film sound resource

audiothings · 31st October 2006

can anybody point me in the direction of an active forum for location sound for film, and audio post?

thanks,

ghellquist · 31st October 2006

I´m not in the business, but this might be worth a try:
http://groups.google.com/group/rec.a...d?lnk=lr&hl=en

Gunnar

Berolzheimer · 31st October 2006

Protools specific, of course:

http://duc.digidesign.com/postlist.php?Cat=&Board=UBB6

Karl_Lohninger · 31st October 2006

You might want to join Jeff Wexler's board, I would highly recommend it.

http://jwsound.net/SMF/index.php

Karl Lohninger
midnight oil films
Los Angeles

**Remoteness** · 1st November 2006

Quote:

Originally Posted by Berolzheimer

Protools specific, of course:

http://duc.digidesign.com/postlist.php?Cat=&Board=UBB6

Paul, A bit off topic but...

You did an outstanding job on "the Prestige."

Simple brilliant on all levels -- Kudos to you and yours!

charles maynes · 1st November 2006

these are good places-

http://groups.yahoo.com/group/sound_design/

http://groups.google.com/group/rec.a...oduction.sound

charles maynes

the day job:http://www.imdb.com/name/nm0562825/

Berolzheimer · 3rd November 2006

Quote:

Originally Posted by Remoteness

Paul, A bit off topic but...

You did an outstanding job on "the Prestige."

Simple brilliant on all levels -- Kudos to you and yours!

Well Thanks Steve, I got to have some fun with spooky industrial ambiences & other stuff on that one and the supervisor, Richard King, as always provided great material to work with.

Hi Charles, how've ya been? I see you worked on F.O.O.F., It was good to see Nick around the lot while that show was going, hadn't seen him in a long time.
Give me a call sometime, I'm at the same number as always.

charles maynes · 3rd November 2006

I somehow lost your number-

send me an email and we can chat-

cheers!

charles maynes

gsilbers · 3rd November 2006

cool to see film composer around here. i have a question, maybe off topic, its more on the music side of things. im trying to write with orchestral samples-viennachamber, EWSO plat- and i just dont get it to work. its sounds too fake/midi-ish and i get put off by it.

from what point u know that as a sample a riff/motif sounds kinda bad but will sound great with a real orchestra?
do u sketch a scene with piano or generic string patch and then dweul into it doing orchestration, diferent violin sample etc. ?
or u start with a good violin section sample/?
i gues it candepend no... but a walk through process would be nice to have in a book.

any resources on music for filmsscoring? not the guide to scoring by my ex teacher richard davis type of book which explains the process that i know well.

more on the music side...cliches, modes for moods, spotting etc. im trying to get my music theory to work on film.

thanks, i hope i dont hijack this thread,.

gsilbers · 3rd November 2006

Quote:

Originally Posted by audiothings

can anybody point me in the direction of an active forum for location sound for film, and audio post?

thanks,

maybe we can help u out. what do u need to know?

i can help u out with post as i do mixes for fox. maybe i can chime in

1st November 2006	#6
charles maynes Gear Guru Joined: Jan 2004 Location: out in the dirt. Posts: 15,625	film sound info these are good places- http://groups.yahoo.com/group/sound_design/ http://groups.google.com/group/rec.a...oduction.sound charles maynes the day job:http://www.imdb.com/name/nm0562825/ Last edited by charles maynes; 1st November 2006 at 08:45 AM.. Reason: link add

3rd November 2006	#8
charles maynes Gear Guru Joined: Jan 2004 Location: out in the dirt. Posts: 15,625	Paul B- I somehow lost your number- send me an email and we can chat- cheers! charles maynes

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31st October 2006	#2
ghellquist Gear addict Joined: Jan 2006 Location: Stockholm Sweden Posts: 416	I´m not in the business, but this might be worth a try: http://groups.google.com/group/rec.a...d?lnk=lr&hl=en Gunnar

31st October 2006	#3
Berolzheimer Lives for gear Joined: Dec 2002 Location: El Lay Posts: 2,209	Protools specific, of course: http://duc.digidesign.com/postlist.php?Cat=&Board=UBB6

31st October 2006	#4
Karl_Lohninger Gear nut Joined: Aug 2006 Posts: 80	You might want to join Jeff Wexler's board, I would highly recommend it. http://jwsound.net/SMF/index.php Karl Lohninger midnight oil films Los Angeles

3rd November 2006	#9
gsilbers Lives for gear Joined: Jan 2006 Location: El Pueblo de Nuestra Senora La Reina de Los Angeles de Porciuncula Posts: 3,622	cool to see film composer around here. i have a question, maybe off topic, its more on the music side of things. im trying to write with orchestral samples-viennachamber, EWSO plat- and i just dont get it to work. its sounds too fake/midi-ish and i get put off by it. from what point u know that as a sample a riff/motif sounds kinda bad but will sound great with a real orchestra? do u sketch a scene with piano or generic string patch and then dweul into it doing orchestration, diferent violin sample etc. ? or u start with a good violin section sample/? i gues it candepend no... but a walk through process would be nice to have in a book. any resources on music for filmsscoring? not the guide to scoring by my ex teacher richard davis type of book which explains the process that i know well. more on the music side...cliches, modes for moods, spotting etc. im trying to get my music theory to work on film. thanks, i hope i dont hijack this thread,.