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| | #1 |
| Gear interested Joined: May 2007
Posts: 16
Thread Starter | Can someone describe the "Neve" sound?
I've never had the funds to get into high-end mic pres, compressors or EQs, nor have I worked in large studios with similar equipment. I notice however that a lot of manufacturers refer to having a "Neve" like sound or quality present in their gear. For example the Great River ME1NV mic pre (a unit I consider buying) models Neve 1073 electronics. What does that do to its sound? Does it impart a more pleasing frequency curve or response? If so, can I use this to help tailor better sounding tracks? Thanks |
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| | #2 | |
| Lives for gear Joined: Dec 2004 Location: mexico
Posts: 4,959
| Quote:
'Neve-like' in itself implies a comparison to something that is not 'Neve-like'. you just have to get in there and listen to various things to get different points of reference. forums like this can be fun and informative sometimes, but hands on experience is something you will not get on the internet. it's like trying to explain the difference between a Strat and a Les Paul to someone that doesn't play guitar. | |
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| | #3 |
| Lives for gear Joined: Jan 2006 Location: San Fransisco , BayArea
Posts: 2,142
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Ok you get a Neve pre , stick a mic into it , record something..... like electric guitar , then you'll say to yourself " Thats the sound I've been after all these years ! It sounds just like my old classic favorite albums ! " Also the same thing happened when I first used a U87 . You actually have heard the Neve sound for years and don't even know it . |
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| | #4 |
| Lives for gear Joined: Oct 2003 Location: Orange County California
Posts: 1,700
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I would describe it as "Nevey" or perhaps "neve-alicous" would better bescribe it. It's really cool to "neve-alize" guitars or vocals. |
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| | #5 |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
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well on the 1107's in our 8078 when ya added 3 db at 10 k 5k would measure +5 so very intereting eq.s ..they aren't surgical by any means they are "musical" and warm sounding if i had to describe them in comparison to a 9000 id's say the J had a "brittle" and more surgical sound
__________________ "The notes I handle no better than many pianists. But the pauses between the notes, ah, that is where the art resides." Artur Schnabel http://miketarsia.com http://www.myspace.com/miketarsia https://members.grammy365.com/users/mike-tarsia |
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| | #6 | |
| Gear maniac Joined: Sep 2006 Location: London
Posts: 184
| Quote:
There's just something magic about the Neve signal path that makes anything pushed through it sound like a record. Although if you're after an adjective, 'Rich' would problably be a good one.
__________________ "Those who have ears to hear, will hear" -Dmitri Shostakovich | |
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| | #7 |
| Lives for gear Joined: May 2005 Location: Tennesse Valley, AL
Posts: 706
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(Listen to...) Tower of Power: "What is Hip?" |
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| | #8 | |
| Lives for gear Joined: Jul 2003 Location: Tujunga
Posts: 3,724
| Quote:
Is that a typo for 1105 or is there yet another module I haven't clapped eyes on for a couple of decades? Have you got a picture of it?
__________________ Geoff Tanner Aurora Audio International See us on Facebook ![]() http://www.facebook.com/auroraaudio http://www.soundonsound.com/sos/may1...off-tanner.htm http://www.auroraaudio.net/ http://www.amazon.com/Window-Past-Ge...8737082&sr=1-9 http://www.grandmasterrecorders.com For quicker responses, please use my email (Geoff at auroraaudio.net) in preference to pm's on these forums. | |
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| | #9 | |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
| Quote:
4 band eq's and with i believe variable gain and detent freq alan sides bought the console from us it was a STOCK 52 in frame | |
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| | #10 | |
| Lives for gear Joined: Jul 2003 Location: Tujunga
Posts: 3,724
| Quote:
Ah, now that rings a bell... that was the last of the custom Utopia consoles that had Hell and all mods done to it. It preceded the 8078 and was nice in that it used 1272 bus amps but my recollection (allowing for senility) was that the modules were originally line input only but were later converted to mic and line with Sowter transformers. | |
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| | #11 | |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
| Quote:
our tech guys made a center monitor section [ehh i never used it] that ssl later ganked for their 4000 series console i think jim mctieg [sic] did some of the design work..glenn rosenstein [member here] remembers the console being worked on PROPS TO YOU !!!! ya know yer sheit! | |
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| | #12 |
| Lives for gear Joined: Aug 2006
Posts: 808
| magic is not all its cracked up to be I have recently demo'd the Neve 1073 on the UAudio board, and I am not impressed. I did my own blind listening test. I took the same two vocals (Neumann 103 and Rode Classic II) and ran them through various settings on the Neve, but also other software units. Then I burned them to a CD in a random order, and listened in the car. My favorite was the vocal run through Line6's gearbox, and none of the Neve settings made it at all. So I am yet to be convinced its any more than hype.
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| | #13 |
| Lives for gear Joined: Feb 2006
Posts: 1,114
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To Geoff T (and the rest of you for that matter). That BBC TV console on your site is the coolest thing i've seen in a long time. Neve Consoles BBC TV Theatre Here if anyone's interested. |
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| | #14 | |
| Lives for gear Joined: Jul 2003 Location: Tujunga
Posts: 3,724
| Quote:
To an ol' timer ex-Neve guy like myself, there's something ironic in reading that a computer simulation of a Neve module leads someone to not appreciate the "Neve" sound! Who would ever have imagined these conversations back in the early '70's? | |
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| | #15 | |
| Lives for gear Joined: Jul 2003 Location: Tujunga
Posts: 3,724
| Quote:
Thanks... and don't those illuminated Painton faders look like something from a space ship?!!! | |
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| | #16 | |
| Lives for gear Joined: Jul 2005
Posts: 2,228
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| | #17 | |
| Lives for gear Joined: Jun 2002 Location: Midland TX
Posts: 1,120
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| | #18 | |
| Lives for gear Joined: Jul 2006
Posts: 519
| Quote:
i wish newbies like geoff t would just hang back a little and gain some more experience in the real world before they come weighing in on threads like this
__________________ "I can only tell you that if you get the whole lot of minims crotchets and quavers mixed up together it is like an atomic xplosion cheers cheers cheers." 'I think you'll find that 'generic and flavourless' is generally something that occurs before the microphone....' karloff70 'Recorded by champs, mixed by chimps, mastered by chumps' | |
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| | #19 | |
| Lives for gear Joined: Jul 2003 Location: Tujunga
Posts: 3,724
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| | #20 |
| Gear Guru Joined: Nov 2005 Location: S.Carolina
Posts: 11,482
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POLICE RECORDS
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| | #21 | |
| Lives for gear Joined: Oct 2003 Location: Orange County California
Posts: 1,700
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Man...You better start at the chalkboard | |
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| | #22 | ||
| Gear nut Joined: Jun 2007 Location: Moneyapolis
Posts: 103
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Quote:
I am glad u said it-for a minute I thought it was just me. Can U say, "Move away from the table and put the pipe down slowly"? ![]() PS I just went out and drove my 5 yr. old daughter's battery motorized BMW-it does not ride as smooth as my wife's Mazda MPV mini-van; for this reason I am not sold on this whole BMW hype!
__________________ The blood is in the music, but the music is in the water-drink it-it's yours! | ||
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| | #23 |
| Gear addict Joined: Feb 2007 Location: Silver Spring, MD
Posts: 329
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Sound of Neve........ "expensive".............. |
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| | #24 |
| Lives for gear Joined: Feb 2007
Posts: 548
| I recorded some vocals with a pre that was called a Neve channel strip. We used a U87. The audio interface was a Lynx L22 into Sonar 5P. The result was really nice sounding vocals that "sit" perfectly in the mix. When I applied reverb or effects to the tracks I didn't have to tweak them much. It just worked with very little effort. As the other posters have said, you must experience this for yourself then you’ll understand the value of quality gear. DaveT<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p> |
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| | #25 |
| Gear addict Joined: Jun 2005
Posts: 378
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| | #26 | |
| Lives for gear Joined: Aug 2006
Posts: 808
| Quote:
I can't think of a single other area of software where people pay so much money for things which are so subtle, and questionable in value. By that I mean, no matter how good Neves, API, and SSL are, why can't something be designed which sounds even better? Or take guitars for instance. One of the most expensive guitars is the 1959 Les Paul as used by Jimmy Page. But when you listen to those records, is the tone really that great? No. And yet people will be a couple of grand just for a pickup for a guitar like that with very questionable value. The worst example is the new Van Halen guitar at $25k, where they made sure to use a 1971 Quarter and no other year, becaue Eddie had a 1971 quarter on this guitar. Ultimately, there should be software which is better than Neve, SSL, and API put together - and you are seeing hybrid thigns now like the Liquidmix or Urs Channel Strip Pro. Going back to the original question, if Neves create such magic then why is it so hard to create some demonstration audio files for comparison? | |
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| | #27 |
| Lives for gear Joined: Aug 2006 Location: EUtopia, Stockholm
Posts: 959
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I 'Nevefied' a mix last night and the difference was major. Used my Vintage Design CL1MK2 compressor. When I listened to the mix before the procedure, it sounded okay but not good. After the procedure it sounded great. The instruments filled out the sound image in a nice big way & got more attitude.
__________________ Cheers Bob ![]() "Dr Behringers I presume? No it's a copy!" "ken lee... tulibu dibu douchoo" "It's not 96khz idiot, it's 96hz. Now who sounds dumb?...Yu" " Hello! Is it ME your looking for?" - Bob Katz : "This loudness race is self-defeating. I'm using Thomson sub-machine guns on folk music now." http://www.byd-media.net/om.mp3 http://www.youtube.com/watch?v=6KsFz...layer_embedded |
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| | #28 |
| Gear addict Joined: Jun 2007 Location: London
Posts: 346
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Hi gregohb The UA and Waves plugins are fine products in their own right but the similarity to the real hardware is complex. The responses may have been modelled or convoluted to a high degree but the ear is very good at detecting subleties. A real 1073 preamp does something quite unusual to drums, guitars and especially vocals. To repeat what's already been said, it just sits in the mix really well. Somehow bright but smooth, strong mids without being hard and a rich bottom end. About as processed as preamps get so some of the purists understandably don't like them but for many it's a classic design. There are other classics too - API is one of them - and there'll be times when something else does a better job. Maybe you want an acoustic guitar to be squeaky clean and in your face - a Neve pre with some eq could get you there but a Great River or other would get you there quicker. In brief, if you want to understand what the fuss is all about, record a vocal with a decent mic (u87, U47, Gefell, Peluso etc etc) into a fairly full track once with a 1073 and then again with any of the other brands you see on these pages. Any high end pre should hopefully sound good in some context but IMO the 1073 pre excells at making sounds sit well with others. I'm sure other people here can name a few other pres that do this as well but few would argue that Neves can. As far as plugins go, buy them because you like how they sound not because of the marketing :-) Neil. |
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| | #29 |
| Lives for gear Joined: May 2007 Location: Sydney
Posts: 519
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at the studio today a guy came in with a drum kit it all sounded fine cept the kick drum really loose and flabby and had a massive decay no amount of tuning/dampening/anything was going to make this ok i think it had a warped rim so i thought oh well ill plug it in and see what it sounds like AKG D112 into a Neve 33115 pre turned up the gain, and wow that kick sounded fantastic with the eq on the neve, took out some low mids shelved up the bass a bit, rolled on some highs and smack a fantastic kick sound went back into the room and couldnt believe the difference sounded like a honky bitch in the live room and like chad smith's kick in the control room thats neve |
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