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| | #1 |
| Gear addict Join Date: May 2006 Location: Sydney/Perth Australia
Posts: 356
Thread Starter | Sick of Pro Tools LE limitations! HD is rediculou$.. What should I change to??? No ADC/track limits/hardware limits etc it's bullsh*t!... I don't have 10g for HD so which program is the easiest change over for a pro tools user??? I'm thinking maybe cubase but I've heard it's nothing like pro tools in how to use it... Any suggestions? The easier the change over the better... Reaper???
__________________ www.myspace.com/thedirtysecrets |
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| | #2 | |
| Lives for gear Join Date: Aug 2003
Posts: 555
| Quote:
I've used Cubase with E-MU 1212M, 0404 & 1820M, RME 9632 & 9654, RME Fireface 400 & 800. All set-ups were rock solid, no issues. No proprietary crap here, Cubase plays well with others. You will love it. Make the move. If you need a hardware recommendation, I would say any RME is solid, and I could really go for the LYNX Aurora, though I have not yet used it. The E-MU software mixer absolutely frustrated the hell out of me (and RME's TotalMix does not), so I wouldn't recommend the E-MU, though the converters are great in the 1820m. Say goodbye to the Evil Empire. (No, not Waves, Digidesign) But, while you're at it, bag Waves, too, and go with UAD-1 cards with your Cubase set-up. It's a beautiful combo. Have fun. | |
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| | #3 | |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 14,176
| Quote:
Look around the deals are out there. | |
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| | #4 | |
| Gear addict Join Date: May 2006 Location: Sydney/Perth Australia
Posts: 356
Thread Starter | Quote:
This is exactly why I want out, I want to be free to use UAD or Powercore or Duande without friggin latency issues when tracking... I'm hoping to keep using my 002 with whatever I choose to get as I'm only using the ADAT and spdif inputs with my Mytek 8x96 and A2D | |
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| | #5 |
| Gear addict Join Date: May 2006 Location: Sydney/Perth Australia
Posts: 356
Thread Starter | |
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| | #6 |
| Gear addict Join Date: Feb 2007
Posts: 381
| Digital Performer + RME Fireface 800 is working solid for me thumbsup |
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| | #7 | |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 14,176
| Quote:
Its digidesign right?. If a card breaks down(which they rarely do) you still have to pay to send it and get it fixed. And you said you didn't want to spend $10K didn't you? Or is that $10K australian which translates to $8321 american dollars? (Still for $5K American it still a really good deal don't you think so?) | |
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| | #8 |
| Gear addict Join Date: May 2006 Location: Sydney/Perth Australia
Posts: 356
Thread Starter | I would rather spend that money on hardware and a couple of UAD cards. |
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| | #9 |
| Lives for gear Join Date: May 2004 Location: canada
Posts: 3,998
| sugar..... i would try the demo of reaper and see how far it meets your needs. frankly for me....i dont need add on dsp cards to do a song bcos reaper has so many great plug ins that come with the program. around 100 last count. therefore i would suggest you see how far reapers own plug ins take you. i mean theres everything installed. but be prepared to spend the time evaluating cos its very deep. but some reaper users also have uad cards working with reaper. check on the cockos forum. (cockos.com)
__________________ i'm just a dumb computer engr (ret'd)...."quantum computing is the future" running a native software studio daw...Powertracks and Reaper on amd. new cockney album released http://therockingbloodbrothers.blogspot.com/ my other little songs www.motagator.com/bmanning |
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| | #10 |
| Gear addict Join Date: Nov 2003 Location: New Jersey
Posts: 436
| DP = Done! Oh and add about 3 Uad cards to the equation. Don't forget all the UA plugs, too. Don't worry, you'll still be WAY cheaper than PT. Very powerful system. |
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| | #11 |
| Gear maniac | Nuendo/Motu/UAD/Powercore user here and very happy. the system is rock solid and it sounds good. I work with PT HD too but ..man...I´m sorry but I´ll stick with my system..it´s way too rock solid and the results are way better then a PT system...sorry to say that but I never liked PT though I have it for compatibility only. |
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| | #12 |
| Lives for gear Join Date: Nov 2005 Location: NYC
Posts: 1,324
| I've been using DP for over a decade. if you finess it a bit, the limits are hard to get to. I've noticed some drawbacks lately as my sessions are getting bigger but I simply cant afford PT. and for what it's worth I used PT for a few years at a studio I worked at back in 2000 and as far as the actual software was concerned DP runs circles around PT!!! I'm sure DIGI has made advancements but so has MOTU. their support is ok, could be better, easier. overall a good alternative |
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| | #13 |
| Lives for gear Join Date: Apr 2003 Location: switzerland
Posts: 2,786
| Nothing is like PT in use (I don't say that it is the best). I worked with PT, Cubase & Logic. Now I'm using Logic, but that's not because it is the best. It is because my studio partner didn't want to change from Apple to PC Even if you go for DP or something else, you can do as good music as with all other software. Software won't fix musicians and engineering skills Plus, I'd say that you'll have anyway a steap learning curve. Have fun, it's always nice to learn something new. You'll always find something that's much better or easier to do than with PT or any other software. Each has his pros and contras. |
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| | #14 |
| Lives for gear Join Date: Dec 2006 Location: HAMBURG
Posts: 701
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| | #15 | |
| Gear maniac Join Date: Mar 2005 Location: NYC
Posts: 275
| Quote:
But Thrill makes an excellent point: you can find used setups at fair prices. And I'd like to add another. You mention that you have Mytek and API equipment. That's expensive, "high-end" stuff. So, why are you so reluctant to spend $$ on an HD setup? Before you hastily jump ship to another platform you should also consider your clients (and potential clients). ProTools is pretty much the standard...will you be rocking the boat to your detriment? Look into pre-owned stuff like Thrill suggested and also think about how a platform change might affect the way you work. Best of luck with whatever you choose!!
__________________ BC - "Sweet Jesus, that's smooth! Good work, Ted!" | |
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| | #16 |
| Banned Join Date: Aug 2006 Location: Los Angeles, CA
Posts: 1,645
| Similar dilemma here. Would [I]really[I] like to go HD but would like to find parts of the total package "pre-owned"—as in possibly getting the Core or Accel cards new but finding a used 192 somewhere, as one example. Other than the terrors of Ebay, any suggestions on where—what dealers, what outlets, what on-line sources—to look for used HD stuff? I'm looking at HD Accel 2, to start, at least. Many thanks. |
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| | #17 |
| Gear maniac Join Date: Jul 2004 Location: Perth, WA
Posts: 195
| What do you want to do with this potential new rig mate? There's too many studios in Perth as it is, everybody seems hung up on having their own studio. Which is why I'm going freelance now, I can do without the hassle of my own shop! I heard of one guy who spent 40 grand on the latest HD rig and was charging $15/hr for his own time! I should just rent his rig (or I would do if I'd gotten his number).
__________________ "Comparing the 60's to today is apples and oranges" - shipshape When I hired a photographer, I looked at her work, and said "I WANT THAT!". I did not say "What kind of lens is on your camera?" - infernal device |
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| | #18 |
| Lives for gear Join Date: Oct 2006 Location: Orlando, FL
Posts: 3,038
| Dutchmusick on eBay is a great dealer and often has used HD2's for sale at great prices.
__________________ PT9, HD2pcie, Digi 192 I/I, Lynx Auora, Digi 003, MacPro, MacBook, iPad |
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| | #19 |
| Lives for gear | first i think you´re on the right track.. PT Le is much tooo limited... that said... sonar or cubase would be my choices for overall best... i myself use sonar 6.2 and really like it.. very powerful choice... |
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| | #20 |
| Lives for gear Join Date: Mar 2005 Location: Annapolis, MD/L.A.
Posts: 3,631
| LOL! You guys are too funny! "I can't stand being on a system that limits me to 48 tracks! But I can't wait to buy a bunch of proprietary, outdated PCI cards that limit me to two instances of EQ a piece and cause IRQ conflicts! Sign me up!" Ironic, don't you think? |
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| | #21 |
| Lives for gear Join Date: Jun 2004 Location: London
Posts: 5,429
| I'm running a HD3 system- but if I was buying now I would buy: Logic Pro $1000 RME Madi card $1300 SSL XLogic Alpha Link Madi converter. $3500 This would give you 24 analog IO, 24 digital IO. Otherwise I'd look at the Aurora 8 or 16 converters. You could either use a Lynx audio card or their firewire card. Or an SSL Mixpander Or an RME Fireface Or an M-audio Lighbridge (which would allow you to switch between PT M-powered and Logic). There are loads of options that would work for you.
__________________ Regards, Jim Richmond "I don't go to mythical places with strange men." Douglas Adams |
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| | #22 |
| Banned Join Date: Aug 2006 Location: Los Angeles, CA
Posts: 1,645
| I hear what you guys are saying about the perils of investing in an HD system. And it all makes sense. We're a Logic Pro / PT LE shop at present, and for much of what we do, the Logic set-up is fully adequate. But what puts us on the road to an HD system—or perhaps a Nuendo system—is the following...which PT HD seems to do better than the rest... • Capacity to track a full band, with some effects (plug-ins) live on input—without track misalignment or prohibitive latency. • Capacity for software (rather than DSP) monitoring when tracking live. • Full ADC for plug-ins and hardware inserts when mixing. • Ease of editing and overall workflow. • Compatibility with the large majority of facilities in the area and elsewhere on the planet. We'd also retain our Logic capacity, of course. Any other thoughts—preferrably in the U.S.—for getting used HD rig components? |
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| | #23 |
| Lives for gear | well ... capacity to track a full band... with nowadays dual core computers is something about any daw can do today. compatibility, is a separate question... it´s compatible with other PT systems... and that´s all. i work with plenty of studios who use other daws and it´s not a problem to me. i regularly import files from other daws into my sonar setup and don´t have a problem with it... i also have a PT m-powered for opening files the only thing remaining being the ADC (for outboard, since sonar has it for plugins) and software monitoring... not enough to make me want to spend the dough.. i´ll take the difference in new pre´s.... now let´s talk about the stuff PT does not have. 1- decent MIDI implementation... simply not enough for what i do. 2- freeze 3 - score view with tab(yes i know they bought sibellius) 4 - track folders 5 - 64 bit mixing 6 - non realtime bounces 7 - native vst support 8 - freedom to choose interfaces and many more.... PT le is sub par... could not use that professionally. and yes, even 48 trks is too little for me ( i regularly track drums and percussion on my recordings and that´s normally around 25-30 channels by itself, and i like to keep all tracks separate for processing, so no bounces). PT hd is too expensive and for the price i can get a lot better performance with other setups (like for example cubase/sonar on a dual core2 a mixing controller and lots of pre´s) and though i´ve heard excelent stuff about the UAD i would only buy one if they came up with an updated card... |
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| | #24 | |
| Lives for gear Join Date: Apr 2007
Posts: 660
| Quote:
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| | #25 |
| Lives for gear Join Date: Jul 2004 Location: Charlotte
Posts: 1,034
| 1.) If you want compatibility with PT get an mbox. 2.) Don't throw too much of your hard earned money on digital shit as it losses it's value quickly. Only get what you need. 3.) Get Cubase SX/Nuendo if you need video and an RME interface and LYNX/SSL converters and call it a day. 4.) For compatibility I always bouce all my tracks to one continuous file after I'm done with the project so I can throw them on a DVD to backup. 10 years down the road I can always pop in the DVD and allign all tracks to ZERO and remix if I want. This is the ultimate compatibility. With computers being so powerful (and cheap) today native systems rock! |
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| | #26 | |
| Lives for gear Join Date: Sep 2005 Location: Richmond Hill, Ontario (Canada)
Posts: 3,203
| Quote:
The downsides are that it's not stable with some Wave plugs and the 'workaround' for UAD cards is not really workable for anyone with a Mulitcore computer. For those two reasons, Reaper is not my primary DAW, but for someone who has not become reliant on UAD and Waves plugs I would not hesistate at all to reccommend it. I know of some users who have stopped using their UAD's in favour of Reapers functionality and efficiency.
__________________ "In the time of chimpanzees I was a monkey" - Beck, Loser "I do use compressors/limiters but not for controlling dynamics, I use EQ for that!" Jp22 (damn I miss him) "Education is a progressive discovery of our own ignorance." -- Will Durant, historian (1885-1981) "I try to get a boom out of the bass drum, in one of my albums, my CD, boom, I try to get that big boom, I could not get a big boom, I paid bucks, and could not get the boom" - Recording Expert, Tad Donley | |
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| | #27 |
| Lives for gear Join Date: Jun 2003 Location: Kansas City
Posts: 647
| I'm wondering where Thrill is seeing these HD2 setups with interfaces for 5K. Sign me up if you see that deal. I'm in a similar position as Sugar, and I think I'll be headed to Samplitude later this year. |
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| | #28 |
| Lives for gear Join Date: May 2006
Posts: 1,110
| i have an 002 as well and us DP with it as well as pro tools. Even though I use pro tools most of the time I like dp a lot. It does everything and does it well. The only issue I've had is that if I go from pro tools and immediatly open dp sometimes it doesn't catch the digi core audio manager right and will have an issue. But if I've been using dp and i open it up a second time its super stable. |
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| | #29 |
| Lives for gear Join Date: Nov 2006 Location: Greater San Francisco
Posts: 2,108
| I would second the posts about rigs with Lynx or RME. I wouls just like to speak up for Samplitude/Sequoia. Sounds great. Plays nice with others (Our studio includes Logic & DP, I'm checking out Reaper). Full ADC including hardware loops. Best workflow on the planet and mastering features. Did I mention that it sounds great to? In our room with the same interface and same audio files it is clearly (flame suit on) a better sounding product then logic or dp (thru the same convertors). But yeah, make the jump. I know you'll be happy wether you hit Cubendo, Sonar or Sampliquioa. ![]() |
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| | #30 |
| Gear Head Join Date: Jan 2007
Posts: 51
| REAPER!!!! |
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