficult enough for cars let alone a truck mounted crane long enough to reach over the garage. my father in law always talks about making a 'bunker' studio at our shack, by fitting out a shipping container and burying it out the back. problem is that you just can't get the things big enough... yeah a 40 footer is enough length but they're still only 2.5-2.8m wide, which just isn't practical, especially if you want a decent analogue desk and a couch!
__________________ "The big hump at the left in each graph is called a "low-end head bump" and is typical of analog machines. Often +2 dB or more, it can exaggerate the low end coming back from the tape, especially with kick drums, and is probably the reason why the adjective "punchy" came into existence. Enjoy." I make websites, btw... B+W Design |
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| | #14 | |
| Lives for gear | Quote:
pretty sure you could fit an analog desk and a couch in this thing... and it's in pieces so you don't need a crane. this was also an alternative to the shipping container idea, but then my mate didn't need it anymore so i'm stuck with it. any other aussies want it? :P
__________________ www.danielantix.com | |
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