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Old 22nd May 2007   #1
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Ceiling fan?

I am mixing in a room with a ceiling fan. It is about 7 feet away and about 9 feet in the air from my speakers.

Sometimes it gets hot with all my equipment running and I will turn on the celing fan while mixing. Is there any pros or cons doing this.

I wondred if it helped the acoustics in some strange way?
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Old 22nd May 2007   #2
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I do the same thing..lol not always good ... can interfere with the high end while your mixing... that has just been my experience. Just like when your pc is humming loud and can interfere with how you monitor bass ... this can have the same effect. I normally just turn on the AC and freeze during mixing..lol

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Old 22nd May 2007   #3
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I do the same thing..lol not always good ... can interfere with the high end while your mixing... that has just been my experience. Just like when your pc is humming loud and can interfere with how you monitor bass ... this can have the same effect. I normally just turn on the AC and freeze during mixing..lol

peace
mmmm....interesting. I will need to do a mix with the fan on and one with it off and see if I hear a difference.
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Old 22nd May 2007   #4
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My old studio had a ceiling fan and it bounced the high frequency in a very strange manner. The reflection of the surface would vary depending if the sound bounces of the ceiling or the fan blades.

It drives me crazy
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Old 22nd May 2007   #5
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The fan will not be bad if you syncronize the fan speed to your master clock. Then the blade jitter is timed to the sample rate and you won't hear the air getting chopped up.

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Old 22nd May 2007   #6
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I would think this would help add 'air' to the mix.
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Old 22nd May 2007   #7
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The fan will not be bad if you syncronize the fan speed to your master clock. Then the blade jitter is timed to the sample rate and you won't hear the air getting chopped up.

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Great idea, but my fan doesn't have word clock.
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Old 23rd May 2007   #8
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never paid attention...

Hmmm... interesting. My ceiling fan is on 24/7 and I've often wondered what sort of effect it was having on my highs. I've never noticed anything terribly wrong and I suppose the sweat pouring from my forehead and armpits would have a greater detrimental effect on my business with the fan off than the skewed highs I would experience with it on. I think my clients would agree.

Until I can afford a cute little Swedish "sweat wench" to sponge me down during sessions, I'll leave it on for now.
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Old 23rd May 2007   #9
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Love that ceiling fan; it's part of my sound...

I've made the mistake of recording in the control room with it on, and later heard a whoomph, whoomph, whoomph on the track. I've even noticed it very mildly changing the pressure in the tracking rooms, when a sensitive mic is up and cranked and it's otherwise really really quiet. I suspect it might be moving the 2 panes of glass.
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Old 23rd May 2007   #10
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Quote:
Originally Posted by Jim Williams View Post
The fan will not be bad if you syncronize the fan speed to your master clock. Then the blade jitter is timed to the sample rate and you won't hear the air getting chopped up.

Jim Williams
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HAHAHAHAHA!!!


Man, I used to TRY to practice trumpet when I lived in New Orleans with a ceiling fan on... Drove me bonkers. Ever sing a tone into a portable fan? Loved to do it as a kid... Totally chops the sound up. Combination of Doppler, gating and whacky reflextions. Use the three speed model... More flexibility... And I also recommend a SDC aimed at the edge of the fan.
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Old 23rd May 2007   #11
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I have a ceiling fan that I would have on almost nonstop in my little bedroom studio. when I'd have friends tracking guitar it drove us bonkers with the tuning of the higher strings when the fan was on. So its close up the windows shut off the fans and curse the fact we don't have AC in this house while we track and then open the doors and crank the fan on high as soon as we are done with a few takes...
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Old 23rd May 2007   #12
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I live in a little tiny house built in the 20s and there is a whole production method to dealing with the lack of good grounding, Open windows neighbors and air conditioning, and the load on the one circuit downstairs that runs the whole studio. For several weeks at the end of winter the whole house is heated by computers and gear in this one room studio.

There is an amazing amount of enviromental rigamarole that I go through to track and it changes when I mix. If you dont do things right you will either sweat alot or have the air conditioner in your recordings or possibly street noise. Sometimes I blow the breaker if honey wants to dry her hair of something.

Some of the recordings come out really excellent here !
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Old 23rd May 2007   #13
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Originally Posted by stresstour View Post
Great idea, but my fan doesn't have word clock.
You Don't???

Sync it up then

How ametuer
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Old 23rd May 2007   #14
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Quote:
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Ever sing a tone into a portable fan?

The original Tremolo effect.......
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