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| Tags: advice observations enlightenment, flute, preamplifier |
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| | #1 |
| Lives for gear Joined: Apr 2006 Location: Lelystad
Posts: 726
Thread Starter | Hello everybody, I've just finished my third album which will come out in about two weeks. After mastering I had the feeling that the flute sound could have some more warmth in the future. So I want to seek for a good tub pre amp which is suitable for professional flute recordings. The first choise is a TLA classic valve. But maybe anyone has got a better suggestion. |
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| | #2 |
| Lives for gear Joined: Aug 2005 Location: Boston, MA
Posts: 585
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Millenia Media STT-1. It's a full channel strip, but you can switch between a valve circuit and solid state on almost everything. What do you use for a mic on the flute?
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| | #3 |
| Lives for gear Joined: Apr 2006 Location: Lelystad
Posts: 726
Thread Starter |
I am using a se electronics gemini mic That is the new double tube one |
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| | #4 |
| Lives for gear Joined: May 2005
Posts: 798
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The choice of microphone and the way you place the microphone is at least as important as the preamp. That´s why I firstly tried different microphones. |
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| | #5 | |
| Lives for gear Joined: Aug 2005 Location: Boston, MA
Posts: 585
| Quote:
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| | #6 |
| Lives for gear Joined: Nov 2005 Location: Kansas City
Posts: 2,673
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but what did you thik before mastering? I mean if the Mastering took out the sound you were looking for then find a different masterin house!
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| | #7 |
| Lives for gear Joined: Feb 2005
Posts: 3,621
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For warm flute recording - try AEA R84! Position it over the flute. Is this classical, jazz or what kind of flute recording? What instrumentation? My wife is a pro flutist and maybe I can help. Regards, AB |
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| | #8 |
| Lives for gear Joined: Apr 2006 Location: Lelystad
Posts: 726
Thread Starter |
Thanks everybody, Thats a lot of information. But still one suggestion about which pre amp I could use. ( the millenia ) Let me give you some more info about my kinf of music. It's just popular instrumental that has every style from jazzy to latin. I record mostly with the mic as overhead on a very low level. After recording my studio program Logic 7,1 increases the volume. About the mastering I can say that it has brought the result I expected. We worked with Tube tech, Manley. So the whole problem between my ears could be solved with just a good pre amp. |
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| | #9 | |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,928
| Quote:
__________________ Tony Belmont ![]() We Sell Gear! ![]() High Profile Audio.....PluginDiscounts.com I may on occasion talk about some of the products I am a dealer for in my posts.. and that's OK! I sell them because I like them. Not vice versa. It's more fun to talk about things you know and love, then things you don't. | |
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| | #10 | |
| Lives for gear Joined: Aug 2004 Location: South of South
Posts: 820
| Quote:
although i don't have your wife. so maybe i can't help | |
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| | #11 |
| Lives for gear Joined: Feb 2005
Posts: 3,621
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The AEA r84 can work great even if you do not have a wife. Also, some tube pres are great - Forssel Fetcode and the A Designs Mp-2a. Also - I agree about the post about trying to drive up the gian on the pre. I do not like the Millenia on flute at all. But perhaps for pure classical flute. (I do like the Millenia on piano). Regards, AB |
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| | #12 |
| Lives for gear Joined: Apr 2006 Location: Lelystad
Posts: 726
Thread Starter |
And how about the mic pre amp from A-Designs type MP-1A. Cause this one is affortable in Europe for about 800,00 euro's ( that's approx $ 975 ) I can compres it with a tl-audio classic valve C-1. |
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| | #13 |
| Lives for gear Joined: May 2004 Location: 410
Posts: 603
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I don't think that you necessarilly need a tube preamp to get a warmer sound. Mic selection is just as important. If you have access to manley and Tube Tech gear, the pre isn't the thing to worry about IMO. I like the suggestion of going with a ribbon ![]() Good luck with your album! |
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| | #14 |
| Lives for gear |
We have a couple flute players here. Ivo and Sunflute.. I like the Pendulum and DAV on wind instruments..they were both designed with traditional instrumentats in mind.. |
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| | #15 |
| Gear maniac Joined: Aug 2004 Location: PR
Posts: 161
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JUst finished tracking an instrumental album in which the flute had all of the major lead melodic parts plus solos and i used a ROYER r-121 placed over the player and I ran it into my Telefunken V672. SWEET!!!!!!!!!!!!!!!
__________________ LET'S GO METS! |
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| | #16 |
| one man, ONE mic pre Joined: Jan 2004 Location: New York
Posts: 2,303
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If the problem with your recording was the mic preamp, then can we presume you have decided that everything ELSE involved, fomr the mic to the player to the flute to the room, to the A-D, to the mixing and so on... EVERYTHING else was perfect? the preamp is a TINY part of the sound... and if you are using a preamp good enough to record everything else with, it's also appropriate for the flute. I HIGHLY doubt it's your issue. What preamp DID you use?
__________________ William Wittman Producer/Engineer (Cyndi Lauper, Joan Osborne, The Fixx, The Outfield...) prorecordingworkshop.lefora.com thewombforums.com |
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| | #17 |
| Lives for gear Joined: Apr 2006 Location: Inside the Outside
Posts: 1,193
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We get very good results here on flute running a ribbon mic (R84) into an AD2022 pre. Big, warm, detailed and intimate.
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| | #18 |
| Lives for gear Joined: Aug 2003 Location: Los Angeles
Posts: 4,414
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I would advise not to be too fooled by the tube = warm mistake. Tube does not always equal warm. For instance the A Designs MP-1 is a wonderful mic pre but their solid state Pacifica is actually a "warmer" mic pre in my opion.
__________________ Ronan Chris Murphy+ http://ronansrecordingshow.com Six Day Recording Boot Camps in Los Angeles July 16-21, 2012 |
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| | #19 |
| Lives for gear |
Hello Everyone, I have spent quite a bit of time researching optimal ways to record the flute and I have found some solutions in terms of obtaining a good natural sound out of the instrument. First of all, Large Diaphragm condensers don't work well on flute because they don't capture the upper register transients accurately. LDC (tube or not) generally make the upper register sound tight and harsh. I agree with some of the other member's opinions that ribbons are perhaps the best option for spot recording the flute but one should also take into account the room one is going to record in, because of the figure 8 pattern. If you are going to record up close in a not so great room, then one should use a good small diaphram condenser like the Schoeps CMC6/MK4. For preamps, I love the sound of the DAV BG1 on slow pieces and I am also enjoying the Audio Upgrades High Speed preamp by Jim Williams on fast, percussive pieces. This pream has a very high slew rate and has the ability to capture the high register transients really nicely. If you want to experiment with ribbons, I Love Crowley and Tripp's Proscenium thumbsup and Royer's SF1. Those 2 Ribbon mics are the ribbon equivalents of Schoeps or DPA, in that they have a flat frequency response throughout the whole range of the flute and give you a more true to life sound. AEA's R84 is Great on flute but a little on the dark side. AEA is coming out with a ribbon mic preamp which is going to have high gain and no phantom power (it was designed by Fred Forssell). If budget is an issue, I would investigate getting a Beyer M160 Ribbon or a pair of Peluso CEMC6s with cardioid capsules. I have yet to experiment with tube preamps or tube mics on flute, so that is yet to come... ![]() I hope this helps, Best of Luck, Marco www.sunflute.com
__________________ Sunflute |
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| | #20 |
| Lives for gear | DAV BG1
I've been spending more time with the DAV BG1 and I just want to emphasize how great this preamp is for flute. WOW!!!!! So natural sounding, and the way it handles the upper register is fantastic. I find it particularly great for spot recording because it doesn't sound harsh at all. Very smooth and musical. Hopefully I'll have a chance to put up some clips in the near future. All the best, Peace Marco |
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| | #21 |
| Gear interested Joined: Feb 2009
Posts: 6
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i need help please someone what preamp will go well with a sterling audio st77 under 700,is the voice master pro a good pre?
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