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11th April 2007
Old 11th April 2007
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el_cesar is offline

Hello im new to recording, can anyone explain compression for me? thank you very much!
11th April 2007
Old 11th April 2007
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one of my favorite compressors is only $1350 and includes a manual that explains exactly how and why it works.
11th April 2007
Old 11th April 2007
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Here is some pretty basic info on compression:


Do a google search and search the forums hear for more info. It's best to just get a compressor or a plug in and see what it does, to get an idea of what it can do for you, but you need to learn what all the knobs do first, or you might be very confused.
"When life gives you lemons, just say f@*k the lemons and bail"

11th April 2007
Old 11th April 2007
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its opposite of rarefraction
11th April 2007
Old 11th April 2007
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Originally Posted by el_cesar View Post
Hello im new to recording, can anyone explain compression for me? thank you very much!
Ever heard of Google?...

I'ts this amazing internet search engine that can be used to answer seemingly millions of simple questions. Hey I just tried it and I put 'how does an audio compressor work' into it, guess what it brought up a page with soo many links and information on it.

Like this one: http://www.harmony-central.com/Effec...s/Compression/

Wow!!!!!! - isn't it amazing when you apply yourself just a little itsy ickle bit.

Tell you something, you wanna' keep away from that Google thingy, it's all witchcraft y'know - strange unexplainable witch trickery.
"There's no correlation between creativity and equipment ownership. None. Zilch. Nada." Hugh MacLeod

~ peace ~
11th April 2007
Old 11th April 2007
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compression (sometimes referred to as audio level compression) is the process of reducing the dynamic range of given programme material.
compressors accomplish this task using several common control variables/settings:

all signals coming into the compressor that are above the threshold will be compressed.

the ratio setting specifies how much gain above the threshold you would need to raise the signal by 1dB.
a setting of 2:1, for example, means you would need to input audio 2dB above the threshold to further get an increase in gain of 1dB.
for a setting of 4:1, you would need to exceed the threshold by 4dB to get this same 1dB increase in gain.
settings of 10:1 and greater are generally considered 'limiting'.
compression and limiting occur on a continuum and there is no precise defined point where compression becomes limiting.
if it is so difficult to get the output from the compressor to exceed the threshold that it rarely happens, that is considered to be a limiting setting (and that's why it's called 'limiting' because it literally 'limits' the signal to stay very close to the threshold).
for a 10:1 setting, again, you would need a peak above the threshold of 10dB for an output of just 1dB.

the attack setting determines how quickly (or slowly) the compressor reacts when the threshold is reached.

the release setting determines how quickly (or slowly) the compressor lets the programme material return to the non-compressed state after the threshold has been exceeded.

the knee setting is a measure of how radically the compressor reacts as the material is approaching the threshold.
a 'soft' knee setting is a gradual reaction (like a curve, graphically) and a 'hard' knee setting is more radical (like an angle, graphically).

makeup gain or output
this control is a way to make up for lowered programme level post compression.

and these are some of the basic controls on most compressors.

Justin Justice
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