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| | #1 |
| Gear nut Joined: Mar 2005
Posts: 137
Thread Starter |
hi! i just startet as audio-engineer at a small theatre (270 seats) they play mostly theatre and musicals can you recommend any PZM mics that are not too expensive for usage in theatre-sound? thanx fil |
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| | #2 |
| Guest
Posts: n/a
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Crown PCC-160. Basic research will turn these up easily. Try google! http://www.fullcompass.com/product/297411.html They are supercardioidcardiod PZMs great for stage use. Crown tutorial: http://www.crownaudio.com/pdf/mics/128114.pdf There are other brands too but this is the standard mostly. <L> |
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| | #3 | |
| Gear nut Joined: Mar 2005
Posts: 137
Thread Starter | Quote:
this one looks good! i try to have a test on ´em! | |
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| | #4 |
| Lives for gear Joined: Sep 2002 Location: Denver, CO
Posts: 596
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Another option would be the DPA 4061 and their associated pressure zone discs. I use these to record the singers on the Opera stage all the time. Waaay better sound than the Crowns (which I used to own), but pricier.
__________________ Mike Morgan Isle of Skye Audio Productions http://www.RecordClassical.com Audio Director and Announcing Chair for Pyrotechinics Guild International www.pgi.org |
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| | #5 |
| Lives for gear Joined: Apr 2005 Location: New York Friggin' City
Posts: 2,562
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Yeah, any decent omni lav will sounds world better than a PCC but the PCC will give you tons more gain. PCC 160 and shure Beta91 are good footmics, but cardioid condensers across the edge of the stage can do a great job...if you have AKG 391s, 460s, Shure Sm81s, etc.... you're in for a treat! jim |
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| | #6 |
| Gear nut Joined: Mar 2005
Posts: 137
Thread Starter |
thanx for the advice! btw: anyone knows a good forum for theatre sound? could not find any... lg fil |
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| | #7 | |
| Lives for gear Joined: Apr 2005 Location: New York Friggin' City
Posts: 2,562
| Quote:
Here are subscription instructions: http://www.brooklyn.com/theatre-sound/index.html be warned, GearSlutz' server blows away Theatre Sound listserve, but T-S is VERY specific. | |
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