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| Tags: live sound |
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| | #1 |
| Gear interested Joined: Aug 2006
Posts: 29
Thread Starter |
Looking for something middle of the road. But it needs to be clip on type and one that clips on pretty securely. Nothing thats omni or anything like that... Thanks for any feedback you got.
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| | #2 |
| Lives for gear | tell me more
What type of venue? Open back or closed banjo? To front mic senn 441 can be nice. clip on akg pro 35 shure sm 98 with sax clip might work. For best gain before feedback an internal pick up or mic system is best. |
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| | #3 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| Be sure you want a clip on. Banjo players usually work the mic a lot. Best mic I ever used for a banjo was the EW SR69. It sounded awful - just like the real thing with that thuck and sizzzle...... -tINY |
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| | #4 |
| Lives for gear Joined: May 2006 Location: Los Angeles, CA
Posts: 593
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I've had good luck with an Audio Technica ATM35. I think it goes by a different number now. Clips right on and stays where you want it. Also use it on dobro.
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| | #5 |
| Lives for gear Joined: Aug 2006
Posts: 1,787
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To take care of the banjo, I use a custom Taymar TH2000.
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| | #6 |
| Lives for gear Joined: Oct 2005 Location: Pennsylvania
Posts: 2,520
| As a banjo player...
I started out using SDCs on stage. If the sound guys didn't have one, I used my MK-012. However, after getting tired of hearing "you guys sounded great, but I couldn't hear the banjo" I decided to take matters into my own hands. So, I bought a pickup from pick-uptheworld.com, along with one of their preamps, and haven't looked back. I'll turn the preamp about half-way up for the sound check. During the show, when I get the squinty-eyed "I can't hear you" look, I crank the preamp up some more. I'd prefer to work a SDC when playing in a live bluegrass/folk context, and still do sometimes -- when the FOH guys know how to work with stage condensors -- but, usually end-up using the pickup. BTW, the pick-uptheworld.com pickups are the most natural sounding I've heard, and the preamps are exellent for live work. - Jim |
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| | #7 |
| Lives for gear |
While it's not a clip on..... the best live banjo sound I've gotten was with an AT 3035. They're only about $199 and come with a shockmount. I actually recieved complements from members of the crowd on that banjo sound! |
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| | #8 |
| Lives for gear |
__________________ I think it is wrong to make everything equidistant from the listener with too many mics. The pasting-on effects end up like bad Photoshop work on graphics & photos - too unbelievable.-Tony Faulkner http://www.last.fm/user/TeddyBullard/ |
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| | #9 | |
| Lives for gear Joined: Oct 2005 Location: Pennsylvania
Posts: 2,520
| Quote: Maybe 60 years ago.... Was the banjo being picked or clawhammer? - Jim | |
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| | #10 |
| Lives for gear | |
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| | #11 |
| Gear maniac Joined: Sep 2005 Location: Nashville, TN
Posts: 154
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pro37r is a good live mic. I have a MC012 that I use, as well. I may move to a combination mic, pickup system, as I already use a fishman pro platinum for use with my guitar pickup system. this Nashville utility gig requires fast switches and quick setup. edit: sorry I didnt realize it needed to be clip on!!! apologies regards, |
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