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| Tags: advice observations enlightenment, broadcast, digitalicious, location recording, mikage, orchestra, radio |
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| | #1 |
| Lives for gear Joined: Feb 2008
Posts: 513
Thread Starter |
Interesting article on lots of levels....using Neumann digital mics, and the capacitance effect of long cable runs: Yo-Yo Ma Tour | Mix Profiles Yo-Yo Ma Tour Date With Colorado Symphony Orchestra |
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| | #2 |
| Lives for gear |
fun -thanks for posting this.
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| | #3 |
| Lives for gear Joined: Apr 2005 Location: amsterdam
Posts: 1,208
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It's kind of funny that they're so concerned about subtle things like jitter and microphone cable, and then the final link is an isdn codec |
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| | #4 |
| Lives for gear |
All written about is nonsense. Strictly a press release. Treble roll off in good analog cable is less than 1/2dB at 20k after 1000 feet of cable. YOu're reading a press release.
__________________ Atelier HudSonic, Chicago EARS-Chicago (Engineering And Recording Society) visit me at https://public.me.com/hudsonic1 to hear recordings and ephemera |
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| | #5 | |
| Lives for gear Joined: Jul 2008 Location: San Diego, CA
Posts: 1,554
| Quote:
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| | #6 |
| Gear maniac |
RCS is Neumann's Remote Control Software that works with their digital microphone interface (DMI-2 and DMI-8) system: it's cross platform. As regards the mic cables, the quote is this: “We came to the conclusion that it's not a frequency-response problem or a filtering issue; the microphones run out of current to drive a load so you get this insidious slew-rate limiting distortion,” And as regards the final link, it's not only an ISDN codec, but "Pappas and his team recorded the concert in PCM, via Logic 9 on a Macintosh, and in DSD. The DS-00 sent one stream to an EMM Labs up-sampler, then to a Genex 9048 for DSD recording." I have no knowledge of this person and hold no particular brief for Neumann, but I think that the article needs slightly more attention before the sneering begins. Regards, John
__________________ John Leonard - http://www.johnleonard.co.uk |
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| | #7 |
| Lives for gear Joined: Apr 2005 Location: amsterdam
Posts: 1,208
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For the record: I wasn't sneering..
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| | #8 |
| Gear maniac |
Well, good for you. Personally, I don't see what's particularly funny or odd about wanting to have the best possible signal path, even if the signal is degraded down the line. It's a bit like saying "funny how x is using all this really expensive recording equipment in his/her studio when the end result is coming through a pair of $10 ear-buds." I counted four Neumann name-checks in an article largely about Neumann digital microphones; is this considered excessive? Obviously, I'm missing something here and the person who is the focus of the article is regarded as some sort of shill for Neumann. Well you know, I can think of plenty of others not a million miles away from here who name-check equipment that they sell or distribute, at the drop of a hat. Do we regard them with suspicion as well? Regards, John |
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| | #9 | |
| Lives for gear Joined: Jul 2008 Location: San Diego, CA
Posts: 1,554
| Quote:
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| | #10 |
| Lives for gear Joined: Oct 2008 Location: Espoo Finland
Posts: 868
| What is the point of recording (after upsampling?) to DSD, if PCM digital microphones were used to begin with? To be able to sell the recording a "pure DSD" if the need arises?
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| | #11 | |
| Lives for gear Joined: Jul 2008 Location: San Diego, CA
Posts: 1,554
| Quote:
Most likely pointless. I seriously doubt they will make an SACD of a Colorado Symphony concert with Yo-Yo-Ma. He has a pretty exclusive contract with Sony I believe. | |
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| | #12 | |
| Lives for gear Joined: Oct 2008 Location: Espoo Finland
Posts: 868
| Quote:
Wonder if anybody is planning to make DSD digital microphones? | |
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| | #13 |
| Gear maniac |
I would imagine that the DSD is an archive-only recording. Why DSD? No idea, maybe that's what they have in-house. Regards, John |
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