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| | #1 |
| Lives for gear | upfront payment: etiquette? What's the usual percentage of the studio fee that a client can be asked to pay upfront, before even playing a single note? Are there regional differences between U.S., U.K., continental Europe?
__________________ André ________________________________________ "keep it simple. get it right in tracking. record good drummers in good rooms. cake." mixman499 "no room, no boom!" Michael Wagener "every song is different." Dave Pensado "God dammit man! Just try! The best way to micing is the way that u will like!!!"mat1306 |
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| | #2 |
| Lives for gear | they call it "le bump"
__________________ André ________________________________________ "keep it simple. get it right in tracking. record good drummers in good rooms. cake." mixman499 "no room, no boom!" Michael Wagener "every song is different." Dave Pensado "God dammit man! Just try! The best way to micing is the way that u will like!!!"mat1306 |
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| | #3 |
| Lives for gear Join Date: Jan 2007 Location: On the 2 buss
Posts: 1,575
| 50.00 deposit to book session pay after each session or before but then your are just guessing.
__________________ SHAKE AND BAKE That bassist couldnt be in the pocket if he was lint. (Jan 2007) Ray Gagliardino In daBag http://www.myspace.com/3sixteenband http://www.myspace.com/pick13music http://www.myspace.com/lesin http://www.myspace.com/withoutlogicband |
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| | #4 |
| Lives for gear | We require a minimum 25% deposit of the estimated cost of an entire album. Deposit is non refundable, non transferrable and can only be used for studio time. We've been recording bands commercially for quite some time so it usually takes about the same amount of time to record, mix and master an album so we base the estimated time on that. If the band is serious it's never a problem, and it's created 99% less stress for us. Once the band burns through the deposit they pay in full every session for what they use that day. It might sound strict, but after around the 7th year (were in our 13th year) of trying to be nice & flexible and having a constant string of problems, it was time to protect the business with more 'professional' requirements.
__________________ Nathan Eldred Atlas Pro Audio- Boutique Gear, Consultation, Sales, & Distibution Home of the Atlas Juggernaut Preamp & 500 Series Revolver Rack USA Distributor for Buzz Audio Exclusive Worldwide Distributor for Atlas Pro Audio Gear, Old School Audio (OSA), and Burgin McDaniel Design ![]() Atlas Recording Studios, Inc. Recording/Mixing/Mastering Services |
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| | #5 |
| Lives for gear | Anyone else want to chime in? I was kinda hoping for anwers more or less like Nathan's (thanks, btw!), to figure out some common, serious practice that would save a recordist from being ripped off, while not offending the client. Or are these things considered a trade secret? No go ye forth and poste, that the worlde's ignorance be lessened!
__________________ André ________________________________________ "keep it simple. get it right in tracking. record good drummers in good rooms. cake." mixman499 "no room, no boom!" Michael Wagener "every song is different." Dave Pensado "God dammit man! Just try! The best way to micing is the way that u will like!!!"mat1306 |
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| | #6 |
| Gear maniac Join Date: Aug 2006 Location: Nacogdoches, Texas
Posts: 269
| It all depends on the size of the project. If they book 1 hour, I'll charge the entire fee before I even book it. If it's larger, I charge 25% of booked time.
__________________ Boycott shampoo. Demand the REAL poo! |
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| | #7 | |
| Gear maniac | Quote:
The studio I'm in the process of opening will also be adopting a similar idea. Probably something like a $100 a day deposit and the rest at the end of the session. We're expecting people to stick to the day rates most of the time. I think it'll work out just fine.
__________________ Hi, I'm Nick. | |
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| | #8 |
| Lives for gear Join Date: May 2006 Location: phallicdelphia
Posts: 2,586
| 1/2total up front ...1/2 again at mix time ..balance due upon completion
__________________ I believe that we have to content ourselves with our imperfect knowledge and understanding and treat values and moral obligations as a purely human problem - the most important of all human problems"....alberta weintsein "The notes I handle no better than many pianists. But the pauses between the notes, ah, that is where the art resides." Artur Schnabel http://www.myspace.com/miketarsia http://miketarsia.com |
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| | #9 |
| Lives for gear Join Date: Sep 2005 Location: St. Louis MO
Posts: 2,202
| I don't charge a lot and I charge on a per song basis so I require 100% up front. |
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| | #10 |
| Gear maniac | For albums or larger projects, 40% upfront (20% of which is non-refundable and the rest becomes non-refundable at downbeat), 30% at vocal recording, the final 30% BEFORE masters are turned over! If it's a small budget, single song, someone I've worked with before, etc., it's all negotiable. |
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| | #11 | |
| Gear maniac Join Date: Oct 2006 Location: Dallas, TX
Posts: 207
| Quote:
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__________________ _______________ Ryan Miller http://www.sq1studios.com http://www.myspace.com/squareonestudios | |
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| | #12 | |
| Gear addict Join Date: Aug 2005 Location: nyc
Posts: 383
| Quote:
Ugh, ranting, offer my apologies; if anything, billing for mixing can be a bitch. regards, jhg
__________________ "Dung beetles with ostentatious horns tend to have smaller testicles" source unknown, as read in Harpers Findings, Dec. 2006. | |
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| | #13 | |
| Lives for gear Join Date: Sep 2005 Location: Camarillo, CA
Posts: 1,215
| Quote:
__________________ Dave EscobarSo-Cal Sound Design My New Website My Myspace Page Rock City Studios Orange Whip Recording | |
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| | #14 |
| Lives for gear Join Date: Jan 2004 Location: Highlands of Scotland
Posts: 1,107
| We charge nothing up front, but do require written confirmation of booking. Payment at the end of the gig in the form of a cheque. Hey, this is Scotland! I know nearly all my customers and those I do not know, I can check up on from a national database. If you trust people, 99% will trust you back. In that respect, musicians are like dogs and horses! If you want to learn how to deal with producers, A&R, musicians, managers etc., watch the Dog Whisperer National Geographic Channel - Dog Whisperer
__________________ http://www.the-byre.com |
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| | #15 |
| Lives for gear Join Date: May 2005
Posts: 1,660
| Yep, very true. The lacking 1% are managers.
__________________ "You always get more than you paid for at gearslutz" - Jules |
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| | #16 |
| Lives for gear Join Date: Mar 2005 Location: UK
Posts: 790
| Originally Posted by The Byre 'If you trust people, 99% will trust you back'. Id say that percentage is much lower. Dont trust anyone in this business, always get upfront payments and always get contracts in place before a note is played/recorded. If the artist/band aint happy with this then they can forget it!Harsh but true. Sometimes even people you thought you could trust and have know for years can pull a fast one. Get a deposit and something in writing. Saves a lot of stress. ![]() |
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| | #17 | |
| Lives for gear Join Date: Jun 2002 Location: Florida
Posts: 2,096
| Quote:
I like it! ![]() But seriously, to the original poster 50% on booking, 50% on delivery is common. On bigger, more long-term mixing projects, if the amount is fixed, we might do 3 payments (like what sigma really meant), or if billing per-day or per-hour, then sometimes weekly invoices. The key is to have a default policy and to come up with other specific considerations at the start of any project that might warrant a variation thereof. -dave
__________________ "Gearslutism is wasted on the Gearslutz" -- George Bernard Shaw | |
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