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| | #1 |
| Gear Head | So, had my first location recording gig a couple of weeks ago. A church choir together with an 14 man orchestra. All went (relatively) well, being the absolutely first gig I've done just by myself. However, one problem has arisen from all of this; the deal that I made with the conductor was that I record a repetition a couple of days before the concert for free, and if he's happy with that I'll record the concert, charging him per hour. Now, there was never any confusion about that (I even have witness of it). But now the conductor won't pay, saying that he thought all this was for free. I've offered to meet him half way, saying that I'll cut the price in half because of the miss in communication, but he's still refusing. What would you do in a situation like this? I don't want to go hardball, but I'm not going to be a doormat about it either. (I'm actually a bit shocked that I'm being hustled by a church.. =)
__________________ "Halb Wesen und halb Ding." |
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| | #2 |
| Gear addict Join Date: Jan 2003 Location: Brussels
Posts: 418
| What did he say after the 'rehearsal' recording ? If he said something, that proves he remembers the deal. Don't give the finished product. Don't give the finished product. or send an invoice for the full amount. |
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| | #3 |
| Gear Head | That's kind of a problem; I've already given him the finished product. No, he hasn't said anything that proves him wrong. I might be a little blue-eyed, but I've thought about it, and I'm having a bit of a hard time believing that he's actually trying to hustle me. How can I solve this, so that both of us walk away happy? Should I just say "oh well, nevermind"? I'm not really comfortable in doing so, and I don't think it sends a good message either. But I also don't want to go on like a tank and go in guns blazing about it.
__________________ "Halb Wesen und halb Ding." |
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| | #4 |
| Gear addict Join Date: Oct 2005 Location: Atlanta, GA
Posts: 378
| I think that we have all had this happen at one time or another, whether engineering or in other business situations. The key is to make the situation perfectly clear up front prior to the engagement. Do this by writing a letter prior to the engagement stating the price in detail and confirming the gig. In this case, you make the call, but you may want to just write it off to experience. One good thing, I doubt that you will ever let this happen again. Mike |
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| | #5 |
| Lives for gear | never give them anything until money is in hand. for this one though...id chalk it up to bad luck, express to him your dissapointment and explain to him in very clear terms, that should you work with them again..XXX is what you expect. Always make it over clear...repetition...leave nothing to imagination and assumption. For me, I take a percentage up front, and then take the rest when I give them the master.
__________________ I think it is wrong to make everything equidistant from the listener with too many mics. The pasting-on effects end up like bad Photoshop work on graphics & photos - too unbelievable.-Tony Faulkner http://www.last.fm/user/TeddyBullard/ |
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| | #6 |
| Lives for gear Join Date: Apr 2005 Location: New York Friggin' City
Posts: 2,286
| First, I'd write a polite letter explaining the entire situation, with a citation from the witness confirming their observations, in which you ask the conductor to return the media. Also provide a letter to the minister, rector or head of this organization. If you like, you can threaten small claims court in which you will receive payment as well as the return of the media. Ultimately, you will probably not get paid. Chalk this one up as a learning experience to always have a binding, signed contract. Jim |
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| | #7 |
| Gear nut Join Date: Jan 2004 Location: Buckinghamshire, UK
Posts: 129
| I'd probably try the polite methods and, when/if they don't work, I'd put it down to experience and make sure it never happened again. And seriously consider whether or not I ever again do anything involving the same conductor without a watertight contract. In short, never, until they've paid in full, deliver recordings to people you don't know and trust at least as well as your own mother! No matter how decent/friendly/well recommended they may be. |
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| | #8 |
| Gear maniac Join Date: May 2004
Posts: 261
| Was it a good performance? Not that a bad performance would excuse the treatment you received, but it may explain it. As for letting this influence your view of the church (although you didn't say it had), please know that there are a lot of folks there just going through the motions. Nevertheless, the person (Jesus) that the church is ostensibly following would never condone the way you were shafted. While he also would tell you that you must ultimately forgive this conductor, I think he will understand if you don't do it immediately :-) best, john
__________________ jabney co-writes are sometimes found at www.thecodes.net |
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| | #9 |
| Lives for gear Join Date: Jul 2004 Location: Orygun
Posts: 6,017
| Here's a thought: Offer the recording for sale to choir and church members at a resonable price. At 10 euro a CD, it wouldn't take too many to get a reasonable fee out of the deal. -tINY |
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| | #10 | |
| Lives for gear | Quote:
Just count your losses and remember next time.
__________________ I think it is wrong to make everything equidistant from the listener with too many mics. The pasting-on effects end up like bad Photoshop work on graphics & photos - too unbelievable.-Tony Faulkner http://www.last.fm/user/TeddyBullard/ | |
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| | #11 |
| Gear Head | yeah, exactly, he's going to sell the record himself. Well, I wrote a mail saying that we'll write it off to experience. "Surprisingly", the guy hasn't replied. Anyway, thanx for your replies y'all!
__________________ "Halb Wesen und halb Ding." |
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| | #12 |
| Lives for gear Join Date: Apr 2005 Location: New York Friggin' City
Posts: 2,286
| Now that you have a reasonable perspective, go break the fukker's legs. If he is selling the recording, I'd sue him. Period. |
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| | #13 |
| Lives for gear Join Date: Jun 2004
Posts: 724
| Had a similar problem 2 years ago, sub-contractor for strings ran off with all the money. Church's moral sense only chimed in after a nasty, threatening email. Give it at shot, being the bad guy is not compatible with their world-view. Good luck ![]()
__________________ Kirk Starkey String Design Arrangement - Performance - Production http://kirkstarkey.com Ottawa ON Canada |
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| | #14 | |
| Lives for gear Join Date: Aug 2004 Location: tx
Posts: 8,819
| Quote:
Yeah, this stuff happens. Best to not beat yourself up. Besides, if it was your first solo gig, you can think of it as a trial deal. | |
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| | #15 |
| Lives for gear Join Date: Apr 2005 Location: New York Friggin' City
Posts: 2,286
| Maybe Barney's purple dinosaur lawyer will put the fear of god in the guy. Sometimes a letther threatening legal action is enough. Writing a letter to the parish, church board, pastor, elders, etc- ANYONE-- can make a huge difference. In other threads, some guys have spoken to members of the choir & band directly to make their pleas which has had significant influence. Don't give up. Be persistent! And I'm serious about your witness. I don't know about the laws in your country but in the US you have just cause for a win in small claims court. Jim |
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| | #16 |
| Lives for gear Join Date: May 2005 Location: Albany, New York
Posts: 3,421
| You can make this a story you tell everyone you know, along the lines of "You would never imagine how sleazy some people are, like Mr. X of the Church of the Poison Mind, I did a gig for them..." I seem to develop a "character profile" of everyone I work for, where they fall on the Sleaziness Scale. In the early days, I would do a sparklingly fantastic job, get it done quickly, deliver it in person, and hope that this inspired people to pay up equally quickly. Boy did I have a lot to learn.
__________________ Mountaintop Studios ~the peak of perfection~ Petersburgh NY 12138 mountaintop@taconic.net |
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| | #17 |
| Lives for gear Join Date: Jul 2003 Location: Chicago
Posts: 1,909
| Please never offer any of your services for free. That is how you got into trouble with this project. I suggest to write a letter to the Rector of the church explaining the misunderstanding. Do not deal with the musician any longer. You have provided them with something they wanted and you need to be conpensated for your services. Ask for a meeting with the Rector and the musician together and stand up for yourself. Then expect a check in the mail. Once someone in authority who wishes to maintain their reputation hears your plight, I feel that the situation will be sorted out. After that, never again offer your services (even a test recording) for free. We don't work for free. |
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| | #18 |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 4,880
| Well said, and good words of advice.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network Remoteness on Myspace |
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| | #19 |
| Lives for gear Join Date: May 2005 Location: Albany, New York
Posts: 3,421
| But then, to turn the beat around... do church people work for free? Or do they only save your soul if you pay them? Maybe THAT'S the problem, one of orientation...
__________________ Mountaintop Studios ~the peak of perfection~ Petersburgh NY 12138 mountaintop@taconic.net |
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| | #20 |
| Gear nut Join Date: May 2006 Location: New York
Posts: 110
| I suppose if you really wanted to get something done you could write a letter to the global leadership of whatever denomination that church is. Give them a chance to set things straight before going public and outing the church to the media. I can imagine if the locals found out about this, they might not be so willing to drop money in the collection plate. |
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