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| | #1 |
| Lives for gear Joined: Sep 2006 Location: Dublin, Ireland
Posts: 804
Thread Starter | The anti-loudness wars go overground
Saw this in yesterday's Gaurdian. Nothing that slutz won't already know but it's good to see album examples named and shamed and to see the word being spread in mainstream media. http://technology.guardian.co.uk/wee...992325,00.html
__________________ Last edited by juicylime; 19th January 2007 at 12:46 PM.. Reason: Because album is not spelt ablum. |
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| | #2 | |
| Lives for gear Joined: Jul 2006 Location: Germany
Posts: 2,420
| Quote: "Now with a whopping 10 dB dynamic range..." Does anyone have that Paul Simon album? Would it be ok to post a 30-second-sample here? | |
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| | #3 |
| Lives for gear Joined: Sep 2006 Location: Dublin, Ireland
Posts: 804
Thread Starter |
Maybe the loudness wars are an extremely clever marketing ploy by labels to flog distorted records so that they can then turn around and offer the undistorted version in the future to the same people. It's like they've realised through the introduction of varying formats that the real money is actually in reselling the same product as many generations as possible. Artist develpment has been replaced by artist re-deployment. MP3 will be the same. The kids of today will be told in 10 years that MP3 is actually seriously sub standard and that without hearing the original wav's they quite simply haven't really heard the music properly. All by the same people selling the MP3's now. And then some lone dissenting hippy (him: ) will stand up and point out that that record was actually made AAA in the first place so they're still talking nonsense.Um....rant over. |
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| | #4 |
| Mac Moderator Joined: May 2003 Location: Amsterdam
Posts: 3,454
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Great article, I'll print it. If I have someone complain about an undistorted dynamic CD I'll give it to them to read and think about.
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| | #5 |
| Lives for gear Joined: Sep 2006 Location: Dublin, Ireland
Posts: 804
Thread Starter | That's a good point. I used to hate, hate, hate it when bands asked me to do some rough mastering in house. Eneivetably I'd do it but would call it something like volume version or something. Several times the bands would then send for mastering but would actually send that version, "Because it sounds much better in the guitarists car so surely it's a better start for the ME." Ukk.
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| | #6 |
| Gear nut Joined: Apr 2006
Posts: 138
| The kids of today will be told in 10 years that MP3 is actually seriously sub standardmost of the kids of today wont even recognize the names of the "stars" they listen to on their cellphones in 10 second cuts. but many of them will identify the exact model of denim fashion they wore at a specific evening |
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| | #7 |
| Lives for gear Joined: Aug 2004 Location: tx
Posts: 8,802
| ![]() "Equalisation done digitally is very harsh, and most mastering engineers tend to overuse it." |
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| | #8 |
| Lives for gear Joined: Nov 2005 Location: NYC
Posts: 1,326
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| | #9 |
| Gear nut |
i particularly liked this: "The only way that something can sound loud is if there's something quiet that precedes it, or else there's no frame of reference." but why do i think A&R will read this as justification instead of thinking "hmmm...maybe the better frame of reference is actually in the song itself and not other CDs"? |
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| | #10 | |
| Lives for gear Joined: Nov 2005 Location: NYC
Posts: 1,326
| Quote:
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| | #11 | |
| Lives for gear Joined: Apr 2006
Posts: 1,546
| Quote:
Great song otherwise ... | |
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| | #12 | |
| Gear Guru Joined: Mar 2005 Location: Long Beach, CA
Posts: 15,099
| Quote:
__________________ day job | A Year of Songs | music and social stuff | mutant pop on facebook | roots acoustic on facebook | |
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| | #13 |
| Lives for gear Joined: Oct 2006 Location: west wales
Posts: 1,756
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agreed, if it had been in the arts section far more people would read it, I'm bummed out producing these "slabs" for people. Loud does not equal quality, but a lot of musos don't actually "listen" to music. I've worked with a band off and on for years and none of them ever buy records and will only listen through crappy small computer speakers, therefore any quiet intros which aren't heard above the whining fan on a computer is deemed "not mastered/recorded properly" It bugs me that people who want to make music their living don't educate themselves.....off topic but heres the root cause in my opinion. |
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| | #14 |
| Lives for gear |
Great article -- technically on point but written in terms the layman can understand and identify with.
__________________ "We need to legitimize peer-to-peer sharing as a business model, because it's already a business. If [the P2P companies] are going to make money on us, we should have a chance to make money along with them." -- Perry Farrell on the failure of national intellectual property policy to keep up with the rapid evolution of online media "Every Internet transmission of a musical work constitutes a public performance of that work. " http://www.ascap.com/weblicense/webfaq.html |
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| | #15 |
| Lives for gear Joined: Jun 2006 Location: around the corner
Posts: 1,990
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Rollercoasters have dynamics. If it didnt chill for a while, the next part wouldnt be scary. If the whole thing was a corkscrew till the end, or straight ahead at 400 mph till the end, there would be no nuttin' for comparison. People will just realize later that it was all bad. Thats not out of the norm, same as usual........carry on. Years ago I was a competitor on guitarwar.com... this was when I was just getting into digital recording. My 2 tape machines were gone, all my outboard, and i wasnt liking the sounds from the pc.. (yes I pouted a while about it) But I started realizing that dynamic control was so do-able with digital, as long as you didnt over do it. (clippage,etc) Oh well, cut story short...the stuff many people do sounds good nowadays, and much dont. |
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