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| Tags: classical, guitar, mikage |
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| | #1 |
| Gear maniac Joined: Jul 2005 Location: Los Angeles, CA
Posts: 185
Thread Starter |
Hey Guys. So I got a beautiful new handmade classical guitar and I need a kick ass mic to go with it. My U87 doesn't sound so hot on it. Neither does my 414. I'm mainly doing pop styles with it and not really solo performance. So it really needs to cut through a mix. I was thinking a KM 184. Maybe a SM81? How about a Royer? Does anyone have any better ideas? Oh yeah, I'm running through an Avalon 737 ( I know, I know, but it's the best pre I got!) Thanks. |
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| | #2 |
| Lives for gear Joined: Nov 2005 Location: The Netherlands
Posts: 523
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If you really love the sound of the guitar and have a nice room, try a mic like a DPA 4006 or something. The backside of a royer also gives some nice flattering results! edit: i read "for solo" instead of "no solo".................well, then a km84 or 184 ahould be able to give pleasant results!
__________________ "A cold heart is a dead heart" |
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| | #3 |
| Gear nut |
I recording the classic guitar with Millennia HV 3 and Neumann TLM 170 or Earthworks QTC 40 (if the room is OK). The sound for my opinion is fantastic. Best Regards |
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| | #4 | |
| Gear addict Joined: Sep 2004
Posts: 325
| Quote:
.... don't want to get to the off topic land , but since when Avalon 737 became something You would excuse yourself about ? It is a friggin' grat pre ... Cheers Max | |
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| | #5 | |
| Registered User Joined: Apr 2004 Location: Very close to my neighbours, but far from my friends.
Posts: 177
| Quote:
Best of luck, Stefan | |
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| | #6 |
| Gear addict |
Don't laugh, but I have had some amazing results from my Alhambra spanish guitar with the following method: Shadow nanoflex p.u. DI 'd, combined with a low cost MXL v67i (bright side). Depending on the sound, I might point the MXL at the 12th fret or, more often, at the bridge. I have sometimes tracked this guitar with the U87ai, which didn't really cut it for this particular guitar... I was (pleasantly) surprised to see (and hear) this little inexpensive mic did an excellent job! Mix the two signals to taste, and voila! Works for solo & rythm work. My 2 cts!
__________________ If you're not a part of the solution, there's good money to be made in prolonging the problem. |
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| | #7 |
| Gear addict Joined: Mar 2006 Location: NYC
Posts: 337
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just did a session with a Millennia HV3 and a pair of DPA`s ..worked great on nylon and steel too
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| | #8 |
| Gear addict Joined: Nov 2005
Posts: 319
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I've used the U87(cardioid, 4 ft out)/Avalon 737 combination and really liked it on flamenco guitar. Very smooth sounding. I usually use Schoeps mk41 or Beyer M160 on classical though, with a Great River MP2H. |
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| | #9 | |
| Gear addict Joined: Jul 2002 Location: Woodland Hiils, CA
Posts: 438
| Quote:
I just talked to Andrew York recently and he was using a couple of Marshall toob mics for his home setup. That's a good reason to check them out. I know I will. If you have the cash Gefell M295/294 will be the ones you might want to consider for a legit classical sound. | |
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| | #10 |
| Gear nut Joined: May 2006 Location: A bit of everywhere
Posts: 83
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I've got good results w/ either a Royer R122, an AEA R84, and/or a AKG 451, right around where the neck mets the body, a bit off axis, and about 8-14 inches from the guitar. Experiment with different mics and placements. Its all subjective.
__________________ "To Thine Own Self Be True" |
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| | #11 |
| Gear maniac Joined: Jul 2005 Location: Los Angeles, CA
Posts: 185
Thread Starter |
Thank you everyone for your replies. I'll definatley look into it! |
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