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| Thread | Thread Starter | Forum | Replies | Last Post |
| mono speaker wiring | josha | So much gear, so little time! | 5 | 12th February 2007 07:28 PM |
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| Best way to connect mono input sub to speaker switcher? | musictech | Geekslutz forum | 3 | 19th September 2005 04:09 AM |
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| | #1 |
| Lives for gear Join Date: Jul 2004 Location: Philly
Posts: 947
| Who is mixing with a mono speaker? So anyone? I am not asking who is asking who is mixing in "mono", but who is mixing with a mono speaker? Mono Speaker= one speaker placed in the center of the console. Anyone out there doing this while arranging levels? |
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| | #2 |
| Lives for gear Join Date: Feb 2007 Location: Georgia
Posts: 538
| i occassionally listen to the mix in mono on a single speaker. I check for phasing issues, levels, and even use it to help fine tune panning (yes, PANNING in mono, sounds crazy but it can help). |
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| | #3 |
| Lives for gear | Checking your mixes in Mono This is a thread I started a while ago about the same subject. I use this trashy Sound Image all the time. To me it's the easiest way to get a vocal to sit nicely.
__________________ "It's these kinds of ideas that kept me out of all the really good schools." - George Carlin |
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| | #4 |
| Lives for gear Join Date: May 2005
Posts: 1,529
| I have one under the console.
__________________ "You always get more than you paid for at gearslutz" - Jules |
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| | #5 |
| Gear addict | I even do 5.1 mixing and panning through one speaker, the Center Channel. When I'm finally happy with balances and EQ, to switch to all five speakers usually gives me a big smile. Reverb and delay balance usually is the only thing that changes significantly. |
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| | #6 |
| Mac Moderator Join Date: May 2003 Location: Amsterdam
Posts: 2,454
| I recently started doing it, and I liked the outcome, so I'll probably going to do this more often in the future... |
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| | #7 | |
| Lives for gear Join Date: Aug 2006 Location: Montreal
Posts: 710
| I always give a listen iin mono on a Auratone C5.
__________________ http://www.luctellier.com Quote:
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| | #8 |
| Gear nut Join Date: Oct 2006 Location: Atlanta, Ga
Posts: 104
| I'll try to spend an hour or so at a time in mono. I'll be mixing away for a while, forget I'm in mono, realize, "oh yeah" then BAM! usually helps me iron out balance and phase issues pretty quick.
__________________ -N.O-PNW-ATL ODZ ![]() PTHD Certified Operator http://aim-music.com/Pro%20Tools/Home.html http://www.artinstitutes.edu/atlanta...?pid=41&dtid=6 |
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| | #9 |
| Lives for gear Join Date: Jun 2002 Location: Santa Monica, CA
Posts: 2,746
| I mix in single speaker mono all the time. I just hit the mono switch on th C24 and reach up and flip off one of my S3As. It's a great way to get balances and eq, not just check your stereo mix. Next time you're mixing, try it for an extended period of time. When you go back too stereo you'll be smiling. I used to do the music for a daytime soap back in the days it was mono, and learning to image front-to-back was great training. -R |
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| | #10 |
| Gear maniac Join Date: Feb 2007 Location: Gloucestershire
Posts: 276
| Surely this is essential to do for any mix to check mono on one speaker. Some monitoring is set up for mono on the left speaker to avouid the proliferation of speakers around the place. One relal big advantage of broadcast desks is they are usualy provided with comprehensive monitoring routing for monitoring on one speaker etc Even more important for surround/stereo/mono compatibility..... Ive always found that mixing in mono on one speaker is the most dificult to get the audio balanced corectly, if it works on one speaker in mono usualy the stereo mix is balanced right also. |
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| | #11 |
| Gear nut Join Date: Dec 2004 Location: St. Louis
Posts: 129
| I always start mixing one speaker mono. Overall I listen about half the time in stereo. |
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| | #12 |
| Gear nut Join Date: Sep 2006
Posts: 119
| i started mixing with a mono speaker about a month ago and i've really been pleasantly surprised at how effective it is for setting pan positions and adjusting levels. As it turns out, i probably wouldn't have given it a shot any time soon except that i went the cheap route on my first pair of monitors (Wharfedale Diamond 2.8) and one of them died on me after less than a year of use. Shortly afterwards, i read about the virtues of mono mixing in Stavrou's book and thought, "hmmm...guess i can put that one working speaker to use." As luck would have it, i also had a single speaker stand that a roommate left behind years ago so now that's actually getting put to use as well. Pretty groovy. Anyhow, thumbs up for mixing in mono. It's new and exciting to me.
__________________ the only thing that separates us the from the monkeys is the zookeeper. |
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| | #13 |
| Gear interested Join Date: Feb 2006
Posts: 2
| Can somebody tell me, just what it is they hear when they swing a pan pot while listening to mono? thanks |
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| | #14 |
| Lives for gear Join Date: Sep 2005
Posts: 3,308
| I don't get too carried away with mono listening, but what I do on every mix I do it listen from across the room or in another room with the sound coming through a doorway. Some things will sound quite groovy when you are sitting in the sweet spot, but from another room they will sound completely out of place and wrong. One thing that I have found helps pinpoint areas that need "help" or further consideration is to pull up a mix after a few hours or a day later even and let my very first impression/s guide or show me what needs to be done to improve a mix. Things that show up immdedeately on a first listen are quite often not very noticiable at all when you have been mixing for an extended period of time. Another interesting thing is that with all of the work I have done in radio/TV production VERY little has been monitored in mono. Good production translates fine. You just know how to avoid the "pitfalls."
__________________ Danny Brown |
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| | #15 | |
| Lives for gear Join Date: Jul 2004 Location: Philly
Posts: 947
| Quote:
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| | #16 |
| Lives for gear Join Date: Sep 2005
Posts: 3,308
| If the panning circuit has a 3 db center boost or a pan circuit with constant gain willl make a level difference depending on where the pan is set. If it is a constant gain panning circuit there will be no difference in levels when you switch between mono or stereo.
__________________ Danny Brown |
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| | #17 |
| Lives for gear | i'm also a mono-luddite. its pretty simple really... make one speaker work before 2.. make less tracks work before more... certainly not rocket science.
__________________ 3WO - Mixing Without Tears "Tape is a mangler.." -- Slipperman // "The idea of the perfect album is this amorphous thing we're always aiming at. For us, it can mean something full of imperfection. Part of our aim has always been to destroy the sound in a beautiful way. It doesn't mean we expect everyone would like it. I'm not sure we will ever get there... but the whole point of making music is at least to aim at your own idea of perfection." -- Boards of Canada |
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| | #18 |
| Lives for gear Join Date: Jun 2004 Location: usa
Posts: 853
| all the time !!! i used to love to mix through my otari 1/2" machines mono speaker...really helped with balances of vox and guitars, and fx. these days i use ns10's, nht a10's in stereo..often colapsing the mix to mono to check stuff...and a single auratone or radioshack minumus 7 powered by a hafler p1500...(in mono) i ALWAYS check drums in mono when i am tracking...really helps get all the mics in phase and sounding cool..(that is...when i am recording stereo drums...lately i have been doing all mono drums...for some reason..) jchristopherhughes
__________________ "how about more of less....?" jchristopherhughes producer/engineer/mixer/sound geek myspace.com/jonchristopherhughes |
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| | #19 | |
| Gear maniac Join Date: Sep 2005 Location: Amsterdam
Posts: 243
| Quote:
Regards, Macmod | |
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| | #20 |
| Lives for gear Join Date: Aug 2004 Location: tx
Posts: 8,819
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| | #21 |
| Gear addict Join Date: Jul 2006
Posts: 335
| i'll listen in mono 50 % of the mix. and even on a little PC speaker. ![]() |
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