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6 aux sends but 8 returns, why?

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Old 9th June 2007   #1
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6 aux sends but 8 returns, why?

I know this is probably a silly question but why is it that on some consoles they have 6 aux sends for effects but have 8 returns for those sends?

Wouldn't it make more sense to have 8 and 8? I know I'm probably not realizing something that is really obvious but I was wondering if someone could explain it to me... thanks

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Old 9th June 2007   #2
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mono source send to a stereo verb?
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Old 9th June 2007   #3
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Quote:
Originally Posted by Flanksteak View Post
Wouldn't it make more sense to have 8 and 8?
You take a feed off a direct-out - or a tap off an insert point - or run a splitter off one of the six auxes - or pull up a submix to send thru an effects device...

...you're going to need somewhere to return the wet signal.
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Old 9th June 2007   #4
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Originally Posted by DarkSky View Post
You take a feed off a direct-out - or a tap off an insert point - or run a splitter off one of the six auxes - or pull up a submix to send thru an effects device...

...you're going to need somewhere to return the wet signal.
I understand that, I guess what I'm asking is if you're going to make a console with 8 stereo effects returns why not have 8 aux sends also?
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Old 9th June 2007   #5
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Last time I ran into anyone who actually USES returns, it was about 1975. Everyone I know uses channels for returns so that you get full access to further routing, eq, big faders, automation etc etc. I always forget the master returns are even there.
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Old 9th June 2007   #6
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Ok, the obvious answer since no one seems to give it:

6 sends are mono but practically all the time they are going into a stereo effects device, so you're gonna have a stereo return (stereo out), needing 2 inputs on your console returns. 8 returns allow for 4 separate stereo returns. So you could have 4 separate stereo effects units returning to those 8 returns.

And as already mentioned, most would use the mixer channels for returns...if you still have channels open to use...otherwise use the returns.
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Old 10th June 2007   #7
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And to further clarify> The sends and returns don't need to match count wise (even if you do 6 mono sends to 12 returns) due to the different jobs they do.

Each send allows you to dedicate say one channel to 1 effects unit, if you like. Or, you can create a 'mix' of sends. i.e.> You have a stereo vocal delay for send 1 which only comes from the vocal channel, then you have a reverb effect that you want on many more instruments...so you use send 2 on drums, guitar, vox channels, etc. So now you have 2 sends that require 2 stereo returns...4 return inputs/channels. You can of course do any combination you want.

I actually have a console that has 12 sends and 4 stereo returns (8 inputs), so I can hook up only 4 separate effect units (all stereo) to those returns and anymore have to go through other inputs (channels, monitors, etc.). But as already mentioned, I only go to the returns when I run out of channels on the console.
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Old 10th June 2007   #8
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Why are there more hot dog buns in a pack than Hot Dogs?

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Old 10th June 2007   #9
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Originally Posted by thethrillfactor View Post

lol, depends on if its a value pack.
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Old 10th June 2007   #10
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Quote:
Originally Posted by Fleaman View Post
Ok, the obvious answer since no one seems to give it:

6 sends are mono but practically all the time they are going into a stereo effects device, so you're gonna have a stereo return (stereo out), needing 2 inputs on your console returns. 8 returns allow for 4 separate stereo returns.
It's only 'obvious' if you *assume* that they're all mono returns. Flansteak didn't say.
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Old 10th June 2007   #11
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Hence my clarification.

Also, 6 sends and 8 stereo returns? That would be pretty weird, but I certainly haven't see it all....that's for sure.
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Old 10th June 2007   #12
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Quote:
Originally Posted by thenoodle View Post
Last time I ran into anyone who actually USES returns, it was about 1975. Everyone I know uses channels for returns so that you get full access to further routing, eq, big faders, automation etc etc. I always forget the master returns are even there.
so true!
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Old 10th June 2007   #13
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Aux sends are mostly used to buss to effects or cue mixes......

The tape or monitor returns were for the tape machine for monitoring while tracking

I never use the tape/mon. returns... i always work in a split configuration
and my most used processors are normaled into faders




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Old 10th June 2007   #14
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Quote:
Originally Posted by stevep View Post
Aux sends are mostly used to buss to effects or cue mixes......

The tape or monitor returns were for the tape machine for monitoring while tracking

I never use the tape/mon. returns... i always work in a split configuration
and my most used processors are normaled into faders
OP was asking about the aux returns....
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Old 10th June 2007   #15
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Aux returns, monitor returns, tape returns , basically the same thing, an input that usually has a trim and a pan, usually internally sent to the stereo buss

cool ?




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Old 10th June 2007   #16
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Quote:
Originally Posted by thenoodle View Post
Last time I ran into anyone who actually USES returns, it was about 1975. Everyone I know uses channels for returns so that you get full access to further routing, eq, big faders, automation etc etc. I always forget the master returns are even there.
When mixing on a 48 channel SSL all the time.

Heck i use every available output and input when doing a mix.
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