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| View Poll Results: How do you make the best progress in the studio? | |||
| I rely mostly on experience, with or without skilled people around me. | | 8 | 20.00% |
| I rely mostly on information. I read books, magazines, forums and watch DVDs. | | 1 | 2.50% |
| I rely mostly on decision making. I focus a lot on resource selection. | | 0 | 0% |
| I rely mostly on A/B and copy stuff from my favorite engineers. | | 2 | 5.00% |
| I rely mostly on being creative, I listen to a lot of music and just try to grow. | | 8 | 20.00% |
| I rely mostly on filtering techniques, I try to learn new ways of eliminating problem areas. | | 0 | 0% |
| The progress is in my ears and brain, I try to improve my sound intelligence by practising. | | 4 | 10.00% |
| I rely mostly on traditional education, with courses and teachers. | | 0 | 0% |
| I don't know, I guess it just happens, due to a mixture of everything. | | 17 | 42.50% |
| Voters: 40. You may not vote on this poll | |||
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| | #1 |
| Lives for gear Join Date: Aug 2005
Posts: 1,326
| How do you make best progress in the studio? Here's a fact, no matter if you're among the top 10 engineers in the world or if you are an amateur, we all have something in common: We all struggle and we all strive to make progress. This thread will explain how most of us make the best progress. Please allocate 4 seconds to answer this poll.
__________________ - A member of the "Homo sapien audiophilus" family |
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| | #2 |
| Lives for gear Join Date: Apr 2006 Location: Europe
Posts: 663
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__________________ Cheers |
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| | #3 | |
| Gear addict Join Date: Jul 2007 Location: NYC
Posts: 368
| Quote:
Wrong again, no struggling here. Love what I do, get paid well for it, work with competent musicians, buy vintage gear, take my girl on nice vacations, soon will buy a nice house, build deam studio. Makng and producing music should not be a struggle, and when its not, people reconize this, they stand in line to wait for your services, they pay you what you want,....Everybody happy. ![]() | |
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| | #4 |
| Lives for gear Join Date: Mar 2005 Location: Annapolis, MD/L.A.
Posts: 3,610
| I didn't vote because checking multiple options isn't possible, and I would've checked everything, as I suspect 95% of people would have also done. |
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| | #5 | |
| Lives for gear | Quote:
yeah i agree but my struggle isnt makin the music, my struggle is gettin away from this god forsaken place state to be in a position to be recognized | |
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| | #6 |
| Gear maniac | in the poll for me the word "experimenting" was missing. I do a lot of strange things in the studio...like trying wierd stuff and see what happends...who knows maybe you can discover a mic teqnique that it doesn´t exists and helps you a lot for recording something (and actually I did with spanish guitar) |
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| | #7 | |
| Gear addict | Quote:
I disagree about making music not being a struggle, my guess is your making extremely competent music and will so do for a long time with that attitude. Im taking the piss kinda, but in all seriousness, if you dont struggle to get better then your cruisin' man and just cause the clients are lining up dont mean your improvin'. I would probably tick all the boxes as well. Chymer | |
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| | #8 | |
| Lives for gear Join Date: Aug 2004 Location: 3rd Coast
Posts: 1,932
| Quote:
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| | #9 |
| Lives for gear Join Date: May 2007 Location: Brooklyn, NY
Posts: 620
| Kind of obvious but, working as much as possible seems to help me the most. Just like practicing an instrument, you've go to plow ahead everday day to make real progress.
__________________ http://www.myspace.com/nickbrandes |
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| | #10 |
| Lives for gear Join Date: Jul 2003 Location: Portsmouth, UK
Posts: 1,454
| I'm not really sure what the results of this poll will prove, it sure is confuzzling. Also, can you clarify what you mean by 'struggle'? Are you struggling to get clients? Struggling to achieve a certain sound? Struggling with the interaction of the clients? What is this progress you wish to achieve? To further your knowledge, your business, your soul? All three? I kinda bimble along, taking into account the wishes and expectations of my clients and just get on with it. I find sometimes you can think about somethings too much that eventually they don't make any sense at all. ![]() |
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| | #11 | |
| Lives for gear Join Date: Aug 2005
Posts: 1,326
| Quote:
"Struggle" in this case is not necessarily a negative term, but it's rather a term that reflects a realistic view of yourself in your current state of skill in relation to further improvements you wish to make, sort of a growth-window/door, that helps in finding the focus necessary to break new plateaus and realise you need to be active in order to make progress and grow. The difference between "master" and "struggle" is that with the insight of struggling you become aware that you need to (1) find the right door to open, (2) find the key to open it and (3) open it and step in and that this is a constant iterative process. When you "master" something you typically either stop looking for new doors to open, or you think you already have all keys you need or you think you don't have to use the keys you have. The poll is about answering what doors you look for and I'm not only talking about the control room door! ![]()
__________________ - A member of the "Homo sapien audiophilus" family | |
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| | #12 |
| Lives for gear | I think I did my best work whenever I worked with people/musicians who are better at what they do than I am at what I do, or at least as good. It made me want to attain their level and keep them happy. I really got involved in their music and moved away from any comfortable routine (although a well-filled bag of tricks is nice to have, and those cats actually enjoy being impressed from time to time).
__________________ André ________________________________________ "keep it simple. get it right in tracking. record good drummers in good rooms. cake." mixman499 "no room, no boom!" Michael Wagener "every song is different." Dave Pensado |
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| | #13 | |
| Lives for gear Join Date: Aug 2004 Location: 3rd Coast
Posts: 1,932
| Quote:
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