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| | #1 |
| Lives for gear Joined: Jun 2006
Posts: 672
Thread Starter | Room issues
I posted awhile back about how I thought my room that I was recording my fender twin in was making it sound out of tune with the rest of the mix...I got a couple responces saying that no matter how bad the room was it wouldn't make it sound out of tune. ANyways, I switched my twin to my monitoring room to record (monitors off, headphones on) and everything is perfect and sounds "on" with the rest of the mix. The sound hits the mics perfectly and there is no wavering and vagueness in the sound...It just hits the note...THought I would post this as the room def made the guitar out of tune...
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| | #2 |
| Lives for gear Joined: Feb 2007
Posts: 737
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I wonder what you were really hearing? Aren't you at all curious? I mean,...the room could not have made it out of tune (unless one of your walls is constantly moving towards or away from you at a high rate of speed). I believe you heard something. Now I am just curious as to what it was. Your drummer and bass player are laughing thier asses off because they set your tuner to 443 for a day, and just put it back to 440. Or better yet, they changed the sample rate of your session for a day. Either way, I would let them go ASAP! D |
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| | #3 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| So, your assertion is that the reverberation in the room was at a different frequency than the source? There was a stairway outside at my college that had a pitch - you'd clap your hands and the wave bouncing off each rise would come back slightly delayed. That delay was at regular intervals and it was a long stairway. I want to see pictures of your room..... -tINY |
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| | #4 |
| Lives for gear Joined: Nov 2006 Location: Decatur, Ga
Posts: 612
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The twin sounds awesome. The problem is that at the volume you need for recording it will take your head off. Put the Twin back in the room and turn it to 10. I wouldn't play in the same room if I were you. I don't know about the room retuning the guitar. I've never experienced that. If the Twin is in the same room you are monitoring in you're never going to be able to crank it all the way. At low volumes the twin is really thin. |
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| | #5 |
| Lives for gear Joined: Jun 2006
Posts: 672
Thread Starter |
The room has this storage room type of sound. It has this slight echo when I clap my hands. The room I monitor in is pretty ordered with furniture all around. It sounds much more "compact" when I clap my hands. It doesn't echo or waver...I have my twin at 5 and playing back tracking I did with the twin in the monitoring room, it keeps the mix solid and centered...In the other room, the sound was just not focused and sounded out with the rest of the mix...Tommorow I will try the twin at 8 on the previous suggestion...
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| | #6 |
| Lives for gear Joined: Nov 2006 Location: Decatur, Ga
Posts: 612
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Forget 8. put it on 10. This is where the tubes will be overdriven hard. If you want clean turn down your guitar. Here is a clip of a twin on ten with a SG. http://johnwayne.learningguitarnow.c...ay%2017.mp3The harder I play the more distorted it gets. Its great. Wish I could do that live but I'm going to need a Deluxe or Vibrolux.
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| | #7 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
| Quote:
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__________________ Ethan's audio book is now available! | |
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