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| | #1 |
| Lives for gear Join Date: Dec 2004 Location: In a house
Posts: 1,161
| Kick Drums: The latest war Anyone notice how phucking loud they are getting? Last edited by CorkyTart; 16th July 2007 at 01:57 AM.. Reason: Devil made me do it. |
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| | #2 |
| Gear maniac Join Date: May 2007 Location: Sydney
Posts: 241
| sure do take a listen to 'the dark eternal night' from dream theater's latest album 'systematic chaos' i think in some parts they are even a touch too loud |
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| | #3 |
| Lives for gear Join Date: Mar 2005 Location: Annapolis, MD/L.A.
Posts: 3,612
| Totally too loud. Have been for a few years now. ![]() |
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| | #4 |
| Gear maniac Join Date: Mar 2007 Location: Illinois
Posts: 159
| Yeah, I assume you're talking about metal here. I only listen to a little metal, but my reference is the station "Hard Attack" on Sirius. I have come to the conclusion that kick drums are the lead instrument. The vocal is a distant second or third. Maybe people are scared of the cookie monster being in their face;) |
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| | #5 | |
| Lives for gear Join Date: Mar 2005 Location: Annapolis, MD/L.A.
Posts: 3,612
| Quote:
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| | #6 |
| Lives for gear Join Date: Dec 2006 Location: Melbourne, Australia
Posts: 621
| Guys...it's about feeling the rhythm. Your chest and bowel cavity vibrate sympathetically to the kick. Years ago low frequencies were taken out because a record would jump out of a track if you had too much... I love kick and bass with the kick ducking the bass.... and I think cheap speakers have got better so lots of people can enjoy low frequencies and KICK..KICK..KICK..KICK... |
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| | #7 |
| Lives for gear Join Date: Mar 2005 Location: Annapolis, MD/L.A.
Posts: 3,612
| I fully understand the role of kick and bass. I appreciate all of the frequencies in the spectrum. If one is too loud, it's too loud. In my opinion, kicks have been getting mixed up a little too loud in general in the past few years. That is all. ![]() |
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| | #8 |
| Lives for gear Join Date: Sep 2004 Location: Washington, DC
Posts: 1,528
| i don't listen to any current rock music, but i can tell you that classic ac/dc is all about the kick drum. ac/dc was actually a dance band in the guise of hard rock. :) - c |
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| | #9 |
| Lives for gear Join Date: Feb 2005 Location: montreal
Posts: 583
| so what's the big deal with that...... |
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| | #10 |
| Lives for gear Join Date: Mar 2005 Location: Annapolis, MD/L.A.
Posts: 3,612
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| | #11 |
| Gear nut Join Date: Apr 2007
Posts: 148
| I think that most of the kicks in modern music sound kind of crappy, in addition to being too loud. I like something with more room and warmth and musicality, I can't remember the last CD I heard from a new band that didn't have a kick sound like an abrupt thud. Maybe Ben Folds Rockin' the Suburbs that record is recorded and mixed almost perfectly, Andy Wallace. |
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| | #12 |
| Gear nut Join Date: Jan 2006
Posts: 99
| I believe Ben Grosse produced and mixed "Rockin The Suburbs".
__________________ www.myspace.com/andymixer |
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| | #13 |
| Lives for gear Join Date: Dec 2004 Location: In a house
Posts: 1,161
| The thing that made me finally say WTF was the new Dream Theater and the new Chevelle. Those are two CDS I picked up within the last several weeks and at first listen, the Chevelle kick was so loud, I actually thought for a second that I had either blown a speaker, changed a setting or did something "wrong" with my setup. Its strange how by todays standards an album like Back In Black that pretty much everyone agrees sounds great would most likely be considered to be mixed "wrong". That is because the kick is "low" snare sounds "weak" (Because they arent sampled and slammed) and how the bass isn't "present" since it isn't going through limiters and distortion pedals. People are finally coming around to the volume wars and there will be a day when people say enough is enough with the frickin kick drum. |
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| | #14 |
| Lives for gear Join Date: May 2004 Location: Los Angeles ,Ca.
Posts: 5,979
| Agreed.. and some of those god awful in your face digital samples that everyone seems to use nowadays ..Pure homogenized artificial shit. put on an old Faces or Zep record and someone tell me you don't feel it.. sounds like a guys rockin in a room..with "Air" around the kit... you could tell who was playing and they each had a recognizable sound. whether it was Alex Van Halen,Charlie Watts,whatever. the majority of modern rock mixes sound like kaka to me anyways.. just go listen to the latest "Panic at the disco" crap ![]() |
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| | #15 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,326
| A friend and longtime Gearslut mentioned to me that he likes the kick to make your heart skip a beat and the snare to make you squint. If it's meant to rock then let it rock!!!
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #16 |
| Lives for gear Join Date: Jul 2003 Location: Netherlands
Posts: 1,468
| Little OT: man, that last Chevelle CD sucks! The one before that, mixed by AW, is loud, but sounds awsome. The new one has sampled kick/snare sounds and sounds very snapped to grid. Too bad... Greetings, Dirk
__________________ -progress takes away what forever took to find- Dave Matthews |
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| | #17 |
| Lives for gear Join Date: Feb 2006
Posts: 1,382
| This is what happens when Hip Hop and RnB influence Rock , Heavy Kick and a consistent snare , say it aint so ! ![]() |
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| | #18 |
| Lives for gear Join Date: Jun 2002 Location: Bloomington Il
Posts: 3,597
| I seem to see the exact opposite. Almost every FOH guy has the BD and a completely stupid and unmusically loud level. They all run the subs too loud and and the detail of the music is shot.
__________________ Tony Oxide Lounge Recording See the Oxide Lounge! WWJMD? Come see me on the Tape Op boards! "If I have to flip flop more than three times in an A/B test to figure out what the difference is, I lose interest in that difference.'--Tchad Blake |
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| | #19 |
| Gear maniac Join Date: May 2003
Posts: 219
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| | #20 |
| Gear nut Join Date: Apr 2004
Posts: 78
| so, your thoughts on this kick: too loud, soft, shitty? |
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| | #21 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,326
| ABBA had huge kicks and nobody seemed to complain.
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #22 |
| Lives for gear Join Date: Mar 2005 Location: Philadelphia, PA
Posts: 1,367
| I mix my kicks "too loud" My clients love it. I love it. Rock on ![]() |
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| | #23 |
| Lives for gear Join Date: Oct 2004 Location: right coast
Posts: 3,810
| just listened to Dr. Feelgood. The kick is soooo loud. That was my last thought an hour ago when I got out of my truck. I come in and here is this thread. That Bob Rock production is quite a few years old now. |
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| | #24 | |
| Lives for gear Join Date: Dec 2006 Location: Melbourne, Australia
Posts: 621
| Quote:
It's more like techno and Trance influencing rock. Hard rock and trance are so similar in the deadly riffs and bpm's I cant wait for the day when every band has 2 drummers one running a Groovebox. and synths what happened to synths in rock.....????? Ultravox ruled ![]() | |
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| | #25 |
| Gear nut Join Date: Apr 2004 Location: Sweden
Posts: 139
| I just think it's an effect of sloppy playing, production and writing. I mean, take them drumtracks, quantize the shit out of them and then mix the kick really loud so it at least seems that someone in the band knows what the hell they're doing! ![]()
__________________ Keep It Heavy! Sound=Distorsion=Music www.myspace.com/plecprod www.panicroom-mastering.com |
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| | #26 |
| Lives for gear Join Date: May 2005 Location: Waterbury CT, then Providence, RI
Posts: 1,938
| I would rather hear a louder than normal natural kick sound.... than grid laid, sampled bullshit.. Enough with the sampled kick drum and snare sounds.. Your not fooling anybody.. ![]()
__________________ Teee hee ha ha .... I wanna play wit chew. Butter's Does Samwell! http://www.dailymotion.com/video/x4y...-in-the-bu_fun |
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| | #27 | |
| Lives for gear Join Date: Dec 2004
Posts: 1,473
| Quote:
That sampled double-bass patterns are a complete power-down. I don't care how good the music is, when I hear that I turn it off. m | |
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| | #28 |
| Lives for gear Join Date: May 2005 Location: Waterbury CT, then Providence, RI
Posts: 1,938
| Listen to Zep's "in the Evening" or "Kashmir" Talk about emotion and feeling.. That Kick drum is alive...
__________________ Teee hee ha ha .... I wanna play wit chew. Butter's Does Samwell! http://www.dailymotion.com/video/x4y...-in-the-bu_fun |
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| | #29 |
| Lives for gear Join Date: May 2005
Posts: 2,367
| We did this song...non metal, barely rock but the kick sound was simply delicious. The louder we turned it the better everything sounded. Personally I like something just a little outta wack - gives the song character. A good example is Karma Police by Radiohead. I think a "White Coat" would say the drums are too loud in the mix for that type of song - but isn't that what makes it perfect? |
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| | #30 |
| Lives for gear Join Date: Feb 2004 Location: beautiful Carlsbad, CA
Posts: 4,335
| This has been going on since disco. Even Ed Kramer's Hendrix remixes have a kick all over the place, Hendrix must be flipping in his grave. Sometimes it's flattering to the song, Pink's You and Your Hand is a good example. My beef is where's the bass guitar? Many of these mixers seen to forget about that track it's so buried. Don't get me started on deaf live sound mixers that get off on the kick drum power trip thing. When that happens to me, they hear about it, big time. If they don't respond, I'll get a group of guys together to "discuss" it with them. As long as they know they will never get out of the venue alive, they do respond. Jim Williams Audio Upgrades |
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