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| | #1 |
| Gear maniac Joined: Dec 2003 Location: Berlin
Posts: 190
Thread Starter | Studio Projects B1 question
Studio Projects B1
Studio Projects B1
I am looking for some mics for toms and was thinking about the Studio Projects B1. What do you use for toms? Anyone have any comment on the Studio Projects B1´s ? ALEX |
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| | #2 |
| Lives for gear Joined: Jan 2003
Posts: 1,124
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They'll do OK.
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| | #3 |
| Gear maniac Joined: Dec 2003 Location: Berlin
Posts: 190
Thread Starter |
Would it be better than a MD 421 or a SM 57 for Rock recordings ???
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| | #4 |
| Lives for gear |
I actually like 421's for toms. They'll need some EQ. The B1's might get you a little more cymbal bleed, if you care about that. I guess everyone mutes the tom tracks these days...
__________________ "I know of several comparisons [right here on this board] where no one could tell the difference between a Martech pre-amp and a Behringer." - Fletcher Darian Rundall |
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| | #5 |
| Lives for gear Joined: Oct 2003 Location: Wisconsin, US
Posts: 774
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I have multiple SM57's, Beta 57's and B1's. For toms I have chose the SM57's. I instead use the B1's for rooms on a kit. Hope this helps. If you would like to hear the results using B1's as rooms, Oktavas 012 for overhead, SM57 for snare, Beta57 for bottom of snare, Beta 52 + SM57 for kick, you can hear it here: More of a country sound: http://www.soundclick.com/bands/2/da...ybandmusic.htm Hope this is of some use. B1's also used on some of the acoustic guitar work. |
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| | #6 |
| Gear addict Joined: Jul 2002 Location: Melbourne
Posts: 348
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b1's sound great on toms.
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| | #7 |
| Lives for gear Joined: Jan 2003 Location: San Jose, CA
Posts: 5,582
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I think the B1's are pretty decent tom mics. I also use 421's as well. I would say the B1 has a bigger, larger than life sound, with more of a detailed attack when used for close-miking toms. The 421's seem to accentuate more of the thud and boom. What a crappy description. Here's an MP3 (not the best sounding one unfortunately) where B1's were used on toms through a John Hardy mic preamp...it was a maple Ludwig kit with coated Ambassadors: http://www.marismatheband.com/marisma-smokescreen.mp3 You can hear tom fills right at the beginning (0:02) and around 1:46-1:53. Hope that helps, Brad |
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| | #8 |
| Lives for gear Joined: Dec 2003 Location: USA
Posts: 581
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Nice job Brad. Couple questions: What kind of snare was used, what mic did you use on snare, what compressor did you use...I liked the drums
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| | #9 |
| Lives for gear Joined: Jun 2003 Location: Kansas City
Posts: 665
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Just a correction from Lomola's post above. Dan Richards (aka Dot) is the Listening Session's guy, whereas Dan Kennedy makes the Great River pres.
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| | #10 | |
| Lives for gear | Quote:
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| | #11 | |
| Lives for gear Joined: Jan 2003 Location: San Jose, CA
Posts: 5,582
| Quote:
The snare was a Ludwig Black Beauty with a coated Ambassador on top. I'm pretty sure that it was miked with an SM57, but it may have been a Radio Shack 33-3032 (don't laugh--yeah the ones that look like clip-on Sennheiser drum mics). I would have to double check. The compressor is called an Altec 1589B mic preamp. I neglected to use a pad, so the mic preamp got super crunchy and really clipped the snare a LOT. So I didn't have to use a compressor at all really to control the level. The Altec really adds some grit and presence to snares that I like. During mixdown, however, I started regretting my super crunchified snare sound, so I tried to restore some snap with a UAD EX-1 channel strip compressor plugin (4:1 ratio, attack=40 ms) and a transient shaper plugin called Dominion which is free at Digitalfishphones. Then there was a little EQ and that was about it. The rest of the snare sound comes from the overheads which was a Royer SF12 through an API.To be honest I felt like I kind of botched those drums between the Altec level setting mishap and my choice of D112 for kick. I swear that's the last time I'll ever use that mic on kick again. Brad | |
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| | #12 |
| Lives for gear |
Brad, are you playing in Marisma or did you just record them?
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| | #13 |
| Lives for gear Joined: Jan 2003 Location: San Jose, CA
Posts: 5,582
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Yes, I did the recording. I do not play in Marisma, although they are my friends and I did contribute a couple guitar tracks and background vox on the recording. They practice in my studio. Brad |
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| | #14 |
| Lives for gear |
That's a nice band... I never heard a singer sound that much like Page Hamilton!!! I like that! |
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| | #15 |
| Lives for gear Joined: Jan 2003 Location: San Jose, CA
Posts: 5,582
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Well I'll have to pass the compliment along to the band. I'm sure he would appreciate that. ![]() Brad |
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