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| | #1 |
| Gear nut Joined: Nov 2006 Location: Atlanta, GA
Posts: 92
Thread Starter | Mixing question
Howdy. Do many people cut out the audio in between tom hits? For example, if you don't want the bleed from a tom mic, do you cut or mute the audio between hits? Or do you use a noise gate? The noise gate is good but there are spots where it sounds choppy, so ive been muting the space between hits. Its really clears up the sound. Any insight is helpful! |
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| | #2 | |
| Lives for gear Joined: Oct 2003 Location: Orange County California
Posts: 1,700
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| | #3 | |
| Lives for gear | Quote:
I was taught to cut out audio when you edit to keep the track as clear and clean as possible. its actually why silence detector in PT comes in handy for me. So if i have a part in the track where the piano only is played during the hook or so, then i just edit out the parts b/w the hook to make the track as clear as possible. | |
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| | #4 | |
| Lives for gear Joined: Apr 2007
Posts: 1,677
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| | #5 |
| Gear Guru |
most of the time I've got ambient mics, so using protools will tab to transient and cut for the start of the hit, then add a natural fade-out. Gates have never really done it for me personally - unless it's keying a trash mic off the snare but not the kick, for example. |
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| | #6 |
| Lives for gear Joined: May 2005 Location: Seattle
Posts: 4,300
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Personally, I can't stand gated/edited toms. I always find that too much of the drum sound is in the bleed. Usually the more I gate the shells, the thinner the overall sound gets. Now, overdubbing extra toms hits.....I'm all for that!
__________________ www.mysteriousredx.com "Sorry man I played guitar instead of going to school." -- James Lugo |
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