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31st October 2006, 05:52 AM
| #1 |
| Lives for gear  Join Date: Apr 2004 Location: Chennai, India
Posts: 619
|  film sound resource can anybody point me in the direction of an active forum for location sound for film, and audio post? thanks,
__________________ "Ultimately, I want to reach more people. That's what I've intended all my life even though it may not seem that way." - Randy Newman |
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31st October 2006, 06:52 AM
| #2 |
| Gear maniac Join Date: Jan 2006 Location: Stockholm Sweden
Posts: 240
| I´m not in the business, but this might be worth a try: http://groups.google.com/group/rec.a...d?lnk=lr&hl=en Gunnar |
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31st October 2006, 08:10 AM
| #3 |
| Lives for gear  Join Date: Dec 2002 Location: El Lay
Posts: 1,966
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__________________ Purveyor of fine sounds since 1961. My very incomplete IMDB list: My very incomplete IMDB list I'm all ears. |
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31st October 2006, 05:40 PM
| #4 |
| Gear Head Join Date: Aug 2006
Posts: 57
| You might want to join Jeff Wexler's board, I would highly recommend it. http://jwsound.net/SMF/index.php Karl Lohninger midnight oil films Los Angeles |
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1st November 2006, 08:04 AM
| #5 | |
| Super Moderator  Join Date: Aug 2002 Location: NYC
Posts: 4,880
|  Quote:
Paul, A bit off topic but... You did an outstanding job on "the Prestige." Simple brilliant on all levels -- Kudos to you and yours!
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network Remoteness on Myspace  | |
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1st November 2006, 09:44 AM
| #6 |
| Lives for gear  Join Date: Jan 2004 Location: out in the dirt.
Posts: 5,988
| film sound info these are good places- http://groups.yahoo.com/group/sound_design/ http://groups.google.com/group/rec.a...oduction.sound charles maynes the day job:http://www.imdb.com/name/nm0562825/ Last edited by charles maynes; 1st November 2006 at 09:45 AM.. Reason: link add |
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3rd November 2006, 01:05 AM
| #7 | |
| Lives for gear Join Date: Dec 2002 Location: El Lay
Posts: 1,966
| Quote:
Well Thanks Steve, I got to have some fun with spooky industrial ambiences & other stuff on that one and the supervisor, Richard King, as always provided great material to work with. Hi Charles, how've ya been? I see you worked on F.O.O.F., It was good to see Nick around the lot while that show was going, hadn't seen him in a long time. Give me a call sometime, I'm at the same number as always.
__________________ Purveyor of fine sounds since 1961. My very incomplete IMDB list: My very incomplete IMDB list I'm all ears. | |
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3rd November 2006, 07:21 PM
| #8 |
| Lives for gear Join Date: Jan 2004 Location: out in the dirt.
Posts: 5,988
| Paul B- I somehow lost your number- send me an email and we can chat- cheers! charles maynes |
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3rd November 2006, 07:53 PM
| #9 |
| Lives for gear  Join Date: Jan 2006
Posts: 2,363
| cool to see film composer around here. i have a question, maybe off topic, its more on the music side of things. im trying to write with orchestral samples-viennachamber, EWSO plat- and i just dont get it to work. its sounds too fake/midi-ish and i get put off by it. from what point u know that as a sample a riff/motif sounds kinda bad but will sound great with a real orchestra? do u sketch a scene with piano or generic string patch and then dweul into it doing orchestration, diferent violin sample etc. ? or u start with a good violin section sample/? i gues it candepend no... but a walk through process would be nice to have in a book. any resources on music for filmsscoring? not the guide to scoring by my ex teacher richard davis type of book which explains the process that i know well. more on the music side...cliches, modes for moods, spotting etc. im trying to get my music theory to work on film. thanks, i hope i dont hijack this thread,. |
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3rd November 2006, 07:55 PM
| #10 | |
| Lives for gear Join Date: Jan 2006
Posts: 2,363
| Quote:
i can help u out with post as i do mixes for fox. maybe i can chime in | |
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