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| Tags: advice observations enlightenment, classical, orchestra |
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| | #1 |
| Gear addict Joined: Jul 2005 Location: Pittsburgh, PA
Posts: 418
Thread Starter |
Don't know how many of you read TapeOp (as it's pretty heavily slanted towards indie rock, in general), but this month's issue has a great interview with legendary classical recordist Marc Aubort. He talks a lot about his techniques and philosophy of recording, gear he uses and has used, and the old days of tape machines and vinyl mastering. He ends with some little philosophical remarks about the state of the classical recording industry. Among other things, he loves Schoeps tube mics, mixes direct to two-track on a Mackie, and monitors mostly on headphones. Give it a read!
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| | #2 |
| Lives for gear Joined: Feb 2005 Location: UK
Posts: 946
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In this month's tape op. Marc Aubort is one of the old hands in classical recording - has has won 6 Grammys. It was very interesting to read about his minimal mic techniques for orchestral recordings - he uses a few Schoeps TUBE omnis that he's been using since the '60s and is apt to move around players before he will introduce more mics. Amazingly he traded in his Studer 169 for MACKIE consoles. I couldn't believe this but it just goes to show, different strokes for different folks. Check out the article if you can - apart from anything else it's good to see Tape Op doing a feature on one of the classical guys. thumbsup |
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| | #3 |
| Lives for gear Joined: Jan 2005 Location: NYC
Posts: 635
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Marc Aubort has made many beautiful recordings. Hes an engineer who seems to really know good mic placement. He could probably mix almost anything live to 2 track at the session and get a nice balance. Indeed good to see the attention paid to him. Thanks for the heads up. I'll look for the interview. Best Wishes, Silas
__________________ Silas Brown Legacy Sound High-End Location Recording Legacy Mastering Mastering for classical, jazz, and acoustic music |
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| | #4 |
| Gear addict Joined: Jul 2005 Location: Pittsburgh, PA
Posts: 418
Thread Starter |
Yeah, I posted a thread about it here the other day. Great interview, brilliant engineer.
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| | #5 |
| Lives for gear Joined: Oct 2003 Location: Nashville, TN
Posts: 1,010
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One of the best Tape Op interviews in a long time IMO. I too was a little surprised by the mention of the Mackie but I've seen them in all sorts of strange places!
__________________ "Lend me some sugar, I am your neighbor"- Andre 3000 |
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| | #6 |
| Lives for gear Joined: Jun 2006 Location: USA
Posts: 744
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Yes, quite an interesting read. I hope TapeOp broadens their scope to include more classical and/or acoustic recordists. -O.9
__________________ "Signature-line free since 2006!" |
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| | #7 | |
| Gear interested Joined: Mar 2004 Location: Oakland
Posts: 28
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Hello, I did the interview with Marc in Tape Op, and am really glad to hear/see the positive response. The Studer is still there--actually, I think just about every piece of equipment he ever used is still there, the Ampex, early Dolby A's, Scully's, F-1, the JVC. I imagine that part of the reason for the Mackie is the compactness, Marc is a one man operation these days and he's not a young lad anymore. Best, James Fei Quote:
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| | #8 |
| Lives for gear Joined: Jun 2006 Location: USA
Posts: 744
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Hi James, Exceedingly cool article. Nice job! Regards, -O.9 |
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| | #9 |
| Lives for gear |
I enjoyed reading the article which was a general overview of his work. Of particular interest was the historical overview of the classical recording business. While the interview was not one of great depth, there was one invaluable comment: Often the best recorded results are obtained from a main pair of mics blended with more distant "ambience" mics. Especially with beginners, this critically important technique is missed. Do as he says and try it! Moving players around is standard stuff, but didn't use to be. He is a pioneer. Mackie's a joke but it IS light weight. |
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| | #10 |
| Lives for gear Joined: Oct 2003 Location: Nashville, TN
Posts: 1,010
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I'm not always up on the latest but I wonder, isn't there a small board for this that's not too expensive and better than the Mackie?
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| | #11 | |
| Lives for gear Joined: Feb 2005 Location: UK
Posts: 946
| Quote:
I think for good small, portable boards you might be looking at Studer, Toft (maybe), Cranesong Spider, GML. None of these is cheap. | |
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| | #12 | |
| Lives for gear Joined: Oct 2003 Location: Nashville, TN
Posts: 1,010
| Quote:
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| | #13 |
| Lives for gear |
a guy I know who is a head engineer at denon and is also a location recording guy, has access to any of the boutique equipment he desires,,,but he ALWAYS uses MAckie VLZ pres on remote gigs(mostly classical stuff). I asked him why...he said they sounded fantastic, are portable, and his clients love the sound.
__________________ I think it is wrong to make everything equidistant from the listener with too many mics. The pasting-on effects end up like bad Photoshop work on graphics & photos - too unbelievable.-Tony Faulkner http://www.last.fm/user/TeddyBullard/ |
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| | #14 |
| Lives for gear Joined: Mar 2004 Location: southeast
Posts: 1,393
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If anyone truly wants a Studer board, there is a 169 10/2 available for 1200 Euros. The owner says it "needs some servicing." If interested email georg-at-tonzauber.com Rich |
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| | #15 |
| Lives for gear |
Anyone have a copy of this they could send or email to me? Thank you! |
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| | #16 |
| Lives for gear Joined: May 2005 Location: Albany, New York
Posts: 9,509
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I have the issue... send me the postage and it's yours.
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| | #17 |
| Lives for gear | Any chance of getting a PDF posted?? I sure would like to read it, too. Perhaps others would. Just an idea.
__________________ Nov schmoz ka pop. |
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| | #18 |
| Lives for gear Joined: May 2005 Location: Albany, New York
Posts: 9,509
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You mean... *gasp*... you want me to pirate it?
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| | #19 |
| Lives for gear | I do not think that is pirating. It is educational which gets a relaxed definition on copying. If it were a fluff article it would be different. As it is a pro article to be shared with a small number or pros, and pro wannabees, I think it is OK. If it creeps you out, could you just e-mail me a copy?? |
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| | #20 |
| Lives for gear Joined: May 2005 Location: Albany, New York
Posts: 9,509
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Oh, okay... but the Secretary will disavow all knowledge of my actions! This post will self destruct in five seconds...
__________________ Mountaintop Studios ~the peak of perfection~ Petersburgh NY 12138 mountaintop@taconic.net www.joelpatterson.us |
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| | #21 |
| Gear nut Joined: Feb 2007 Location: Italy
Posts: 84
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I'd also be very interested in reading Marc Aubort interview.... Could you Joel send it to me also? Many thanks..... |
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| | #22 |
| Lives for gear Joined: Apr 2005 Location: amsterdam
Posts: 1,208
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A paid subscription in Europe is like 15 pounds per year.. Everyone should get one ![]() They stopped the mainland Europe free subscription because it was loosing money I think.. |
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| | #23 |
| Gear addict Joined: Sep 2009 Location: San Francisco
Posts: 462
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| | #24 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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