![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Lives for gear | Vocals: mic height vs. distance
I've just been doing a little private mic/preamp shootout on headphones and something occured to me. Besides the proximity effect and the way you can control it with distance, I found there's a much bigger variation in tones to be obtained depending on the height of the mic (especially once you're out of the proximity zone): wether it's pointing at the singer's lips, chin, nose, upper chest or even forehead. And I haven't even started experimenting with angles yet! Compared to what can be achieved this way, your basic close-micing (while still usefull in some instance) suddenly seems boring. Now I'm sure I didn't just discover the holy grail of recording knowledge, but it seems to make a big enough difference to warrant a GS thread. So, what are your experiences with this? What was your most unlikely vocal mic placement? Any mic types/polar patterns that react to placement better than others?
__________________ André ___________________________________________ "Recording exactly what a musician hears turns out to be a really big deal." Bob Olhsson "Who cares about efficiency, when we're talking about music?" Rupert Neve "it'll sound different through a microphone, anyway" Keith Carlock "no room, no boom!" Michael Wagener Last edited by andychamp; 12th August 2007 at 03:46 PM.. Reason: typo |
| | |
| | #2 |
| Lives for gear Joined: Aug 2006 Location: No longer participating here.
Posts: 6,705
|
Yeah move the mic...regardless of source...until you have the exact placement you want. Every single time. Both relative to the source and the room. Can be a bigger difference than the equipment in use. What, would you take photos without using the viewfinder? |
| | |
| | #3 |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
| i do a trick of making a mic slightly higher than para to mouth,,, it makes a person raise their head slightly and emit better both tonally and note wise..on distance i like a person to suck the dick on a mic..not shy away..good studio vocalists will turn their head accordingly, bad ones will make the job a little harder..i don't mind and actually admire a little "back off" on screams..but any real jerky side to side stuff i put the mic in omni as dealing with prox and loss of prox ain't worth the gain from the bottom end from the mic itself in that pattern
__________________ "The notes I handle no better than many pianists. But the pauses between the notes, ah, that is where the art resides." Artur Schnabel http://miketarsia.com http://www.myspace.com/miketarsia https://members.grammy365.com/users/mike-tarsia |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| Mic pre - Distance from the source. | shauli | High end | 9 | 15th January 2007 08:07 PM |
| Mic Distance | vaesion | Rap + Hip Hop engineering & production | 9 | 5th January 2007 04:21 PM |
| distance from mic when recording rap vocals? | DAH | Rap + Hip Hop engineering & production | 11 | 13th July 2006 01:01 PM |
| maximum distance from Mic to Pre? | Mike H | So much gear, so little time! | 12 | 13th January 2006 10:16 PM |
| Distance effect on vocals...BAD | ExistanceMusic | Remote Possibilities in Acoustic Music & Location Recording | 4 | 28th October 2003 04:23 PM |
| |