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| | #1 |
| Lives for gear Joined: Aug 2003 Location: Knife, Fork, Bottle, Cork
Posts: 761
Thread Starter | Golden Age hip-hop scratching
When, say, DJ Scratch or Pete Rock or somebody laid down a little turntable science (back in the days when scratching hooks and such was more common) did it typically see any outboard processing? If so, what sort, and when (during tracking or/and during mixdown)? Just something I was wondering about while listening to some Magic Mike... Peece, T. Tauri |
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| | #2 |
| Lives for gear Joined: Sep 2003
Posts: 1,002
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maybe a touch of compression and a hi-pass.......but for a raw sound, maybe nothing
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| | #3 | |
| Lives for gear Joined: Jun 2002 Location: Funky Town FL
Posts: 1,304
| Re: Golden Age hip-hop scratching Quote:
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| | #4 | |
| Lives for gear Joined: Aug 2003 Location: Knife, Fork, Bottle, Cork
Posts: 761
Thread Starter | Re: Re: Golden Age hip-hop scratching Quote:
Peece, T. Tauri | |
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| | #5 | |
| Lives for gear Joined: Jun 2002 Location: Funky Town FL
Posts: 1,304
| Re: Re: Re: Golden Age hip-hop scratching Quote:
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| | #6 |
| Gear nut Joined: Jan 2003
Posts: 103
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here's a newbish question: what's the easiest way to do scratch-like effects in-the-box (without access to proper turntables and the like). Thanks fo' any help... |
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| | #7 | |
| Lives for gear Joined: Aug 2003 Location: Knife, Fork, Bottle, Cork
Posts: 761
Thread Starter | Quote:
The kvr-vst.com forums might be a place to ask. Anyone here used 'em? More than scrubbing the audio, I wonder how one'd emulate moving the crossfader with the kind of precision (and SPEED!) that a real crossfader involves. Peece, T. Tauri | |
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| | #8 |
| Lives for gear Joined: Nov 2003 Location: Amsterdam
Posts: 695
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You might want to try out Serato Scratch and Final Scratch . With these systems you can scratch audio files using real vinyl! Serato is also a Protools plugin so if your on that platform it might be a interesting production tool. As long as you don't do the ultra complex cuts, they do VERY nice! It takes years of practice though before you can put some decent scratches down... btw check out Dilated People's "Triple Optics" for some nice cuts in a song. oh, and those mouse scratches are cheesy IMNSHO! |
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| | #9 |
| Gear nut Joined: Jan 2003
Posts: 103
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Serato look awesome and I've known about Final Scratch for a long while (don't really want to get involved with all the hardware for it). So are there any non-pro tools options out there?
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| | #10 |
| Gear maniac |
fruity loops comes with a scratcher, you can make one with reaktor. Personally i don't like them (maybe because i have an 8ms delay on my d/a grudge ) but when i feel the urge i assign the ribbon slide on my keyboard to the plug-in and try to break it down. |
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| | #11 |
| Lives for gear |
Final Scratch is the bomb! Don't know what ALL the hardware mikedaul is referring to, there's just the FS amp which you just connect your dex and usb to, anyways, for me a much more realistic thing to manipulate than say cdj1000. yes i know, it's mp3 but if you're looking at making your own plates to do cuts with, it rocks. As for processing, i don't think there was too much back in the day other the occasional flange/phase/delay. Obviously everyone's at it now, MM Mike with his wah, Kaoss pad's everywhere and a lot of mixers coming with (wack) fx. Agree w/ Strauss on Babu's cuts on that Dilated track (which is actually called "live on stage"), in fact there's great cuts all over the album. Dilated Junkies track is dope as well |
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| | #12 |
| Lives for gear Joined: Jun 2002 Location: Lost Angeles
Posts: 4,069
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I use my CDJ1000 for that kinda stuff. I've cheated in the past and used the SCRUB wheel, recorded it to a dat and bounced it back and tweeked it as needed with vari-fi, speed, or serato as needed- always sounded cheezy but my clients dug it. My DJ skills suck compared to most real dj's, but with the CDJ, I can eff around with it till I get the right pass and never worry about effing up hardware equipment. It's also pretty schweet to be able to crank the mains and not worry about bleed (and rarely feedback) into the needle. I'm sure the Scratch programs do a great job of doing that stuff with MP3's too. Curious Entrophy, what makes them better than the CDJ for you? Also, Babu is the greatest DJ in the world. |
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| | #13 |
| Gear nut Joined: Jan 2003
Posts: 103
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all that hardware I 'taint got is the dex and shite, yo seriously tho, thanks for all the info. |
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| | #14 |
| Lives for gear |
E-Cue. I'm far from being a DJ but have always had a set of 1200's. My only moan on the CDJ (which I do think is excellent anyway) is that the platter is just too light. Proper cut up DJ friends of mine use Final Scratch over CDJ for studio cuts just because it's a little faster in response, it's not something I notice....... But considering the CDJ1000 is the first generation, it's pretty damn good. Give it a couple of years and it'll be rock solid |
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| | #15 | |
| Lives for gear Joined: Jun 2002 Location: Lost Angeles
Posts: 4,069
| Quote:
I wish there was a tension control for the CDj platter too sometimes. The speed controls allow me to adjust it were I don't sound like a total suckass. | |
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| | #16 | |
| Lives for gear Joined: Oct 2002 Location: Control Room
Posts: 1,949
| Quote:
1) Bounce to disk a region of audio you want to "scratch." 2) Re-import that stereo file into the mix. 3) Line up the "hit" with the beat. 4) Copy it, paste it before the beat, reverse it (with your Reverse plugin of choice), and line up the end of the swell to the beginning of the attack of the original, at the beat. (Or vice-versa.) 5) Slow down the first hit, and speed up the second hit (or vice-versa). 6) Use your imagination to explore any variety of improvisations on those examples. The important thing with scratching, whether it's a DJ or someone like ourselves doing it in a DAW, is that it's done in the groove. This is where folks go wrong with samples and programs. The samples are not played to the groove, and the programs have no real sense of groove. A soulful DJ knows how to groove on the scratching tip. A soulful producer knows how to emulate that "in the box." What I want to know is: Which of you folks are using CD-turntables, and scratching on those? I don't have one yet, but I've seen and heard them in action...mmm. | |
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| | #17 |
| Lives for gear |
I totally agree about the immediacy of grabbing something you just recorded to use for cuts, even for non-dj's like ourselves, it was only a couple of years ago that I'd have to and get in line at a cutting plant for a plate. That's £40 please... Ain't technology great? |
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| | #18 | ||
| Lives for gear Joined: Aug 2003 Location: Knife, Fork, Bottle, Cork
Posts: 761
Thread Starter | Quote:
Quote:
On the Babu tip, I highly recommend an old mixtape he and Kan Kick did called Warped Mind/Comprehension. Bunch of beats, collages, routines, and other meanderings. Got a real great vibe and flow. Peece, T. Tauri | ||
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| | #19 |
| Gear nut Joined: Jan 2003
Posts: 103
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Curve - thanks for the excellent suggestions. I'll start playing around with that for sure.
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| | #20 | |
| Lives for gear Joined: Nov 2003 Location: Amsterdam
Posts: 695
| Quote:
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| | #21 |
| Lives for gear Joined: Jun 2002 Location: Lost Angeles
Posts: 4,069
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I just mixed a track with Alchemist (he did a 'wicked awesome' job, as the kids say these days) and rolled off the lows with a little bump at 200 hertz post compressor with fast attack and release times. PM me an email if you wanna check it out.
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| | #22 | |
| Lives for gear Joined: Nov 2003 Location: Amsterdam
Posts: 695
| Quote:
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| | #23 | |
| Lives for gear Joined: Aug 2003 Location: Knife, Fork, Bottle, Cork
Posts: 761
Thread Starter | Quote:
Peece, T. Tauri | |
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| | #24 | |
| Lives for gear Joined: Jun 2002 Location: Lost Angeles
Posts: 4,069
| Quote:
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