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| | #1 |
| Lives for gear Joined: Jul 2002 Location: CT
Posts: 970
Thread Starter | help with live kick mic
Fellow Slutz, While I have a ton of fun kick drum mics (the new Yamaha Sub is a blast), I am an admitted idiot with regards to live kick drum mics. I've been asked to recomend a live kick drum mic at a reasonable price. It would also need to function as the bottom mic with a djembe. Who's using what and why? Thanks for your help! chap |
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| | #2 |
| Lives for gear Joined: Oct 2003 Location: Beantown
Posts: 2,462
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I`d say a 421 would be the best to cover both those applications in a live setting. I`m finding 421`s are great on a lot of things these days.
__________________ - Kev |
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| | #3 |
| Gear interested Joined: Dec 2003 Location: NYC
Posts: 29
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yeah i've been getting into 421s lately too...def. my favorite of the "standard" studio dynamics...
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| | #4 |
| Lives for gear Joined: Jun 2003 Location: Oklahoma
Posts: 1,399
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last night i picked a 421 over an ev 868 and an audio technica atm25. i keep coming back to the 421. joshua |
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| | #5 |
| Lives for gear |
421, dificult to go wrong with. Beyer ME 88 is good too, but they blow after a while. Shure SM91 (plate style mic) is another good option. Regards Roland |
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| | #6 |
| Lives for gear Joined: Feb 2003 Location: Western North Carolina
Posts: 3,659
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Shure Beta 52s are great for live kick.
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| | #7 |
| Lives for gear Joined: Sep 2003 Location: Lillehammer, Norway
Posts: 673
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The AKG D112 might be good choice. The D112 is buildt like a tank and will stay with you for years without failure. I've been gigging for 18 years, and never seen a blown-up D112. And it sound good ;-). Stein Tore |
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| | #8 |
| Lives for gear |
Audix D6?
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| | #9 |
| Lives for gear Joined: Jun 2002 Location: Chicago, IL
Posts: 1,384
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Just to be the sand in the vaseliene... Senn E602
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| | #10 |
| Gear interested Joined: Jan 2004 Location: Sunshine Coast
Posts: 25
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Here's a few I've used AKG D112 Sennheiser 421 ATM25 AE 2500 [new from Audio Technica] EV PL20 or EV RE20 These are all good but different. The D112 and the ATM25 probably the least expensive new. The 421 is handy and versatile because it has the 5 position bass rolloff. The EV mics are studio quality for bari-sax, tuba, bass amp. The ATM25 is good on floor tom and guitar cabs and my fave for small kik drums. The 2500 is innovative and gives excellent attack as well as solid bottom. It's great on upright bass, perhaps the best mic I've every used in that capacity. Greg |
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| | #11 |
| Lives for gear Joined: Jul 2002 Location: CT
Posts: 970
Thread Starter |
Thanks , this is very helpful. I use an RE-20, D112, Yamaha Sub, U47 and sometimes an M149. I think this guy is looking for something small and inexpensive. That would describe many of the suggestions. Thanks! chap |
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| | #12 |
| Lives for gear Joined: Aug 2003 Location: USA
Posts: 680
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I say the Audix D6 also... I don't generally use it for kick drum, I have other favs... but the D6 is small enough to mic a djembe so that the subs go "BOOM!" Stick the D6 right in the bottom if using a stand. If the player likes to wear it with a harness and play it with the bottom between his legs, impress upon him how great it will sound with the mic on the inside.
__________________ Best Wishes, GearGuy |
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| | #13 | |
| One with big hooves |
Kick and dejembe? Either a 421 or an SM57, maybe an AMT25. The D112 can get out of control on dejembe if it's a loud room and/or near the subs because it's a bit omnidirectional and the lows are very extended.
__________________ J. 'Moose' Kahrs producer|mixer|recordist MooseAudio.com mooseaudio.bandcamp.com Quote:
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