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| Thread | Thread Starter | Forum | Replies | Last Post |
| Studio Projects C3 | bcarr | So much gear, so little time! | 3 | 21st April 2005 11:40 PM |
| studio projects b1? | spandau fondue | So much gear, so little time! | 21 | 22nd August 2002 05:21 PM |
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| | #1 |
| Gear maniac Join Date: Dec 2003 Location: Berlin
Posts: 190
| Studio Projects B1 question
Studio Projects B1
Studio Projects B1 I am looking for some mics for toms and was thinking about the Studio Projects B1. What do you use for toms? Anyone have any comment on the Studio Projects B1īs ? ALEX |
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| | #2 |
| Lives for gear Join Date: Jan 2003
Posts: 1,116
| They'll do OK. |
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| | #3 |
| Gear maniac Join Date: Dec 2003 Location: Berlin
Posts: 190
| Would it be better than a MD 421 or a SM 57 for Rock recordings ??? |
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| | #4 |
| Lives for gear | I actually like 421's for toms. They'll need some EQ. The B1's might get you a little more cymbal bleed, if you care about that. I guess everyone mutes the tom tracks these days... ![]()
__________________ Darian Rundall |
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| | #5 |
| Gear addict Join Date: Oct 2003 Location: Wisconsin, US
Posts: 354
| I have multiple SM57's, Beta 57's and B1's. For toms I have chose the SM57's. I instead use the B1's for rooms on a kit. Hope this helps. If you would like to hear the results using B1's as rooms, Oktavas 012 for overhead, SM57 for snare, Beta57 for bottom of snare, Beta 52 + SM57 for kick, you can hear it here: More of a country sound: http://www.soundclick.com/bands/2/da...ybandmusic.htm Hope this is of some use. B1's also used on some of the acoustic guitar work. |
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| | #6 |
| Gear addict Join Date: Jul 2002 Location: Melbourne
Posts: 349
| b1's sound great on toms. |
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| | #7 |
| Lives for gear Join Date: Jan 2003 Location: San Jose, CA
Posts: 3,042
| I think the B1's are pretty decent tom mics. I also use 421's as well. I would say the B1 has a bigger, larger than life sound, with more of a detailed attack when used for close-miking toms. The 421's seem to accentuate more of the thud and boom. What a crappy description. Here's an MP3 (not the best sounding one unfortunately) where B1's were used on toms through a John Hardy mic preamp...it was a maple Ludwig kit with coated Ambassadors: http://www.marismatheband.com/marisma-smokescreen.mp3 You can hear tom fills right at the beginning (0:02) and around 1:46-1:53. Hope that helps, Brad |
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| | #8 |
| Lives for gear | Nice job Brad. Couple questions: What kind of snare was used, what mic did you use on snare, what compressor did you use...I liked the drums |
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| | #9 |
| Gear addict Join Date: Jun 2003 Location: Kansas City
Posts: 343
| Just a correction from Lomola's post above. Dan Richards (aka Dot) is the Listening Session's guy, whereas Dan Kennedy makes the Great River pres. |
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| | #10 | |
| Lives for gear | Quote:
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| | #11 | |
| Lives for gear Join Date: Jan 2003 Location: San Jose, CA
Posts: 3,042
| Quote:
To be honest I felt like I kind of botched those drums between the Altec level setting mishap and my choice of D112 for kick. I swear that's the last time I'll ever use that mic on kick again. Brad | |
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| | #12 |
| Lives for gear | Brad, are you playing in Marisma or did you just record them? |
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| | #13 |
| Lives for gear Join Date: Jan 2003 Location: San Jose, CA
Posts: 3,042
| Yes, I did the recording. I do not play in Marisma, although they are my friends and I did contribute a couple guitar tracks and background vox on the recording. They practice in my studio. Brad |
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| | #14 |
| Lives for gear | That's a nice band... I never heard a singer sound that much like Page Hamilton!!! I like that! |
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| | #15 |
| Lives for gear Join Date: Jan 2003 Location: San Jose, CA
Posts: 3,042
| Well I'll have to pass the compliment along to the band. I'm sure he would appreciate that. :) Brad |
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