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| | #1 |
| Gear maniac Join Date: Mar 2006
Posts: 220
| Does anyone know anything about the recording process for the film "Amadeus" (with F. Murray Abraham and Tom Hulce; Neville Mariner was the conductor of the orchestra)? Mics? Pres? Any other 'tools' in the chain? [If another forum is more suited to this question (High End, etc.) please feel free to move it.] |
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| | #2 |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 4,880
| ...Anyone???
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network Remoteness on Myspace |
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| | #3 |
| Lives for gear Join Date: Oct 2002 Location: St Leonards on Sea, England
Posts: 1,372
| I can't be sure, but I suspect that some of the recordings were taken from the phillips catalogue. Neville Marriner has for a long time been know for Mozart performances and recordings. Regards Roland ![]() |
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| | #4 |
| Gear maniac Join Date: Mar 2006
Posts: 220
| Does anyone know how the Phillips recordings were done and what equipment used? |
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| | #5 |
| Lives for gear Join Date: Oct 2002 Location: St Leonards on Sea, England
Posts: 1,372
| I can't remember many specifics, but I remember seeing an article in which they mentioned that they were using Quad electrostatic speakers for monitoring and that they had a series of diffusers and baffles to try and improve the various location control rooms they used. To my knowledge they used B&K mics along with the usual suspects from Neumann, Schoeps etc, nothing particularly special and the article I read suggested they were recording through a console, no specialist pre's, but this isn't unusual recording using consoles up until recent years was the norm. I suspect it was something like a Neve or a Neotek. Regards Roland ![]() |
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| | #6 |
| Gear maniac Join Date: Mar 2006
Posts: 220
| Were the mics all SDCs (Neumanns)? Tube? All analogue? |
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| | #7 |
| Lives for gear Join Date: May 2005 Location: Malmö, Sweden
Posts: 1,245
| This was an Abbey Road session. |
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