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| Tags: advice observations enlightenment, location recording, snake, splitter |
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| | #1 |
| Gear Head Joined: Apr 2010
Posts: 71
Thread Starter |
I`m all bummed becouse I just came back from a gig with the PA is usually rented for gigs I record. I`m bummed becouse the guy just bought a Yamaha LS9, which sucks for me becouse I have done about 30 live recordings and all of them with feeds from the Inserts. I even built myself a custom snake with tip and ring hard-wired, and I was getting pretty good results with my rig. Good for Bolivia´s standards at least, where 95% of live albums are recorded from a stereo feed from the mixer in small to mid venues. So I was thinking about ordering a snake from USA (I live in Bolivia) to have more professional recordings, but this puts me in a hurry and forces me to do it, and kinda soon. There is a pretty big gig on 18th June. Luckily for me I found out about a guy who rents 16 CH snake splitters for 50$, so at least for now I`m covered. However, I have big problems with channel count. In todays gig all of 32 channels were being used in the mixer, and I can only record 14 :'( However today had sax, trumpet, string quartet, 4 Guitar channels... Let`s say the festival will have about 24 channels but no more than 20 at the same time (some bands have 2 or maybe 3 guitars, others have 3 voices, others have keyboards, but no one has all of them) So what to do?? Here is what I was thinking. To begin with, I have a Behringer Xenyx 2442 FX Mixer, I think. Tomorrow I`m going to the technician to see if it could be fixed. So my idea is this: I split the 16 more important channels, and the 8 mooost important channels of those I plug directly to the 8 preamps of the Tascam. Let`s say: Bass Drum, Snare Drum, OHs Left and Righ, Bass, 2 Guitars, Lead Vocal. Then the other 8 splitted channels to the first 8 channels of the Behringer mixer. Let`s say 3 Toms, 2 Background vocals, 2 Keyboards and Hi-Hat. The behringer mixer has 10 preamps so I have place for two more channels. For those I was thinking about connecting two direct outputs from the Yamaha Mixer. So if there is a band that brings something extra, like sax or trumpet or percussions, I assign that channel from the mixer as a direct out. So now I have 8 channels to the interface and 10 to the mixer. Now my problem is that my interface has only 6 remaining inputs to connect the 10 channels from the mixer. So my idea is to use the 4 buses (mono) to choose which channel to send to the recording channel on the tascam. If a band uses one keyboard in mono, I assign it. The next one doesn`t and I have room to record the Hi-Hat mic, I de-assign the key and assign the Hi-Hat. And if it should be required, I can mix two or more channels in one. For example a stereo keyboard to mono. I could do that with 4 channels, since it has 4 buses, and for the other 2 use just the direct outputs. So what do you guys think about it? I want to be sure about every little thing, since It`s my first ever recording with a splitter and it`s one of the biggest works I have done so far. Thanks in advance! Ps: Before you mention it, I know I can use two more channels with an Analog to S/PDIF converter. I'm already going to use that for the stereo ambience mikes |
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