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Brass mic positioning; Analysis of Canadian Brass
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Old 17th May 2012   #1
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Brass mic positioning; Analysis of Canadian Brass

I came across a video of a recording session the Canadian Brass did at the Christ Church Deer Park, Toronto Canada, and it struck me as one of those excellent glimpses into how the pro's do their craft.

So, being that I've got my first recording gig coming up in a very similar venue with an almost identical set of instruments, I took to studying the video and I have some unanswered questions I'm hoping you guys here can help with.

As seen in the first two pictures, I've highlighted the mic positioning in question.





Based on those two images, I created the below diagram with the three mics numbered. The arrows are assuming a bi-directional pickup pattern such as figure-8. However, I'm just guessing. Any ideas?



I'm not really interested in what the make/model/manufacturer the mics are, as I'm pretty sure that part is obvious (and so far beyond my budget it's not even funny)

Specifically, I'm interested in three things:

1. What is the purpose of the positioning of these three mics?
2. What is the pickup pattern being utilized with these three mics?
3. Best guess as to what percentage of their pickup is in the final mix?

As always, the noob says thanks!

(The video in question, for reference: Canadian Brass - "Echo" Glory of Gabrieli - YouTube)
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Old 18th May 2012   #2
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interesting. i would guess they are using a variation of a decca tree. all 3 mics would be in omni, providing a wide stereo spread with the outer mics and filling and cementing the center as needed in the mix with the center mic. generally it appears that all of the spot mics are various ribbons (coles 4038, royer sf1, etc), which would be used to balance each instrument in the mix and balance the overall tonality as needed.

btw, the main mics are a pair of neumann U47s and the center mic is a sony C37a (i think - that's a pretty old mic too - ca 1960).
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