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| | #1 |
| Lives for gear Join Date: Oct 2006 Location: west wales
Posts: 1,745
Thread Starter | mid side recording and pro tools q? Hi Guys, Recorded an acoustic guitar/vocal duo yesterday and as a room mic I arranged mid/side array in between them. I routed the mid mic to its own channel, and the fig8 side mic to two tracks panned them hard left and hard right and flipped the phase of the left side channel with URS' BLT plug. It sounds cool, but I'm not sure I've done this correctly. I have a plug in called +matrix as an RTAS which is a mid/side decoder but it will only work on a multi channel source, so I haven't used this at all I mean I think I achieved the heightened width and room I was after with the array but would like to hear from you guys how you go about it. Cheers iwan |
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| | #2 |
| Lives for gear Join Date: Aug 2004 Location: tx
Posts: 8,802
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| | #3 |
| Lives for gear Join Date: Oct 2006 Location: west wales
Posts: 1,745
Thread Starter | Cheers Max. I thought I was on the right track. On a side note, I love how this technique works, it really made the performers "fit" into the room and the acoustic space was really defined |
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| | #4 |
| Lives for gear Join Date: May 2007 Location: Sydney
Posts: 509
| yep i used that exact technique today TLM 103 as the M mic KM 86 as the S mic worked really well it was just a solo acoustic, then vocals over dubbed later M/S is a great technique for this purely for the open space it gives and the control of that open space i think you matrix plug in is for splitting a stereo source into its M and S components i use this for doing some basic mastering in protools |
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| | #5 |
| Lives for gear Join Date: Jun 2002 Location: Brighton UK
Posts: 1,084
| In your initial post you dont mention converting back to stereo, which you have to do to monitor it...perhaps you're automatically doing that by having everything routed to a master fader?? J |
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| | #6 | |
| Lives for gear Join Date: Aug 2004 Location: tx
Posts: 8,802
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