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| Tags: acoustic instrument, advice observations enlightenment, guitar, mikage, stereo |
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| | #1 |
| Lives for gear Joined: Aug 2005
Posts: 1,358
Thread Starter |
Any recommendations for a pair of small condenser microphones for $1000 or less--for acoustic guitar and other applications? I'd really appreciate some ideas on this one. Up to now I have been recording acoustic with an AT4050 and Shure SM7. |
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| | #2 |
| Lives for gear Joined: Feb 2006 Location: Los Angeles, CA
Posts: 1,142
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I have sm81's .. pretty cool .... around $600 for the pair ... good value. Though I'd love another set of sdc's for flavor. I'm interested in what others would recomend. 451's ?? |
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| | #3 |
| Lives for gear Joined: Oct 2005 Location: Pennsylvania
Posts: 2,520
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I own the Avenson STO-2. Great omnis, and worth checking out ($500/pair) I'm considering the Peluso CEMC-6 pair as well for cardiod ($650/pair). The Avensons are quite realistic, I really like them a lot. The Pelusos offer interchangeable capsules. - Jim |
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| | #4 |
| Lives for gear Joined: Jun 2004
Posts: 882
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I think you can pick up a pair of KM184's used for about $1000.
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| | #5 |
| Gear addict Joined: Jul 2005
Posts: 390
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well when I was looking for the same thing several yearas ago I ended up with josephson's c42 and have not been dissapointed. They are on the bright side, though not harsh. On a bright acoustic I've found they don't work so well but on solo work or finger-style (ESPCIALLY nylon string) they work beautifully. It's the hard jangly stuff that for me these mics are too bright for, and your sm7 might capture it better. Actually I have and use the sm7 alot so I've been in this same situation before. Other applications I've used the c42 are on drum overheads, which always seem to work great and room mics. really robust little mics, I only use them with my api 512 now though, really makes them much fuller sounding (was previously using RNP) Other mics I considered were cheaper ones like Rode NT5s and Oktavas (multi-capsule might be nice), Avensons omnis (I already had some cheaper omnis though), and of course standards like AKG 451 and sm81 which are also bright mics. Oh and AT 4051 which are not as bright. The c42s were kinda new kids on the block when I bought them but I think they've stood the test of time OK from what others have said. I know mine aren't going anywhere.
__________________ James Youn |
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| | #6 |
| Gear addict Joined: Aug 2005 Location: Los Angeles
Posts: 450
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I've been liking my AT4051s. Drastically below retail at full compass, but you have to call them to get a price quote.
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| | #7 |
| Lives for gear Joined: Aug 2005
Posts: 1,358
Thread Starter |
Any of these potentially useful for other purposes, like cabinets or room mics/vocals? My acoustics are a Martin (bright) and a Cordoba (not bright). |
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| | #8 |
| Lives for gear Joined: Jan 2003 Location: Los Angeles, CA
Posts: 1,102
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a nice 'sdc on acoustic' shootout was done recently, & posted with wav files... can't find the thread... might do a few searches.
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| | #9 |
| Lives for gear Joined: Oct 2005 Location: Boston
Posts: 639
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I will second the C42 suggestion. They are great sounding mics that are bright, but never harsh. A great choice for the under a grand market.
__________________ Zach Winterfeld Chariots of Fire, "you can't put in what God's left out" "It is slightly illegal, but who the f@*k cares at this point." |
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| | #10 |
| Gear nut Joined: May 2005 Location: Brooklyn, NY
Posts: 149
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I really like the KSM141. Great on OH and acoustic guitar, really natural snare sound. Switchable between card and omni, handles SPL really well. Definite sleeper mic.
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| | #11 |
| Gear addict |
C42 Josephson!
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| | #12 |
| Gear Head Joined: Feb 2006 Location: bloomington
Posts: 45
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both the shure ksm141 and josephson c42s are excellent choices.
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| | #13 |
| Lives for gear Joined: Oct 2005 Location: Weymouth, MA U.S.A.
Posts: 1,234
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I have a pair of the Shure KSM 137. I really like them a lot. I think they are a bargain for $300 each.
__________________ www.sonicdisorder.com “One of the 10 best independent albums of 2008” -The Noise www.sonicdisorderrecording.com |
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| | #14 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| The Earthworks SR25 would be right in that price range. Good transients on those. -tINY |
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| | #15 |
| Gear maniac Joined: Jul 2005 Location: SW CT
Posts: 264
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and I have a pair of the c451b's... really nice! s |
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| | #16 | |
| Gear addict Joined: Jun 2005
Posts: 437
| Quote:
__________________ 47.6% of all statistics on the internet are made up on the spot. | |
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| | #17 |
| Lives for gear Joined: Feb 2004 Location: MO USA
Posts: 2,153
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I went through a few different small condensers, kept AT4051 and Avenson STO-2. Both very nice, and complement each other. The Avenson is a very smooth sound, no high end lift. Can sound dark in comparison to most condensers. The midrange is very rounded and mellow. I like these mics when recording solo guitar. Also works well with bright instruments, and for strumming styles where directional condensers can get too jangly. I don't always choose Avenson when the guitar is accompaniment for dark (usually male) vocals. Can compete in frequency ranges in this application, and make the mix a little thick. But with a good EQ to knock out some low-mids, the bass on Avenson can be really special, almost like a ribbon. The 4051 is a great all around mic. Clean, with some texture and body. Slight treble boost, but never harsh. Can have a huge bass. I also like these mics for live sessions. Excellent off-axis response, quick and easy to place. It is also great on vocals. If your budget grows someday, by far the best acoustic instrument mic I've found is Sony C48. It's a large diaphragm condenser, not SDC. When I've made comparison recordings with these different mics (and others), the small condensers sound like nice recordings of instruments. The C48 sounds like the instrument is in the room. Brings the reality to a completely different level than these other mics. Yet never overdone or hyped in any way, just a sweet, natural sound. Wonderful on vocals as well. Steve |
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| | #18 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,259
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sE Electronics SE3 mics are fantastic for a smooth unhyped sound and nice off axis response. Beyerdynamic MC930's are killer, tight patterned but highly detailed little mics. KM84's = sweet but out of budget? War |
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| | #19 |
| Gear maniac |
Geffell M300?
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| | #20 |
| Lives for gear Joined: Sep 2005 Location: Liverpool
Posts: 564
| http://www.soundonsound.com/forum/sh...fpart=1#276137 But do read the entire thread before judgement is made. Paul Blenn |
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| | #21 |
| Lives for gear Joined: Jul 2003 Location: Netherlands
Posts: 1,723
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The C42's are excellent mica, highly recommended if your on a $1000 budget. Good luck, Dirk
__________________ -progress takes away what forever took to find- Dave Matthews |
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| | #22 | |
| Lives for gear Joined: Apr 2004 Location: Chennai, India
Posts: 1,257
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the shure ksm141s and the oktava packages from sound room represent value and versatility. good luck.
__________________ http://soundcloud.com/audiothings/mudhakaratha-rm Quote:
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| | #23 |
| Gear maniac Joined: Apr 2005 Location: Burbank
Posts: 193
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i picked the josephson c42's over the km184's and haven't been disappointed. (although I haven't heard all the other options, i haven't felt too much need to find something else which i suppose is a good thing. well, except for lusting after a pair of schoeps.) my understanding (for what it's worth) is that the 4051's are probably flatter in response which is neither better nor worse necessarily, just a different approach.
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| | #24 |
| Lives for gear |
Gefell M300.
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