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| | #1 |
| Gear maniac Join Date: Jan 2006 Location: Livorno, Italy
Posts: 190
Thread Starter | the shorter the path the better the signal... Is this rule appliable even for digital path? I've always worked with this chain: Mics-mic pres- converter-recorder and then back digitally in my digital mixer till to my masterlink with obviously great resoults. I need now to insert a digital patcher with ADAT transfer between the converter and the recorder. Everything is clocked with a Big Ben. That's because my session always need 12\16 tracks and I need to match a mic, a preamp to be send to the relative multitrack recorder. Can anyone help me? alessio www.spazisonori.com |
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| | #2 |
| Gear Guru Join Date: Mar 2005 Location: Long Beach, CA
Posts: 14,279
| Yes... for many forms of digital transmission shorter is definitely better. S/PDIF, lightpipe, FW, USB, they all have maximum practical, recommended length standards. There was an "audiophile" magic-cable vendor (perhaps you know the type of outfit, they promise you can just about count the molecules in the air because of the enhanced signal capabilities of their x hundred/thousand dollar cables) who was promoting a "longer is better" theory that was the subject of MUCH derision and great fun at Dan Lavry's old ProSoundWeb form: PSW Recording Forums: Dan Lavry => Why longer is generally better for an S/PDIF Digital Cable
__________________ day job | A Year of Songs | music and social stuff | mutant pop on facebook | roots acoustic on facebook |
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| | #3 |
| Lives for gear Join Date: Oct 2005 Location: Michigan
Posts: 665
| Seems this is a general rule of thumb. The other day I was thinking about the notion of plugging a mic right into the XLR socket of a pre-amp. I thought about doing it just for kicks with a pre I use that has front input jacks that is located in a spot where it could actually work as a room mic. That would certiainly be a short signal path. |
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