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| Tags: decisions decisions decisions, mikage |
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| | #1 |
| Lives for gear |
Horch arrived this morning (thanks to Jean from www.akzent-audio.de). Taking it out from the box, I was immediately taken aback how HUGE it really is ... wow ... Very eagerly started singing and talking alternatively to both mix, switching Horch between linear and extreme mode .... My first impressions were waving on both sides quite rapidly ... Later they were settled a bit. But everything still remains very much open. I expect a friend-vocalist in the afternoon and very good female vocalist in the evening ... Then a real test will follow. So far I feel: Horch has very open full sound with velvet HF ... Very smooth, "ready-made", highly professional voice. Gefell sounds maybe a tiny bit more "organically grown", more natural, tiny bit less "impersonal", with a touch of something "interesting", special (poetic ?) ... And the sound is not exactly less big than Horch ... Gefell has slightly more HF, Horch seems to be more mellow, round there ... Still confused, of course Both are undoubtedly very great microphones ... Will continue in the afternoon ... Only one of them will remain as a new inhabitant of my studio ... May post some samples later ... |
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| | #2 |
| Lives for gear Joined: Dec 2002 Location: Prague, Czech Republic
Posts: 2,953
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slut! too bad that (mr.) Carloff doesn't have UM57 at the moment, I'd be very very very interested to hear it side by side. |
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| | #3 |
| Lives for gear Joined: Dec 2003 Location: berlin
Posts: 542
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upload some files PLEASE!stike
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| | #4 |
| Lives for gear |
I call MG...who wants to bet? |
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| | #5 |
| Lives for gear |
Well, afternoon has passed and the things become quite clear. In the morning session (not the whole one, just the last part) I did one funny thing, I misplaced the inputs in Samplitude, so while recording in Horch , I was actually still recording into Gefell, but from the side ... So no wonder, Horch sounded a bit less poetic :-))))Now we did a proper comparison with Mr.Carloff singing (who unlike me has some voice) and well, Gefell is nice, but comparing to Horch, it has quite reduced (or I would say almost missing) bottom and its HF are a bit more sharp. Horch has an incredibly magnificent warm sound in the whole spectrum and yes, lot of poetry too. Simply breath taking top class microphone. In the evening a female singer is coming , so we will crown the session with that. But - we are using it almost exclusively in the extreme (red) tube mode. There it sounds the best ... Most full, velvet and open ... Yes, I will post some samples later ... |
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| | #6 |
| Gear maniac Joined: Nov 2003
Posts: 250
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I will be very interested to hear the samples you upload because although I like them both I've never used the two side by side. From my own use, I think it's great that both mics are great sounding but quite different textures.... I guess as Thrill would say, it's the High End .... I need them both. If you want more top from the Horch a bit of passive shelving eq works well.... Best, Vari-Mu |
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| | #7 |
| Gear interested Joined: Mar 2006
Posts: 10
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Hello Ivo, good to hear you're impressed with the Horch RM2J after all, I've just been mixing some tracks with with a great Marokkan oud-player, some recorded with the RM2J, some with Gefell M92.1s. Couldn't help but notice that in my opinion the Horch sounds better in this case too, specially in the mix, deeper, more detail, fuller.. still the Gefell is a lovely mic puts the Horch in perspective... Good luck with it! Michiel |
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| | #8 |
| Lives for gear |
Here are few bits (male vocal) Horch extreme mode (quite close to the mic) Horch linear mode cardioid (Mr.Carloff slipped a bit lower in the pitch...) Gefell UM75 (quite close) (all - Pendulum MDP-1, Lavry AD) females will follow |
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| | #9 |
| Lives for gear |
with listening blindly, the horch is much more "bold". i dont find the right words. very interesting. i love listening examples, many thanks |
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| | #10 |
| Lives for gear | Listen the Two mics in the context of music
These are only straight vocal tests. Listen to each of these mics inside a track. After listening to the mics in the context of a track, I would be in hearing your perceptions.
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| | #11 |
| Lives for gear |
Here is a local "country sister", just rushed from the driving school, so a bit "restless", but yet: Gefell UM75 Horch BTW we did not use pop-screens, so there are some "pops" there, sorry ... (used a bit of PCM91 vocal plate) |
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| | #12 | |
| Lives for gear | Quote:
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| | #13 |
| Lives for gear |
I persuaded my wife (a total no-singer) to sing something (serious pops at times, sorry, at Horch track she slipped with the general pitch a bit ...) Gefell UM75 Horch extreme tube mode |
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| | #14 |
| Lives for gear Joined: Feb 2004 Location: MO USA
Posts: 2,153
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Sounds like you are having fun Ivo! Good job, hope you find what you are looking for. Steve |
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| | #15 | |
| Lives for gear | Quote:
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| | #16 |
| Lives for gear Joined: May 2004 Location: Los Angeles ,Ca.
Posts: 8,854
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I like the Horch.. very smooththumbsup how much? |
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| | #17 |
| Gear Head Joined: Feb 2006
Posts: 60
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Question? The sound of the Horch is finer, more broadly and more largely. The sound of the UM75 is less noble. The Horch sounds alone "better" - the UM75 in mix better, or? Gefell UM75 in mix Chris Jones † 13. September 2005 in Northeim, Deutschland Dirk T. Jambor
__________________ - Mastering und Recordings Components - www.truetrackrec.de |
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| | #18 |
| Lives for gear |
Here we tried how both microphones can stand kind of high pitch strong female "yelling" (I mean "artistic yelling":-)). For sure U87 would collapse soon. Gefell made a slight defense. Horch seemed to remain relaxed and unmoved ... (the singing was really quite penetrating) Gefell UM75 Horch |
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| | #19 | |
| Lives for gear | Quote:
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| | #20 |
| Gear Head Joined: Feb 2006
Posts: 60
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I say only... hear. The Horch 2 is fine, very largely in the sound, but the UM75 has its small, nice characteristic. Dirk |
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| | #21 | |
| Lives for gear | Quote:
And also - Horch has its intimate face too - within the endless number of mode positions (between omni and figure 8) in the linear mode | |
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| | #22 | |
| Gear Head Joined: Feb 2006
Posts: 60
| Quote:
I understand your feeling to Horch. It is a large and fine microphone, hope you find what you are looking for. Dirk T. Jambor | |
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| | #23 | |
| Gear maniac Joined: Nov 2003
Posts: 250
| Quote:
This is one of the main reasons I like it...it never seems to fold up under high SPLs. Is the one you have continuously variable between omni and figure 8 in linear mode? Best Vari-Mu | |
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| | #24 | |
| Lives for gear | Quote:
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| | #25 |
| Lives for gear Joined: Dec 2002 Location: Prague, Czech Republic
Posts: 2,953
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the only case I prefer gefell sample is the french singing in other cases horch rulez big way and where gefell realy loses is the loud singing for sure, compared to horch it is clearly distorted while horch still sounds smooth |
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| | #26 |
| Lives for gear |
And finally - His Master´s Voice Horch cardioid extreme tube mode Horch cardioid linear mode Horch linear mode between card and figure 8 Gefell UM75 cardioid (I may add between omni and cardioid later) Please, do not take this listening as an absolute information , the performances etc. are not 100% identical ... |
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| | #27 | |
| Lives for gear | Quote:
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| | #28 |
| Lives for gear | ![]() ![]() |
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| | #29 |
| Lives for gear |
hmmm, you look younger than i have expected. thanks again! |
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| | #30 | |
| Lives for gear | Quote:
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