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| | #1 |
| Gear Head Joined: Apr 2004
Posts: 43
Thread Starter | AK47 on Guitar cabs
Hi all, wondering if any of you have been trying the AK47 on guitar cabs and, if so, what you think. I've read that it is darker than, say a Pearlman, and has some really nice mids, which is what I am looking for, so I'm thinking of trying it out. Any thoughts are much appreciated, Bill |
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| | #2 |
| Lives for gear Joined: Oct 2003 Location: Nashville, TN
Posts: 1,010
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We used one last week a coupla' feet away from the amp and the artist was very pleased.
__________________ "Lend me some sugar, I am your neighbor"- Andre 3000 |
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| | #3 |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,928
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I've heard good things about them from various people... Fletcher has been trying them in his studio and seemed quite pleased. Maybe he'll chime in. Do you already own the Pearlman and are looking for something darker? Maybe a ribbon like the Peluso R14 would fit the bill...
__________________ Tony Belmont ![]() We Sell Gear! ![]() High Profile Audio.....PluginDiscounts.com I may on occasion talk about some of the products I am a dealer for in my posts.. and that's OK! I sell them because I like them. Not vice versa. It's more fun to talk about things you know and love, then things you don't. |
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| | #4 |
| Gear Head Joined: Apr 2004
Posts: 43
Thread Starter |
Yes, I've already got the Pearlman and like it on my vocals, but haven't had much luck with it on cabs. I've got a few dynamics (including an SM7) and ribbons (including an m260) that I like on cabs, but am still looking for another flavor, so was thinking of/obsessing over an LDC/tube mic, maybe how the Beatles used the U67's on their amps during the second half of their career. I'm not looking for a U67 clone, just something that might be similarly darker and strong in the mids. (Never used a U67 before so I'm just going on some research here). I have a few mics on the way to audition, but none are LDC/tube, so I was thinking that the AK47 or an old Gefell UM70S might be worth looking into.
Last edited by macca; 10th April 2007 at 12:47 AM.. Reason: clarity |
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| | #5 |
| Lives for gear |
If you are talking about medium to low crunch or clean, then it's going to sound great and is one of the few handful of condensers I'll give a thumbs up to in this application (because of it's less emphasized top end). If you are using an amp with heavy distortion I wouldn't recommend it, or any condenser, they just aren't my cup of tea in that application for up close usage. But for heavy distortion and ear splitting levels, using it pulled back about 6 feet or more combined with a ribbon or darker dynamic up close on the grill is perfect. Panned opposite of the close mic and then stacked with layers (flip flop panning of 2nd overdub) sounds mind blowing. More than likely you'll need to pad the output of the microphone by 10-20db before the preamp as it will output too hot even with relatively clean amp.
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| | #6 | |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,928
| Quote:
It may be worth waiting for Dave's new TM-2, which should be reminiscent of the U67... I've had the prototype over here, and it really had a lot of balls. It had less top end than the TM-1, and should be priced much less than the TM1.... I can't wait to hear a production model. | |
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| | #7 |
| Lives for gear Joined: Jan 2007 Location: London, England
Posts: 1,021
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It's about time either those guys or Peluso came out with a U67 clone... |
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| | #8 |
| Gear Head Joined: Mar 2007 Location: Norway
Posts: 69
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| | #9 |
| Gear Head Joined: Apr 2004
Posts: 43
Thread Starter |
thanks for the thoughts, everyone, that is very helpful Tony, do you know when the TM2 is scheduled to be released? Nathan, re your use of the AK47 with a ribbon, do you mind sharing what you like about the combo . . what does the ribbon give that the AK47 does not, and vice cersa? thanks again |
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| | #10 |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,928
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| | #11 | |
| Lives for gear Joined: Mar 2006 Location: Houston, TX
Posts: 1,956
| Quote:
i thought it had a very tight highend. mic has a lot of bite to it. id love to hear a pair on OH's. it definitely was not taking a step down in quality from the TM-1. just a different sound. seems like a great deal at around $1000.
__________________ "i have extra money and i have two chances, the first is ****ing strippers women, in an incredible party, and the other is get a lachapell preamp... | |
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| | #12 |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,928
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| | #13 | |
| Gear maniac Joined: Jan 2006 Location: Sherman Oaks, CA
Posts: 286
| Quote:
I demoed the TM-2 a while back and it sounded awesome on guitars, clean and distorted! | |
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| | #14 |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,928
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| | #15 | |
| Lives for gear | Quote:
Ribbons in general are more forgiving, to my ears they chop a lot of the midrange and high frequency harmonics leaving a very fundamental tone (no pun intended). The AK47, while on the flatter side of things in the highs, is still a condenser and still has condenser like qualities. I guess we'd have to ask a microphone expert why ribbons exhibit certain characteristics and why condensers have their own behaviour, but they react to the audio differently, and IMHO is why I think what I wrote in my first post in this thread. | |
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| | #16 |
| Gear maniac |
I'm still waiting for a machine gun joke...
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| | #17 |
| Lives for gear Joined: Jan 2007 Location: London, England
Posts: 1,021
| We've already had at least an allusion to machine guns (see 'terrorist' post above). I'm no expert, but... diaphragm resonance? |
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| | #18 |
| Lives for gear | |
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