Recording accordion

Hope209 · 27th July 2007, 10:17 PM

I have a guy coming in tomorrow who wants to lay down some accordion tracks. What type of mic(s) and mic placement tips would you suggest?

Windshore · 27th July 2007, 10:30 PM

as far away as possible?

sorry couldn't resist. (Actually it's pretty easy, 2-3 feet from the instrument. A ribbon if you have a quiet room might be a good place to start)

amost · 27th July 2007, 10:37 PM

Don't forget the matches.

hle144 · 27th July 2007, 10:41 PM

U87 into 1073 right on the side not playing the keys.

Oroz · 27th July 2007, 10:49 PM

I really like ribbons (R-122) for recording accordion. If its a button type of accordion (common in "música norteña", mexican music that is) I like that I can aim the null point of the royer to the buttons so it tames the (button) noise a bit.

chester · 27th July 2007, 10:55 PM

XY-Technique worked out great here for a jazz project!

Steffmo · 28th July 2007, 02:01 AM

I do a lot of accordian stuff.....trio, duo and solo. Classical mostly. These people are amazing players show the instrument in a totally different light.

I tend to use two C12VR spaced omni about 8 feet from the instrument. On most pro accordians the bass comes from one side, and the melody the other. I like the omni because it keeps the image from becoming too bass to one side, melody from the other, but still gives a big room sound.

Whe the trio plays.....two full accordians and a bass accordian, with an amp....I put one C12 on each full, a Groove tube MD1 on the bass, and a Blumlein pair of Coles 4038 10 or 12 feet out.

Rick Sutton · 28th July 2007, 02:30 AM

I usually go with a pair of Royer 121s. One on each side. A lot of times the accordian player likes to change the balance depending upon the song and intended effect.

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27th July 2007, 10:17 PM	#1
Hope209 Lives for gear Join Date: Sep 2005 Posts: 591	Recording accordion I have a guy coming in tomorrow who wants to lay down some accordion tracks. What type of mic(s) and mic placement tips would you suggest?

27th July 2007, 10:37 PM	#3
amost Lives for gear Join Date: Jul 2004 Posts: 709	Don't forget the matches. __________________ Me

27th July 2007, 10:41 PM	#4
hle144 Gear addict Join Date: Jul 2007 Location: NYC Posts: 368	U87 into 1073 right on the side not playing the keys. __________________ "Her guitar is louder than my guitar" www.jsmmusic.com

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27th July 2007, 10:30 PM	#2
Windshore Gear nut Join Date: Nov 2006 Location: LA Posts: 104	as far away as possible? sorry couldn't resist. (Actually it's pretty easy, 2-3 feet from the instrument. A ribbon if you have a quiet room might be a good place to start)

27th July 2007, 10:49 PM	#5
Oroz Lives for gear Join Date: Oct 2005 Location: Mexico Posts: 976	I really like ribbons (R-122) for recording accordion. If its a button type of accordion (common in "música norteña", mexican music that is) I like that I can aim the null point of the royer to the buttons so it tames the (button) noise a bit.

27th July 2007, 10:55 PM	#6
chester Gear addict Join Date: Aug 2005 Location: the whole world Posts: 365	XY-Technique worked out great here for a jazz project!

28th July 2007, 02:01 AM	#7
Steffmo Lives for gear Join Date: Sep 2004 Location: West Haven, CT Posts: 930	I do a lot of accordian stuff.....trio, duo and solo. Classical mostly. These people are amazing players show the instrument in a totally different light. I tend to use two C12VR spaced omni about 8 feet from the instrument. On most pro accordians the bass comes from one side, and the melody the other. I like the omni because it keeps the image from becoming too bass to one side, melody from the other, but still gives a big room sound. Whe the trio plays.....two full accordians and a bass accordian, with an amp....I put one C12 on each full, a Groove tube MD1 on the bass, and a Blumlein pair of Coles 4038 10 or 12 feet out.

28th July 2007, 02:30 AM	#8
Rick Sutton Lives for gear Join Date: Feb 2003 Location: Atascadero, CA Posts: 1,804	I usually go with a pair of Royer 121s. One on each side. A lot of times the accordian player likes to change the balance depending upon the song and intended effect.