Vocal booth is 15 meters away from control room. How to extend signal without loss? - Gearslutz.com

Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > So much gear, so little time!


Vocal booth is 15 meters away from control room. How to extend signal without loss?

New Reply New Reply Thread Tools Search this Thread
Old 19th May 2007   #1
MDM
Gear maniac
 
MDM's Avatar
 
Joined: May 2006
Location: All around
Posts: 261

Thread Starter
Send a message via MSN to MDM Send a message via Skype™ to MDM
Vocal booth is 15 meters away from control room. How to extend signal without loss?

Hi,

Right now I have my setup right next to the recording booth.
I would like to move the setup (think: AD converters) 15 meters away from it's current position.
Is there a way to do this and not losing signal?
How far can I extend the Mic input, and can I put something in between (a DI or something) to ensure a solid signal?

Any advice very welcome - thanks,

MDM
MDM is offline   Reply With Quote
Old 19th May 2007   #2
Lives for gear
 
Joined: Jul 2002
Location: Inver Grove MN
Posts: 505

Mic signals are good for 100 meters, no sweat, with good, like Belden, not stupidly expensive like Monster.

Don't worry about it.

Those who claim that the wire makes a stupendous difference have something to sell. Those who claim it makes a small difference in some situations, and can explain it are telling you the truth.

I do believe in good cables. But a good song is worth infinitely more...
Dan Kennedy is offline   Reply With Quote
Old 19th May 2007   #3
Lives for gear
 
norman_nomad's Avatar
 
Joined: Mar 2004
Location: San Francisco, CA
Posts: 2,711

I'll certainly agree with Dan, but I'll say that depending on where you live you may run into extra RF noise.

I live in SF near a large radio tower and once I moved my vocal setup about 50ft from the control room I was getting a lot more noise.

To remedy the situation I brought the preamp into the vocal booth and ran the lineout from the pre into the control room. For whatever reason this cut down the noise bigtime.
norman_nomad is online now   Reply With Quote
Old 19th May 2007   #4
MDM
Gear maniac
 
MDM's Avatar
 
Joined: May 2006
Location: All around
Posts: 261

Thread Starter
Send a message via MSN to MDM Send a message via Skype™ to MDM
Thats what I thought: leave a preamp in/close to the vocal booth.
MDM is offline   Reply With Quote
Old 19th May 2007   #5
Lives for gear
 
Joined: May 2005
Location: Nashville, TN
Posts: 915

you should be fine...
if not...

get the singer to sing just a bit louder.
__________________
Peter King
Kingtone is offline   Reply With Quote
Old 19th May 2007   #6
Gear addict
 
mixer's Avatar
 
Joined: Sep 2002
Location: ft lauderdale florida
Posts: 319

thicker string on the soup cans,
mixer is offline   Reply With Quote
Old 19th May 2007   #7
Gear maniac
 
Joined: Sep 2006
Location: Melbourne, Australia
Posts: 228

Quote:
Originally Posted by MDM View Post
Thats what I thought: leave a preamp in/close to the vocal booth.
Tick. Pre near booth... Run line level as far as you like and then some.
tcause is offline   Reply With Quote
Old 19th May 2007   #8
Lives for gear
 
Joined: Sep 2005
Location: St. Louis MO
Posts: 2,636

I have many runs over 20 meters and have no problems. In fact my vocal cable run is probably near 50 meters and the quality is no less than it was when it was 5 meters. However I do use fairly high quality cables.
Jonboy79 is offline   Reply With Quote
Old 19th May 2007   #9
Lives for gear
 
Joined: Apr 2006
Location: Inside the Outside
Posts: 1,193

With properly terminated balanced lines and decent stock cable (Canare, Mogami, Belden etc), a run of 15 metres should present absolutely no problem.

If you are getting perceptible noise, signal loss or artefacts over that distance (or even several times that distance) then you have a fault condition in the mic, the cabling or the desk/pre/DI at the other end. In which case, it is not the distance but the fault you should be focusing on.
__________________
.
DeepSpace is offline   Reply With Quote
Old 19th May 2007   #10
Lives for gear
 
pkautzsch's Avatar
 
Joined: Feb 2006
Location: Munich, Germany
Posts: 1,521

Quote:
Originally Posted by MDM View Post
Thats what I thought: leave a preamp in/close to the vocal booth.
Having to walk over 15 metres to the booth to adjust the pre's gain would be way too much walking for me. Solid cabling is the key, and one can read that even 300 metres are still ok. One might have to consider impedance issues when using those cable lengths: The lower the mic's impedance and the higher the pre's impedance, the better. Schoeps mics, for example, as they are used in a lot of radio station remote stuff at least in Europe, are 35 Ohms if I remember correctly.
__________________
Microphones always make me sound louder and better! -- Guitar Girl
pkautzsch is offline   Reply With Quote
Old 20th May 2007   #11
Lives for gear
 
norman_nomad's Avatar
 
Joined: Mar 2004
Location: San Francisco, CA
Posts: 2,711

Quote:
Originally Posted by DarkSky View Post
With properly terminated balanced lines and decent stock cable (Canare, Mogami, Belden etc), a run of 15 metres should present absolutely no problem.

If you are getting perceptible noise, signal loss or artefacts over that distance (or even several times that distance) then you have a fault condition in the mic, the cabling or the desk/pre/DI at the other end. In which case, it is not the distance but the fault you should be focusing on.
RF is a real world issue that proper termination won't totally remedy in all situations. Such as being within a quarter mile of a gigantic radio/tv tower.

Sutro Tower - Wikipedia, the free encyclopedia

Couple that with a low gain mic like the SM7, and when you crank the gain on your pre after a 50ft mic cable run you DO hear a perceptible increase in noise vs line level running the same distance.

My 50ft mic line signal was almost unusable (noise around -40dbfs) vs. my line out level using the same cable, same converter, same preamp gain (-75dbfs) which is more usable.
norman_nomad is online now   Reply With Quote
Old 20th May 2007   #12
Lives for gear
 
Joined: Apr 2006
Location: Inside the Outside
Posts: 1,193

Quote:
Originally Posted by norman_nomad View Post
RF is a real world issue that proper termination won't totally remedy in all situations. Such as being within a quarter mile of a gigantic radio/tv tower.

Sutro Tower - Wikipedia, the free encyclopedia

Couple that with a low gain mic like the SM7, and when you crank the gain on your pre after a 50ft mic cable run you DO hear a perceptible increase in noise vs line level running the same distance.

My 50ft mic line signal was almost unusable (noise around -40dbfs) vs. my line out level using the same cable, same converter, same preamp gain (-75dbfs) which is more usable.
While I've never had the pleasure of wiring a studio that was less than a quarter mile from the Sutro Tower, it's been my real world experience that the effectiveness of common mode rejection in differential circuits with quality cables is not dependent on the amplitude or proxmity of the source of interference.

If we were talking about unbalanced lines, then it's a whole different story.
DeepSpace is offline   Reply With Quote
Old 20th May 2007   #13
Lives for gear
 
Joined: Jan 2004
Location: Highlands of Scotland
Posts: 2,019

A balanced mic cable will run to 150m without any degradation of signal, unless you are VERY close to a transmission tower or similar.
__________________
http://www.the-byre.com
The Byre is offline   Reply With Quote
Old 20th May 2007   #14
Lives for gear
 
norman_nomad's Avatar
 
Joined: Mar 2004
Location: San Francisco, CA
Posts: 2,711

Quote:
Originally Posted by DarkSky View Post
While I've never had the pleasure of wiring a studio that was less than a quarter mile from the Sutro Tower, it's been my real world experience that the effectiveness of common mode rejection in differential circuits with quality cables is not dependent on the amplitude or proxmity of the source of interference.

If we were talking about unbalanced lines, then it's a whole different story.
Yes. Fair enough. I consider my situation to be uniquely crappy in terms of interference. I didn't, at first, expect cable length to make a difference but it did. Using standard Mogami quad cable. Balanced connections throughout.

But hey. At least I get about a dozen tv channels without having to pay for cable. And my radio reception is crystal clear!
norman_nomad is online now   Reply With Quote
Old 20th May 2007   #15
Lives for gear
 
Joined: Apr 2006
Location: Inside the Outside
Posts: 1,193

Quote:
Originally Posted by norman_nomad View Post
...But hey. At least I get about a dozen tv channels without having to pay for cable. And my radio reception is crystal clear!
LOL. Unexpected side "benefits"! Heh!
DeepSpace is offline   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
Vocal "Booth" for those without room for one Higgs So much gear, so little time! 42 25th August 2009 04:47 PM
A/D Signal Loss VS Tracking with Comps/EQ's--What's worse? filthyrich So much gear, so little time! 6 9th February 2007 05:19 AM
Mackie Control no meters OneMan Music computers 4 7th July 2006 11:43 PM
Large project room & vocal booth for short term rental Jules The Good News Channel 0 25th November 2003 12:28 PM


All times are GMT +1. The time now is 01:18 AM.

Home - Search Forum - Contact Us - Terms Of Use - Advertise on Gearslutz - All Advertisers - Archive - Top
 
 
Powered by vBulletin®
Gearslutz.com LTD - UK Company Number 7597610.
Registered Office - 35 Ballards Lane, London, N3 1XW.
Hosted by Nimbus Hosting.

SEO by vBSEO ©2010, Crawlability, Inc.